Lavengro by George Borrow (read me a book txt) π
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Lavengro, the Scholar, the Gypsy, the Priest, published in 1851, is a heavily fictionalized account of George Borrowβs early years. Borrow, born in 1803, was a writer and self-taught polyglot, fluent in many European languages, and a lover of literature.
The Romany Rye, published six years later in 1857, is sometimes described as the βsequelβ to Lavengro, but in fact it begins with a straight continuation of the action of the first book, which breaks off rather suddenly. The two books therefore are best considered as a whole and read together, and this Standard Ebooks edition combines the two into one volume.
In the novel Borrow tells of his upbringing as the son of an army recruiting officer, moving with the regiment to different locations in Britain, including Scotland and Ireland. It is in Ireland that he first encounters a strange new language which he is keen to learn, leading to a life-long passion for acquiring new tongues. A couple of years later in England, he comes across a camp of gypsies and meets the gypsy Jasper Petulengro, who becomes a life-long friend. Borrow is delighted to discover that the Romany have their own language, which of course he immediately sets out to learn.
Borrowβs subsequent life, up to his mid-twenties, is that of a wanderer, traveling from place to place in Britain, encountering many interesting individuals and having a variety of entertaining adventures. He constantly comes in contact with the gypsies and with Petulengro, and becomes familiar with their language and culture.
The book also includes a considerable amount of criticism of the Catholic Church and its priests. Several chapters are devoted to Borrowβs discussions with βthe man in black,β depicted as a cynical Catholic priest who has no real belief in the religious teachings of the Church but who is devoted to seeing it reinstated in England in order for its revenues to increase.
Lavengro was not an immediate critical success on its release, but after Borrow died in 1881, it began to grow in popularity and critical acclaim. It is now considered a classic of English Literature. This Standard Ebooks edition of Lavengro and The Romany Rye is based on the editions published by John Murray and edited by W. I. Knapp, with many clarifying notes.
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- Author: George Borrow
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In the last chapter have been exhibited specimens of gentility, so considered by different classes; by one class, power, youth and epaulets are considered the ne plus ultra of gentility; by another class, pride, stateliness and title; by another, wealth and flaming tawdriness. But what constitutes a gentleman? It is easy to say at once what constitutes a gentleman, and there are no distinctions in what is gentlemanly,370 as there are in what is genteel. The characteristics of a gentleman are high feelingβ βa determination never to take a cowardly advantage of anotherβ βa liberal educationβ βabsence of narrow viewsβ βgenerosity and courage, propriety of behaviour. Now a person may be genteel according to one or another of the three standards described above, and not possess one of the characteristics of a gentleman. Is the emperor a gentleman, with spatters of blood on his clothes, scourged from the backs of noble Hungarian women? Are the aristocracy gentlefolks, who admire him? Is Mr. Flamson a gentleman, although he has a million pounds? No! cowardly miscreants, admirers of cowardly miscreants, and people who make a million pounds by means compared with which those employed to make fortunes by the getters up of the South Sea Bubble might be called honest dealing, are decidedly not gentlefolks. Now as it is clearly demonstrable that a person may be perfectly genteel according to some standard or other, and yet be no gentleman, so is it demonstrable that a person may have no pretensions to gentility, and yet be a gentleman. For example, there is Lavengro! Would the admirers of the emperor, or the admirers of those who admire the emperor, or the admirers of Mr. Flamson, call him genteel? and gentility with them is everything! Assuredly they would not; and assuredly they would consider him respectively as a being to be shunned, despised, or hooted. Genteel! Why at one time he is a hack authorβ βwrites reviewals for eighteenpence a pageβ βedits a Newgate chronicle. At another he wanders the country with a face grimy from occasionally mending kettles; and there is no evidence that his clothes are not seedy and torn, and his shoes down at the heel; but by what process of reasoning will they prove that he is no gentleman? Is he not learned? Has he not generosity and courage? Whilst a hack author, does he pawn the books entrusted to him to review? Does he break his word to his publisher? Does he write begging letters? Does he get clothes or lodgings without paying for them? Again, whilst a wanderer, does he insult helpless women on the road with loose proposals or ribald discourse? Does he take what is not his own from the hedges? Does he play on the fiddle, or make faces in public-houses, in order to obtain pence or beer? or does he call for liquor, swallow it, and then say to a widowed landlady, βMistress, I have no brass?β In a word, what vice and crime does he perpetrateβ βwhat low acts does he commit? Therefore, with his endowments, who will venture to say that he is no gentleman?β βunless it be an admirer of Mr. Flamsonβ βa clownβ βwho will, perhaps, shout: βI say he is no gentleman; for who can be a gentleman who keeps no gig?β
The indifference exhibited by Lavengro for what is merely genteel, compared with his solicitude never to infringe the strict laws of honour, should read a salutary lesson. The generality of his
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