Short Fiction by Ernest Hemingway (best free ebook reader for android .txt) ๐
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Ernest Hemingway is perhaps the most influential American writer of the twentieth century. Though known mostly for his longer works, he began his writing career with the publication of short stories which helped develop his often-imitated concise, simple, and straightforward style, which stood in stark contrast to the more elaborate prose of many of his contemporaries.
In 1947, during a University of Mississippi creative writing class, William Faulkner remarked that Hemingway โhas never been known to use a word that might cause the reader to check with a dictionary to see if it is properly used.โ Hemingway famously responded: โPoor Faulkner. Does he really think big emotions come from big words? He thinks I donโt know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.โ
Besides his writing style, Hemingwayโs most well-known contribution to the literary landscape was the iceberg theory of writing, developed while composing the short story โOut of Season.โ Hemingway later said of the story: โI had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.โ
This collection comprises all of the public domain stories published in Hemingwayโs short story collections, some miscellaneous stories published in various magazines, and his novellas. With the exception of stories within collections with a thematic link, such as In Our Time, they are arranged in publication order.
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- Author: Ernest Hemingway
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Nick cleaned them, slitting them from the vent to the tip of the jaw. All the insides and the gills and tongue came out in one piece. They were both males; long gray-white strips of milt, smooth and clean. All the insides clean and compact, coming out all together. Nick tossed the offal ashore for the minks to find.
He washed the trout in the stream. When he held them back up in the water they looked like live fish. Their color was not gone yet. He washed his hands and dried them on the log. Then he laid the trout on the sack spread out on the log, rolled them up in it, tied the bundle and put it in the landing net. His knife was still standing, blade stuck in the log. He cleaned it on the wood and put it in his pocket.
Nick stood up on the log, holding his rod, the landing net hanging heavy, then stepped into the water and splashed ashore. He climbed the bank and cut up into the woods, toward the high ground. He was going back to camp. He looked back. The river just showed through the trees. There were plenty of days coming when he could fish the swamp.
LโEnvoiThe king was working in the garden. He seemed very glad to see me. We walked through the garden. โThis is the queen,โ he said. She was clipping a rose bush. โOh, how do you do,โ she said. We sat down at a table under a big tree and the king ordered whisky and soda. โWe have good whisky anyway,โ he said. The revolutionary committee, he told me, would not allow him to go outside the palace grounds. โPlastiras is a very good man, I believe,โ he said, โbut frightfully difficult. I think he did right, though, shooting those chaps. If Kerensky had shot a few men things might have been altogether different. Of course, the great thing in this sort of an affair is not to be shot oneself.โ
It was very jolly. We talked for a long time. Like all Greeks he wanted to go to America.
The Torrents of Spring A Romantic Novel in Honor of the Passing of a Great RaceAnd perhaps there is one reason why a comic writer should of all others be the least excused for deviating from nature, since it may not be always so easy for a serious poet to meet with the great and the admirable; but life everywhere furnishes an accurate observer with the ridiculous.
Henry Fielding Red and Black LaughterThe only source of the true Ridiculous (as it appears to me) is affectation.
Henry Fielding IYogi Johnson stood looking out of the window of a big pump-factory in Michigan. Spring would soon be here. Could it be that what this writing fellow Hutchinson had said, โIf winter comes can spring be far behind?โ would be true again this year? Yogi Johnson wondered. Near Yogi at the next window but one stood Scripps OโNeil, a tall, lean man with a tall, lean face. Both stood and looked out at the empty yard of the pump-factory. Snow covered the crated pumps that would soon be shipped away. Once the spring should come and the snow melt, workmen from the factory would break out the pumps from piles where they were snowed in and haul them down to the G. R. & I. station, where they would be loaded on flatcars and shipped away. Yogi Johnson looked out of the window at the snowed-in pumps, and his breath made little fairy tracings on the cold windowpane. Yogi Johnson thought of Paris. Perhaps it was the little fairy tracings that reminded him of the gay city where he had once spent two weeks. Two weeks that were to have been the happiest weeks of his life. That was all behind him now. That and everything else.
Scripps OโNeil had two wives. As he looked out of the window, standing tall and lean and resilient with his own tenuous hardness, he thought of both of them. One lived in Mancelona and the other lived in Petoskey. He had not seen the wife who lived in Mancelona since last spring. He looked out at the snow-covered pump-yards and thought what spring would mean. With his wife in Mancelona Scripps often got drunk. When he was drunk he and his wife were happy. They would go down together to the railway station and walk out along the tracks, and then sit together and drink and watch the trains go by. They would sit under a pine-tree on a little hill that overlooked the railway and drink. Sometimes they drank all night. Sometimes they drank for a week at a time. It did them good. It made Scripps strong.
Scripps had a daughter whom he playfully called Lousy OโNeil. Her real name was Lucy OโNeil. One night, after Scripps and his old woman had been out drinking on the railroad line for three or four days, he lost his wife. He didnโt know where she was. When he came to himself everything was dark. He walked along the railroad track toward town. The ties were stiff and hard under his feet. He tried walking on the rails. He couldnโt do it. He had the dope on that all right. He went back to walking along the ties. It was a long way into town. Finally he came to where he could see the lights of the switch-yard. He cut away from the tracks and passed the Mancelona High School. It was a yellow-brick building. There was nothing rococo about it, like the buildings he had seen in Paris. No, he had never been in Paris.
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