Lavengro by George Borrow (read me a book txt) 📕
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Lavengro, the Scholar, the Gypsy, the Priest, published in 1851, is a heavily fictionalized account of George Borrow’s early years. Borrow, born in 1803, was a writer and self-taught polyglot, fluent in many European languages, and a lover of literature.
The Romany Rye, published six years later in 1857, is sometimes described as the “sequel” to Lavengro, but in fact it begins with a straight continuation of the action of the first book, which breaks off rather suddenly. The two books therefore are best considered as a whole and read together, and this Standard Ebooks edition combines the two into one volume.
In the novel Borrow tells of his upbringing as the son of an army recruiting officer, moving with the regiment to different locations in Britain, including Scotland and Ireland. It is in Ireland that he first encounters a strange new language which he is keen to learn, leading to a life-long passion for acquiring new tongues. A couple of years later in England, he comes across a camp of gypsies and meets the gypsy Jasper Petulengro, who becomes a life-long friend. Borrow is delighted to discover that the Romany have their own language, which of course he immediately sets out to learn.
Borrow’s subsequent life, up to his mid-twenties, is that of a wanderer, traveling from place to place in Britain, encountering many interesting individuals and having a variety of entertaining adventures. He constantly comes in contact with the gypsies and with Petulengro, and becomes familiar with their language and culture.
The book also includes a considerable amount of criticism of the Catholic Church and its priests. Several chapters are devoted to Borrow’s discussions with “the man in black,” depicted as a cynical Catholic priest who has no real belief in the religious teachings of the Church but who is devoted to seeing it reinstated in England in order for its revenues to increase.
Lavengro was not an immediate critical success on its release, but after Borrow died in 1881, it began to grow in popularity and critical acclaim. It is now considered a classic of English Literature. This Standard Ebooks edition of Lavengro and The Romany Rye is based on the editions published by John Murray and edited by W. I. Knapp, with many clarifying notes.
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- Author: George Borrow
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“Lightly liar leaped and away ran.”
—Piers Plowman.But bigotry, it has been said, makes the author write against Popery; and thoroughgoing bigotry, indeed, will make a person say or do anything. But the writer is a very pretty bigot truly! Where will the public find traces of bigotry in anything he has written? He has written against Rome with all his heart, with all his mind, with all his soul, and with all his strength; but as a person may be quite honest, and speak and write against Rome, in like manner he may speak and write against her, and be quite free from bigotry; though it is impossible for anyone but a bigot or a bad man to write or speak in her praise; her doctrines, actions and machinations being what they are.
Bigotry! The author was born, and has always continued, in the wrong Church for bigotry, the quiet, unpretending Church of England; a Church which, had it been a bigoted Church, and not long suffering almost to a fault, might with its opportunities, as the priest says in the text, have stood in a very different position from that which it occupies at present. No! let those who are in search of bigotry, seek for it in a Church very different from the inoffensive Church of England, which never encourages cruelty or calumny. Let them seek for it amongst the members of the Church of Rome, and more especially amongst those who have renegaded to it. There is nothing, however false and horrible, which a pervert to Rome will not say for his Church, and which his priests will not encourage him in saying; and there is nothing, however horrible—the more horrible indeed and revolting to human nature, the more eager he would be to do it—which he will not do for it and which his priests will not encourage him in doing.
Of the readiness which converts to Popery exhibit to sacrifice all the ties of blood and affection on the shrine of their newly-adopted religion, there is a curious illustration in the work of Luigi Pulci. This man, who was born in Florence in the year 1432, and who was deeply versed in the Bible, composed a poem, called the Morgante Maggiore, which he recited at the table of Lorenzo di Medici, the great patron of Italian genius. It is a mock-heroic and religious poem, in which the legends of knight-errantry, and of the Popish Church, are turned to unbounded ridicule. The pretended hero of it is a converted giant, called Morgante; though his adventures do not occupy the twentieth part of the poem, the principal personages being Charlemagne, Orlando, and his cousin Rinaldo of Montalban. Morgante has two brothers, both of them giants, and in the first canto of the poem, Morgante is represented with his brothers as carrying on a feud with the abbot and monks of a certain convent, built upon the confines of heathenesse; the giants being in the habit of flinging down stones, or rather huge rocks, on the convent. Orlando, however, who is banished from the court of Charlemagne, arriving at the convent, undertakes to destroy them, and, accordingly, kills Passamonte and Alabastro, and converts Morgante, whose mind had been previously softened by a vision, in which the “Blessed Virgin” figures. No sooner is he converted than, as a sign of his penitence, what does he do, but hastens and cuts off the hands of his
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