Following the death of her father, Ann Whitefield becomes the ward of Jack Tanner and Roebuck Ramsden; Jack is a childhood friend, author of The Revolutionist’s Handbook, and descendant of Don Juan, while Roebuck Ramsden is a respectable friend of her father’s entirely opposed to Jack’s philosophy. Also in mourning are Octavius Robinson, who is openly in love with Ann, and his sister Violet, who is secretly pregnant. So begins a journey that will take them across London, Europe, and to Hell.
George Bernard Shaw wrote Man and Superman between 1901 and 1903. It was first performed in 1905 with the third act excised; a part of that third act, Don Juan in Hell, was performed in 1907. The full play was not performed in its entirety until 1915.
Shaw explains that he wrote Man and Superman after being challenged to write on the theme of Don Juan. Once described as Shaw’s most allusive play, Man and Superman refers to Nietzsche’s concept of the Übermensch. It combines Nietzsche’s argument that humanity is evolving towards a “superman” with the philosophy of Don Juan as a way to present his conception of society: namely, that it is women who are the driving force behind natural selection and the propagation of the species. To this end, Shaw includes as an appendix The Revolutionist’s Handbook and Pocket Companion as written by the character Jack Tanner.
She gets her own way always.
Octavius
Sighing. So do you.
Ann
Yes; but somehow she gets it without coaxing—without having to make people sentimental about her.
Octavius
With brotherly callousness. Nobody could get very sentimental about Violet, I think, pretty as she is.
Ann
Oh yes they could, if she made them.
Octavius
But surely no really nice woman would deliberately practise on men’s instincts in that way.
Ann
Throwing up her hands. Oh Tavy, Tavy, Ricky Ticky Tavy, heaven help the woman who marries you!
Octavius
His passion reviving at the name. Oh why, why, why do you say that? Don’t torment me. I don’t understand.
Ann
Suppose she were to tell fibs, and lay snares for men?
Octavius
Do you think I could marry such a woman—I, who have known and loved you?
Ann
Hm! Well, at all events, she wouldn’t let you if she were wise. So that’s settled. And now I can’t talk any more. Say you forgive me, and that the subject is closed.
Octavius
I have nothing to forgive; and the subject is closed. And if the wound is open, at least you shall never see it bleed.
Ann
Poetic to the last, Tavy. Goodbye, dear. She pats his check; has an impulse to kiss him and then another impulse of distaste which prevents her; finally runs away through the garden and into the villa.Octavius again takes refuge at the table, bowing his head on his arms and sobbing softly. Mrs. Whitefield, who has been pottering round the Granada shops, and has a net full of little parcels in her hand, comes in through the gate and sees him.
Mrs. Whitefield
Running to him and lifting his head. What’s the matter, Tavy? Are you ill?
Octavius
No, nothing, nothing.
Mrs. Whitefield
Still holding his head, anxiously. But you’re crying. Is it about Violet’s marriage?
Octavius
No, no. Who told you about Violet?
Mrs. Whitefield
Restoring the head to its owner. I met Roebuck and that awful old Irishman. Are you sure you’re not ill? What’s the matter?
Octavius
Affectionately. It’s nothing—only a man’s broken heart. Doesn’t that sound ridiculous?
Mrs. Whitefield
But what is it all about? Has Ann been doing anything to you?
Octavius
It’s not Ann’s fault. And don’t think for a moment that I blame you.
Mrs. Whitefield
Startled. For what?
Octavius
Pressing her hand consolingly. For nothing. I said I didn’t blame you.
Mrs. Whitefield
But I haven’t done anything. What’s the matter?
Octavius
Smiling sadly. Can’t you guess? I daresay you are right to prefer Jack to me as a husband for Ann; but I love Ann; and it hurts rather. He rises and moves away from her towards the middle of the lawn.
Mrs. Whitefield
Following him hastily. Does Ann say that I want her to marry Jack?
Octavius
Yes: she has told me.
Mrs. Whitefield
Thoughtfully. Then I’m very sorry for you, Tavy. It’s only her way of saying she wants to marry Jack. Little she cares what I say or what I want!
Octavius
But she would not say it unless she believed it. Surely you don’t suspect Ann of—of deceit!!
Mrs. Whitefield
Well, never mind, Tavy. I don’t know which is best for a young man: to know too little, like you, or too much, like Jack.
Tanner returns.
Tanner
Well, I’ve disposed of old Malone. I’ve introduced him to Mendoza, Limited; and left the two brigands together to talk it out. Hullo, Tavy! Anything wrong?
Octavius
I must go wash my face, I see. To Mrs. Whitefield. Tell him what you wish. To Tanner. You may take it from me, Jack, that Ann approves of it.
Tanner
Puzzled by his manner. Approves of what?
Octavius
Of what Mrs. Whitefield wishes. He goes his way with sad dignity to the villa.
Tanner
To Mrs. Whitefield. This is very mysterious. What is it you wish? It shall be done, whatever it is.
Mrs. Whitefield
With snivelling gratitude. Thank you, Jack. She sits down. Tanner brings the other chair from the table and sits close to her with his elbows on his knees, giving her his whole attention. I don’t know why it is that other people’s children are so nice to me, and that my own have so little consideration for me. It’s no wonder I don’t seem able to care for Ann and Rhoda as I do for you and Tavy and Violet. It’s a very queer world. It used to be so straightforward and simple; and now nobody seems to think and feel as they ought. Nothing has been right since that speech that Professor Tyndall made at Belfast.
Tanner
Yes: life is more complicated than we used to think. But what am I to do for you?
Mrs. Whitefield
That’s just what I want to tell you. Of course you’ll marry Ann whether I like it myself or not—
Tanner
Starting. It seems to me that I shall presently be married to Ann whether I like it myself or not.
Mrs. Whitefield
Peacefully. Oh, very likely you will: you know what she is when she has set her mind on anything. But don’t put it on me: that’s all I ask. Tavy has just let out that she’s been saying that I am making her marry you; and the poor boy is breaking his heart about it; for he is in love with her himself, though what he sees in her so wonderful, goodness knows: I don’t. It’s no use telling Tavy that Ann puts things into people’s heads by telling them that I want them when the thought of them never crossed my mind. It only sets Tavy against me. But you know better than that. So if you marry her, don’t put the blame on me.
Tanner
Emphatically. I haven’t the slightest intention of marrying her.
Mrs. Whitefield
Slyly. She’d suit you better than Tavy. She’d meet her match in you, Jack. I’d like to see her meet her match.
Tanner
No man is a match for a woman, except with a poker and a pair of hobnailed boots. Not always even then. Anyhow, I can’t
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