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Read book online Β«Short Fiction by Anton Chekhov (libby ebook reader .txt) πŸ“•Β».   Author   -   Anton Chekhov



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changed into her ordinary dress, and drew me into the garden to talk to me alone.

β€œFather is very much hurt,” she said, β€œthat you have written nothing to him. You ought to have asked for his blessing. But in reality he is very much pleased. He says that this marriage will raise you in the eyes of all society, and that under the influence of Mariya Viktorovna you will begin to take a more serious view of life. We talk of nothing but you in the evenings now, and yesterday he actually used the expression: β€˜Our Misail.’ That pleased me. It seems as though he had some plan in his mind, and I fancy he wants to set you an example of magnanimity and be the first to speak of reconciliation. It is very possible he may come here to see you in a day or two.”

She hurriedly made the sign of the cross over me several times and said:

β€œWell, God be with you. Be happy. Anyuta Blagovo is a very clever girl; she says about your marriage that God is sending you a fresh ordeal. To be sure⁠—married life does not bring only joy but suffering too. That’s bound to be so.”

Masha and I walked a couple of miles to see her on her way; we walked back slowly and in silence, as though we were resting. Masha held my hand, my heart felt light, and I had no inclination to talk about love; we had become closer and more akin now that we were married, and we felt that nothing now could separate us.

β€œYour sister is a nice creature,” said Masha, β€œbut it seems as though she had been tormented for years. Your father must be a terrible man.”

I began telling her how my sister and I had been brought up, and what a senseless torture our childhood had really been. When she heard how my father had so lately beaten me, she shuddered and drew closer to me.

β€œDon’t tell me any more,” she said. β€œIt’s horrible!”

Now she never left me. We lived together in the three rooms in the big house, and in the evenings we bolted the door which led to the empty part of the house, as though someone were living there whom we did not know, and were afraid of. I got up early, at dawn, and immediately set to work of some sort. I mended the carts, made paths in the garden, dug the flower beds, painted the roof of the house. When the time came to sow the oats I tried to plough the ground over again, to harrow and to sow, and I did it all conscientiously, keeping up with our labourer; I was worn out, the rain and the cold wind made my face and feet burn for hours afterwards. I dreamed of ploughed land at night. But field labour did not attract me. I did not understand farming, and I did not care for it; it was perhaps because my forefathers had not been tillers of the soil, and the very blood that flowed in my veins was purely of the city. I loved nature tenderly; I loved the fields and meadows and kitchen gardens, but the peasant who turned up the soil with his plough and urged on his pitiful horse, wet and tattered, with his craning neck, was to me the expression of coarse, savage, ugly force, and every time I looked at his uncouth movements I involuntarily began thinking of the legendary life of the remote past, before men knew the use of fire. The fierce bull that ran with the peasants’ herd, and the horses, when they dashed about the village, stamping their hoofs, moved me to fear, and everything rather big, strong, and angry, whether it was the ram with its horns, the gander, or the yard-dog, seemed to me the expression of the same coarse, savage force. This mood was particularly strong in me in bad weather, when heavy clouds were hanging over the black ploughed land. Above all, when I was ploughing or sowing, and two or three people stood looking how I was doing it, I had not the feeling that this work was inevitable and obligatory, and it seemed to me that I was amusing myself. I preferred doing something in the yard, and there was nothing I liked so much as painting the roof.

I used to walk through the garden and the meadow to our mill. It was let to a peasant of Kurilovka called Stepan, a handsome, dark fellow with a thick black beard, who looked very strong. He did not like the miller’s work, and looked upon it as dreary and unprofitable, and only lived at the mill in order not to live at home. He was a leather-worker, and was always surrounded by a pleasant smell of tar and leather. He was not fond of talking, he was listless and sluggish, and was always sitting in the doorway or on the river bank, humming β€œoo-loo-loo.” His wife and mother-in-law, both white-faced, languid, and meek, used sometimes to come from Kurilovka to see him; they made low bows to him and addressed him formally, β€œStepan Petrovitch,” while he went on sitting on the river bank, softly humming β€œoo-loo-loo,” without responding by word or movement to their bows. One hour and then a second would pass in silence. His mother-in-law and wife, after whispering together, would get up and gaze at him for some time, expecting him to look round; then they would make a low bow, and in sugary, chanting voices, say:

β€œGoodbye, Stepan Petrovitch!”

And they would go away. After that Stepan, picking up the parcel they had left, containing cracknels or a shirt, would heave a sigh and say, winking in their direction:

β€œThe female sex!”

The mill with two sets of millstones worked day and night. I used to help Stepan; I liked the work, and when he went off I was glad to stay and take his

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