Villette by Charlotte BrontĂ« (free e reader .TXT) đ
Description
Charlotte BrontĂ«âs last novel, Villette, is thought to be most closely modelled on her own experiences teaching in a pensionnat in Brussels, the place on which the fictional town of Villette is based. In the novel, first published in 1853, we follow the protagonist Lucy Snowe from the time she is fourteen and lives with her godmother in rural England, through her family tragedies and departure for the town of Villette where she finds work at a French boarding school. People from her past reappear in dramatic ways, she makes new connections, and she learns the stories and secrets of the people around her. Through it all, the reader is made privy to Lucyâs thoughts, feelings, and journey of self-discovery.
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- Author: Charlotte Brontë
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âBrava!â cried he, holding the door open and remaining at the threshold. âJâai tout entendu. Câest assez bien. Encore!â
A moment I hesitated.
âEncore!â said he sternly. âEt point de grimaces! A bas la timiditĂ©!â
Again I went through the part, but not half so well as I had spoken it alone.
âEnfin, elle sait,â said he, half dissatisfied, âand one cannot be fastidious or exacting under the circumstances.â Then he added, âYou may yet have twenty minutes for preparation: au revoir!â And he was going.
âMonsieur,â I called out, taking courage.
âEh bien! Quâest-ce que câest, Mademoiselle?â
âJâai bien faim.â
âComment, vous avez faim! Et la collation?â
âI know nothing about it. I have not seen it, shut up here.â
âAh! Câest vrai,â cried he.
In a moment my throne was abdicated, the attic evacuated; an inverse repetition of the impetus which had brought me up into the attic, instantly took me downâ âdownâ âdown to the very kitchen. I thought I should have gone to the cellar. The cook was imperatively ordered to produce food, and I, as imperatively, was commanded to eat. To my great joy this food was limited to coffee and cake: I had feared wine and sweets, which I did not like. How he guessed that I should like a petit pĂątĂ© Ă la crĂȘme I cannot tell; but he went out and procured me one from some quarter. With considerable willingness I ate and drank, keeping the petit pĂątĂ© till the last, as a bonne bouche. M. Paul superintended my repast, and almost forced upon me more than I could swallow.
âA la bonne heure,â he cried, when I signified that I really could take no more, and, with uplifted hands, implored to be spared the additional roll on which he had just spread butter. âYou will set me down as a species of tyrant and Bluebeard, starving women in a garret; whereas, after all, I am no such thing. Now, Mademoiselle, do you feel courage and strength to appear?â
I said, I thought I did; though, in truth, I was perfectly confused, and could hardly tell how I felt: but this little man was of the order of beings who must not be opposed, unless you possessed an all-dominant force sufficient to crush him at once.
âCome then,â said he, offering his hand.
I gave him mine, and he set off with a rapid walk, which obliged me to run at his side in order to keep pace. In the carré he stopped a moment: it was lit with large lamps; the wide doors of the classes were open, and so were the equally wide garden-doors; orange-trees in tubs, and tall flowers in pots, ornamented these portals on each side; groups of ladies and gentlemen in evening-dress stood and walked amongst the flowers. Within, the long vista of the schoolrooms presented a thronging, undulating, murmuring, waving, streaming multitude, all rose, and blue, and half translucent white. There were lustres burning overhead; far off there was a stage, a solemn green curtain, a row of footlights.
âNest-ce pas que câest beau?â demanded my companion.
I should have said it was, but my heart got up into my throat. M. Paul discovered this, and gave me a side-scowl and a little shake for my pains.
âI will do my best, but I wish it was over,â said I; then I asked: âAre we to walk through that crowd?â
âBy no means: I manage matters better: we pass through the gardenâ âhere.â
In an instant we were out of doors: the cool, calm night revived me somewhat. It was moonless, but the reflex from the many glowing windows lit the court brightly, and even the alleysâ âdimly. Heaven was cloudless, and grand with the quiver of its living fires. How soft are the nights of the Continent! How bland, balmy, safe! No sea-fog; no chilling damp: mistless as noon, and fresh as morning.
Having crossed court and garden, we reached the glass door of the first classe. It stood open, like all other doors that night; we passed, and then I was ushered into a small cabinet, dividing the first classe from the grand salle. This cabinet dazzled me, it was so full of light: it deafened me, it was clamorous with voices: it stifled me, it was so hot, choking, thronged.
âDe lâordre! Du silence!â cried M. Paul. âIs this chaos?â he demanded; and there was a hush. With a dozen words, and as many gestures, he turned out half the persons present, and obliged the remnant to fall into rank. Those left were all in costume: they were the performers, and this was the greenroom. M. Paul introduced me. All stared and some tittered. It was a surprise: they had not expected the Englishwoman would play in a vaudeville. Ginevra Fanshawe, beautifully dressed for her part, and looking fascinatingly pretty, turned on me a pair of eyes as round as beads. In the highest spirit, unperturbed by fear or bashfulness, delighted indeed at the thought of shining off before hundredsâ âmy entrance seemed to transfix her with amazement in the midst of her joy. She would have exclaimed, but M. Paul held her and all the rest in check.
Having surveyed and criticized the whole troop, he turned to me.
âYou, too, must be dressed for your part.â
âDressedâ âdressed like a man!â exclaimed ZĂ©lie St. Pierre, darting forwards; adding with officiousness, âI will dress her myself.â
To be dressed like a
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