Short Fiction by Arthur Machen (ebook reader .txt) 📕
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Arthur Machen was a Welsh man of letters who wrote his most famous work in the late 1890s and early 1900s. While his body of work is wide, he’s perhaps best known for his supernaturally-flavored proto-horror short stories. The Great God Pan—perhaps his most famous work—along with “The Inmost Light” and The White People deeply influenced later writers like H. P. Lovecraft. Stephen King has gone so far as to call The Great God Pan “maybe the best [horror story] in the English language.”
Besides his horror short stories, Machen also wrote a handful of post World War I supernatural shorts. One of these, “The Bowmen,” was published in a popular newspaper and was implied to be non-fiction, leading to the creation of the “Angels of Mons” urban legend. This collection includes several other World War I short stories published by Machen.
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- Author: Arthur Machen
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But though there seemed in a sense light all about my ways, I was myself still quite bewildered. I could see, indeed, that something strange had happened or was happening in the little town hidden under the hill, but there was so far no clue to the mystery, or rather, the clue had been offered to me, and I had not taken it, I had not even known that it was there; since we do not so much as see what we have determined, without judging, to be incredible, even though it be held up before our eyes. The dialogue that the Welsh Mrs. Williams had reported to her English friend might have set me on the right way; but the right way was outside all my limits of possibility, outside the circle of my thought. The paleontologist might see monstrous, significant marks in the slime of a river bank, but he would never draw the conclusions that his own peculiar science would seem to suggest to him; he would choose any explanation rather than the obvious, since the obvious would also be the outrageous—according to our established habit of thought, which we deem final.
The next day I took all these strange things with me for consideration to a certain place that I knew of not far from Penvro. I was now in the early stages of the jigsaw process, or rather I had only a few pieces before me, and—to continue the figure my difficulty was this: that though the markings on each piece seemed to have design and significance, yet I could not make the wildest guess as to the nature of the whole picture, of which these were the parts. I had clearly seen that there was a great secret; I had seen that on the face of the young farmer on the platform of Llantrisant station; and in my mind there was all the while the picture of him going down the dark, steep, winding lane that led to the town and the sea, going down through the heart of the wood, with light about him.
But there was bewilderment in the thought of this, and in the endeavour to match it with the perfumed church and the scraps of talk that I had heard and the rumour of midnight brightness; and though Penvro is by no means populous, I thought I would go to a certain solitary place called the Old Camp Head, which looks towards Cornwall and to the great deeps that roll beyond Cornwall to the far ends of the world; a place where fragments of dreams—they seemed such then—might, perhaps, be gathered into the clearness of vision.
It was some years since I had been to the Head, and I had gone on that last time and on a former visit by the cliffs, a rough and difficult path. Now I chose a landward way, which the county map seemed to justify, though doubtfully, as regarded the last part of the journey. So I went inland and climbed the hot summer byroads, till I came at last to a lane which gradually turned turfy and grass-grown, and then on high ground, ceased to be. It left me at a gate in a hedge of old thorns; and across the field beyond there seemed to be some faint indications of a track. One would judge that sometimes men did pass by that way, but not often.
It was high ground but not within sight of the sea. But the breath of the sea blew about the hedge of thorns, and came with a keen savour to the nostrils. The ground sloped gently from the gate and then rose again to a ridge, where a white farmhouse stood all alone. I passed by this farmhouse, threading an uncertain way, followed a hedgerow doubtfully; and saw suddenly before me the Old Camp, and beyond it the sapphire plain of waters and the mist where sea and sky met. Steep from my feet the hill fell away, a land of gorse-blossom, red-gold and mellow, of glorious purple heather. It fell into a hollow that went down, shining with rich green bracken, to the glimmering sea; and before me and beyond the hollow rose a height of turf, bastioned at the summit with the awful, age-old walls of the Old Camp; green, rounded circumvallations, wall within wall, tremendous, with their myriad years upon them.
Within these smoothed, green mounds, looking across the shining and changing of the waters in the happy sunlight, I took out the bread and cheese and beer that I had carried in a bag, and ate and drank, and lit my pipe, and set myself to think over the enigmas of Llantrisant. And I had scarcely done so when, a good deal to my annoyance, a man came climbing up over the green ridges, and took up his stand close by, and stared out to sea. He nodded to me, and began with “Fine weather for the harvest” in the approved manner, and so sat down and engaged me in a net of talk. He was of Wales, it seemed, but from a different part of the country, and was staying for a few days with relations—at the white farmhouse which I had passed on my way. His tale of nothing flowed on to his pleasure and my pain, till he fell suddenly on Llantrisant and its doings. I listened then with wonder, and here is his tale condensed. Though it must be clearly understood that
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