Short Fiction by Ernest Hemingway (best free ebook reader for android .txt) π
Description
Ernest Hemingway is perhaps the most influential American writer of the twentieth century. Though known mostly for his longer works, he began his writing career with the publication of short stories which helped develop his often-imitated concise, simple, and straightforward style, which stood in stark contrast to the more elaborate prose of many of his contemporaries.
In 1947, during a University of Mississippi creative writing class, William Faulkner remarked that Hemingway βhas never been known to use a word that might cause the reader to check with a dictionary to see if it is properly used.β Hemingway famously responded: βPoor Faulkner. Does he really think big emotions come from big words? He thinks I donβt know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.β
Besides his writing style, Hemingwayβs most well-known contribution to the literary landscape was the iceberg theory of writing, developed while composing the short story βOut of Season.β Hemingway later said of the story: βI had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.β
This collection comprises all of the public domain stories published in Hemingwayβs short story collections, some miscellaneous stories published in various magazines, and his novellas. With the exception of stories within collections with a thematic link, such as In Our Time, they are arranged in publication order.
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- Author: Ernest Hemingway
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He started down to the stream, holding his rod, the bottle of grasshoppers hung from his neck by a thong tied in half hitches around the neck of the bottle. His landing net hung by a hook from his belt. Over his shoulder was a long flour sack tied at each corner into an ear. The cord went over his shoulder. The sack flapped against his legs.
Nick felt awkward and professionally happy with all his equipment hanging from him. The grasshopper bottle swung against his chest. In his shirt the breast pockets bulged against him with the lunch and his fly book.
He stepped into the stream. It was a shock. His trousers clung tight to his legs. His shoes felt the gravel. The water was a rising cold shock.
Rushing, the current sucked against his legs. Where he stepped in, the water was over his knees. He waded with the current. The gravel slid under his shoes. He looked down at the swirl of water below each leg and tipped up the bottle to get a grasshopper.
The first grasshopper gave a jump in the neck of the bottle and went out into the water. He was sucked under in the whirl by Nickβs right leg and came to the surface a little way down stream. He floated rapidly, kicking. In a quick circle, breaking the smooth surface of the water, he disappeared. A trout had taken him.
Another hopper poked his head out of the bottle. His antennae wavered. He was getting his front legs out of the bottle to jump. Nick took him by the head and held him while he threaded the slim hook under his chin, down through his thorax and into the last segments of his abdomen. The grasshopper took hold of the hook with his front feet, spitting tobacco juice on it. Nick dropped him into the water.
Holding the rod in his right hand he let out line against the pull of the grasshopper in the current. He stripped off line from the reel with his left hand and let it run free. He could see the hopper in the little waves of the current. It went out of sight.
There was a tug on the line. Nick pulled against the taut line. It was his first strike. Holding the now living rod across the current, he brought in the line with his left hand. The rod bent in jerks, the trout pumping against the current. Nick knew it was a small one. He lifted the rod straight up in the air. It bowed with the pull.
He saw the trout in the water jerking with his head and body against the shifting tangent of the line in the stream.
Nick took the line in his left hand and pulled the trout, thumping tiredly against the current, to the surface. His back was mottled the clear, water-over-gravel color, his side flashing in the sun. The rod under his right arm, Nick stooped, dipping his right hand into the current. He held the trout, never still, with his moist right hand, while he unhooked the barb from his mouth, then dropped him back into the stream.
He hung unsteadily in the current, then settled to the bottom beside a stone. Nick reached down his hand to touch him, his arm to the elbow under water. The trout was steady in the moving stream, resting on the gravel, beside a stone. As Nickβs fingers touched him, touched his smooth, cool, underwater feeling he was gone, gone in a shadow across the bottom of the stream.
Heβs all right, Nick thought. He was only tired.
He had wet his hand before he touched the trout, so he would not disturb the delicate mucus that covered him. If a trout was touched with a dry hand, a white fungus attacked the unprotected spot. Years before when he had fished crowded streams, with fly fishermen ahead of him and behind him, Nick had again and again come on dead trout, furry with white fungus, drifted against a rock, or floating belly up in some pool. Nick did not like to fish with other men on the river. Unless they were of your party, they spoiled it.
He wallowed down the stream, above his knees in the current, through the fifty yards of shallow water above the pile of logs that crossed the stream. He did not rebait his hook and held it in his hand as he waded. He was certain he could catch small trout in the shallows, but he did not want them. There would be no big trout in the shallows this time of day.
Now the water deepened up his thighs sharply and coldly. Ahead was the smooth dammed-back flood of water above the logs. The water was smooth and dark; on the left, the lower edge of the meadow; on the right the swamp.
Nick leaned back against the current and took a hopper from the bottle. He threaded the hopper on the hook and spat on him for good luck. Then he pulled several yards of line from the reel and tossed the hopper out ahead onto the fast, dark water. It floated down towards the logs, then the weight of the line pulled the bait under the surface. Nick held the rod in his right hand, letting the line run out through his fingers.
There was a long tug. Nick struck and the rod came alive and dangerous, bent double, the line tightening, coming out of water, tightening, all in a heavy, dangerous, steady pull. Nick felt the moment when the leader would break if the strain increased and let the line go.
The reel ratcheted into a mechanical shriek as the line went out in a rush. Too fast. Nick could not check it, the line rushing out, the reel note rising as the line ran out.
With the core of the reel showing, his heart feeling stopped with the excitement, leaning back against the current that mounted icily his thighs,
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