Lavengro by George Borrow (read me a book txt) π
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Lavengro, the Scholar, the Gypsy, the Priest, published in 1851, is a heavily fictionalized account of George Borrowβs early years. Borrow, born in 1803, was a writer and self-taught polyglot, fluent in many European languages, and a lover of literature.
The Romany Rye, published six years later in 1857, is sometimes described as the βsequelβ to Lavengro, but in fact it begins with a straight continuation of the action of the first book, which breaks off rather suddenly. The two books therefore are best considered as a whole and read together, and this Standard Ebooks edition combines the two into one volume.
In the novel Borrow tells of his upbringing as the son of an army recruiting officer, moving with the regiment to different locations in Britain, including Scotland and Ireland. It is in Ireland that he first encounters a strange new language which he is keen to learn, leading to a life-long passion for acquiring new tongues. A couple of years later in England, he comes across a camp of gypsies and meets the gypsy Jasper Petulengro, who becomes a life-long friend. Borrow is delighted to discover that the Romany have their own language, which of course he immediately sets out to learn.
Borrowβs subsequent life, up to his mid-twenties, is that of a wanderer, traveling from place to place in Britain, encountering many interesting individuals and having a variety of entertaining adventures. He constantly comes in contact with the gypsies and with Petulengro, and becomes familiar with their language and culture.
The book also includes a considerable amount of criticism of the Catholic Church and its priests. Several chapters are devoted to Borrowβs discussions with βthe man in black,β depicted as a cynical Catholic priest who has no real belief in the religious teachings of the Church but who is devoted to seeing it reinstated in England in order for its revenues to increase.
Lavengro was not an immediate critical success on its release, but after Borrow died in 1881, it began to grow in popularity and critical acclaim. It is now considered a classic of English Literature. This Standard Ebooks edition of Lavengro and The Romany Rye is based on the editions published by John Murray and edited by W. I. Knapp, with many clarifying notes.
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βYou deserve better handling,β said I, as I went up to the cob and fondled it; whereupon it whinnied, and attempted to touch my face with its nose.
βAre ye not afraid of that beast?β said the smith, showing his fang. βArrah, itβs vicious that he looks!β
βItβs at you, then!β βI donβt fear him;β and thereupon I passed under the horse, between his hind legs.
βAnd is that all you can do, agrah?β said the smith.
βNo,β said I, βI can ride him.β
βYe can ride him, and what else, agrah?β
βI can leap him over a six-foot wall,β said I.
βOver a wall, and what more, agrah?β
βNothing more,β said I; βwhat more would you have?β
βCan you do this, agrah?β said the smith, and he uttered a word which I had never heard before, in a sharp pungent tone. The effect upon myself was somewhat extraordinary, a strange thrill ran through me; but with regard to the cob it was terrible; the animal forthwith became like one mad, and reared and kicked with the utmost desperation.
βCan you do that, agrah?β said the smith.
βWhat is it?β said I, retreating, βI never saw the horse so before.β
βGo between his legs, agrah,β said the smith, βhis hinder legs;β and he again showed his fang.
βI dare not,β said I, βhe would kill me.β
βHe would kill ye! and how do ye know that, agrah?β
βI feel he would,β said I, βsomething tells me so.β
βAnd it tells ye truth, agrah; but itβs a fine beast, and itβs a pity to see him in such a state: Is agam anβt leigeasβ70β βand here he uttered another word71 in a voice singularly modified, but sweet and almost plaintive; the effect of it was as instantaneous as that of the other, but how different!β βthe animal lost all its fury and became at once calm and gentle. The smith went up to it, coaxed and patted it, making use of various sounds of equal endearment; then turning to me, and holding out once more the grimy hand, he said: βAnd now ye will be giving me the Sassanach tenpence, agrah?β
XIVFrom the wild scenes which I have attempted to describe in the latter pages I must now transport the reader to others of a widely different character. He must suppose himself no longer in Ireland, but in the eastern corner of merry England. Bogs, ruins and mountains have disappeared amidst the vapours of the west: I have nothing more to say of them; the region in which we are now is not famous for objects of that kind; perhaps it flatters itself that it can produce fairer and better things, of some of which let me speak; there is a fine old city72 before us, and first of that let me speak.
A fine old city, truly, is that, view it from whatever side you will; but it shows best from the east, where the ground, bold and elevated, overlooks the fair and fertile valley in which it stands. Gazing from those heights, the eye beholds a scene which cannot fail to awaken, even in the least sensitive bosom, feelings of pleasure and admiration. At the foot of the heights flows a narrow and deep river, with an antique bridge communicating with a long and narrow suburb, flanked on either side by rich meadows of the brightest green, beyond which spreads the city, the fine old city, perhaps the most curious specimen at present extant of the genuine old English town. Yes, there it spreads from north to south, with its venerable houses, its numerous gardens, its thrice twelve churches, its mighty mound, which, if tradition speaks true, was raised by human hands to serve as the grave heap of an old heathen king, who sits deep within it, with his sword in his hand and his gold and silver treasures about him. There is a grey old castle upon the top of that mighty mound; and yonder, rising three hundred feet above the soil, from among those noble forest trees, behold that old Norman master-work, that cloud-encircled cathedral spire, around which a garrulous army of rooks and choughs continually wheel their flight. Now, who can wonder that the children of that fine old city are proud of her, and offer up prayers for her prosperity? I, myself, who was not born within her walls, offer up prayers for her prosperity, that want may never visit her cottages, vice her palaces, and that the abomination of idolatry may never pollute her temples. Ha, idolatry! the reign of idolatry has been over there for many a long year, never more, let us hope, to return; brave hearts in that old town have borne witness against it and sealed their testimony with their heartsβ bloodβ βmost precious to the Lord is the blood of His saints! we are not far from hallowed ground. Observe ye not yon chalky precipice to the right of the Norman bridge?73 On this side of the stream, upon its brow, is a piece of ruined wall, the last relic of what was of old a stately pile, whilst at its foot is a place called the Lollardsβ Hole; and with good reason, for many a saint of God has breathed his last beneath that white precipice, bearing witness against Popish idolatry, midst flame and pitch; many a grisly procession has advanced along that suburb, across the old bridge, towards the Lollardsβ Hole: furious priests in front, a calm pale martyr in the midst, a pitying multitude behind. It has had its martyrs, the venerable old town!
Ah! there is good blood in that old city, and in the whole circumjacent region of which it is the capital. The Angles possessed the land at an early period, which, however, they were eventually compelled to share with hordes
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