Short Fiction by Ernest Hemingway (best free ebook reader for android .txt) ๐
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Ernest Hemingway is perhaps the most influential American writer of the twentieth century. Though known mostly for his longer works, he began his writing career with the publication of short stories which helped develop his often-imitated concise, simple, and straightforward style, which stood in stark contrast to the more elaborate prose of many of his contemporaries.
In 1947, during a University of Mississippi creative writing class, William Faulkner remarked that Hemingway โhas never been known to use a word that might cause the reader to check with a dictionary to see if it is properly used.โ Hemingway famously responded: โPoor Faulkner. Does he really think big emotions come from big words? He thinks I donโt know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.โ
Besides his writing style, Hemingwayโs most well-known contribution to the literary landscape was the iceberg theory of writing, developed while composing the short story โOut of Season.โ Hemingway later said of the story: โI had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.โ
This collection comprises all of the public domain stories published in Hemingwayโs short story collections, some miscellaneous stories published in various magazines, and his novellas. With the exception of stories within collections with a thematic link, such as In Our Time, they are arranged in publication order.
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- Author: Ernest Hemingway
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Yogi Johnson looked out of the window. Soon it would be time to shut the pump-factory for the night. He opened the window carefully, just a crack. Just a crack, but that was enough. Outside in the yard the snow had begun to melt. A warm breeze was blowing. A chinook wind the pump fellows called it. The warm chinook wind came in through the window into the pump-factory. All the workmen laid down their tools. Many of them were Indians.
The foreman was a short, iron-jawed man. He had once made a trip as far as Duluth. Duluth was far across the blue waters of the lake in the hills of Minnesota. A wonderful thing had happened to him there.
The foreman put his finger in his mouth to moisten it and held it up in the air. He felt the warm breeze on his finger. He shook his head ruefully and smiled at the men, a little grimly perhaps.
โWell, itโs a regular chinook, boys,โ he said.
Silently for the most part, the workmen hung up their tools. The half-completed pumps were put away in their racks. The workmen filed, some of them talking, others silent, a few muttering, to the washroom to wash up.
Outside through the window came the sound of an Indian war-whoop.
IIScripps OโNeil stood outside the Mancelona High School looking up at the lighted windows. It was dark and the snow was falling. It had been falling ever since Scripps could remember. A passerby stopped and stared at Scripps. After all, what was this man to him? He went on.
Scripps stood in the snow and stared up at the lighted windows of the High School. Inside there people were learning things. Far into the night they worked, the boys vying with the girls in their search for knowledge, this urge for the learning of things that was sweeping America. His girl, little Lousy, a girl that had cost him a cool seventy-five dollars in doctorsโ bills, was in there learning. Scripps was proud. It was too late for him to learn, but there, day after day and night after night, Lousy was learning. She had the stuff in her, that girl.
Scripps went on up to his house. It was not a big house, but it wasnโt size that mattered to Scrippsโs old woman.
โScripps,โ she often said when they were drinking together, โI donโt want a palace. All I want is a place to keep the wind out.โ Scripps had taken her at her word. Now, as he walked in the late evening through the snow and saw the lights of his own home, he felt glad that he had taken her at her word. It was better this way than if he were coming home to a palace. He, Scripps, was not the sort of chap that wanted a palace.
He opened the door of his house and went in. Something kept going through his head. He tried to get it out, but it was no good. What was it that poet chap his friend Harry Parker had met once in Detroit had written? Harry used to recite it: โThrough pleasures and palaces though I may roam. When you something something something thereโs no place like home.โ He could not remember the words. Not all of them. He had written a simple tune to it and taught Lucy to sing it. That was when they first were married. Scripps might have been a composer, one of these chaps that write the stuff the Chicago Symphony Orchestra plays, if he had had a chance to go on. He would get Lucy to sing that song tonight. He would never drink again. Drinking robbed him of his ear for music. Times when he was drunk the sound of the whistles of the trains at night pulling up the Boyne Falls grade seemed more lovely than anything this chap Stravinsky had ever written. Drinking had done that. It was wrong. He would get away to Paris. Like this chap Albert Spalding that played the violin.
Scripps opened the door. He went in. โLucy,โ he called, โit is I, Scripps.โ He would never drink again. No more nights out on the railroad. Perhaps Lucy needed a new fur coat. Perhaps, after all, she had wanted a palace instead of this place. You never knew how you were treating a woman. Perhaps, after all, this place was not keeping out the wind. Fantastic. He lit a match. โLucy!โ he called, and there was a note of dumb terror in his mouth. His friend Walt Simmons had heard just such a cry from a stallion that had once been run over by a passing autobus in the Place Vendรดme in Paris. In Paris there were no geldings. All the horses were stallions. They did not breed mares. Not since the war. The war changed all that.
โLucy!โ he called, and again โLucy!โ There was no answer. The house was empty. Through the snow-filled air, as he stood there alone in his tall leanness, in his own deserted house, there came to Scrippsโs ears the distant sound of an Indian war-whoop.
IIIScripps left Mancelona. He was through with that place. What had a town like that to give him? There was nothing to it. You worked all your life and then a thing like that happened. The savings of years wiped out. Everything gone. He started to Chicago to get a job. Chicago was the place. Look at its geographical situation, right at the end of Lake Michigan. Chicago would do big things. Any fool could see that. He would buy land in what is now the Loop, the big shopping and manufacturing district. He would buy the land at a low price and then hang onto it. Let them try and get it away from him. He knew a thing or two now.
Alone, bareheaded, the snow blowing in his hair,
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