The Song of the Lark by Willa Cather (best reads .TXT) 📕
Description
The Song of the Lark, Willa Cather’s third novel, was written in 1915. It is said to have been inspired by the real-life soprano Olive Fremstad, a celebrated Swedish-American singer who, like the protagonist, was active in New York and Europe during the time period depicted in the novel.
The work explores how an artist’s early life influences their work. In the novel, Thea Kronborg discovers her talent as a singer, and goes on to achieve great fame and success once she leaves her tiny village of Moonstone. Cather eschewed depicting rural life as being idyllic, instead focusing on the conservative, restricted, patriarchal structures that its inhabitants live by. Her work is thus considered to be one of the earliest so-called “Revolt Novels.” She depicts a time at the end of the 19th century when the American West was expanding rapidly and Americans were gaining sophistication in their understanding of culture and artists, particularly compared to Europe. The title of the novel comes from the name of a 1884 painting by Jules Breton, which is described and considered in the book itself.
Read free book «The Song of the Lark by Willa Cather (best reads .TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Willa Cather
Read book online «The Song of the Lark by Willa Cather (best reads .TXT) 📕». Author - Willa Cather
While she lay planning, relaxed in warm drowsiness, she heard a knock at her door. She supposed it was Tillie, who sometimes fluttered in on her before she was out of bed to offer some service which the family would have ridiculed. But instead, Mrs. Kronborg herself came in, carrying a tray with Thea’s breakfast set out on one of the best white napkins. Thea sat up with some embarrassment and pulled her nightgown together across her chest. Mrs. Kronborg was always busy downstairs in the morning, and Thea could not remember when her mother had come to her room before.
“I thought you’d be tired, after traveling, and might like to take it easy for once.” Mrs. Kronborg put the tray on the edge of the bed. “I took some thick cream for you before the boys got at it. They raised a howl.” She chuckled and sat down in the big wooden rocking chair. Her visit made Thea feel grown-up, and, somehow, important.
Mrs. Kronborg asked her about Bowers and the Harsanyis. She felt a great change in Thea, in her face and in her manner. Mr. Kronborg had noticed it, too, and had spoken of it to his wife with great satisfaction while they were undressing last night. Mrs. Kronborg sat looking at her daughter, who lay on her side, supporting herself on her elbow and lazily drinking her coffee from the tray before her. Her short-sleeved nightgown had come open at the throat again, and Mrs. Kronborg noticed how white her arms and shoulders were, as if they had been dipped in new milk. Her chest was fuller than when she went away, her breasts rounder and firmer, and though she was so white where she was uncovered, they looked rosy through the thin muslin. Her body had the elasticity that comes of being highly charged with the desire to live. Her hair, hanging in two loose braids, one by either cheek, was just enough disordered to catch the light in all its curly ends.
Thea always woke with a pink flush on her cheeks, and this morning her mother thought she had never seen her eyes so wide-open and bright; like clear green springs in the wood, when the early sunlight sparkles in them. She would make a very handsome woman, Mrs. Kronborg said to herself, if she would only get rid of that fierce look she had sometimes. Mrs. Kronborg took great pleasure in good looks, wherever she found them. She still remembered that, as a baby, Thea had been the “best-formed” of any of her children.
“I’ll have to get you a longer bed,” she remarked, as she put the tray on the table. “You’re getting too long for that one.”
Thea looked up at her mother and laughed, dropping back on her pillow with a magnificent stretch of her whole body. Mrs. Kronborg sat down again.
“I don’t like to press you, Thea, but I think you’d better sing at that funeral tomorrow. I’m afraid you’ll always be sorry if you don’t. Sometimes a little thing like that, that seems nothing at the time, comes back on one afterward and troubles one a good deal. I don’t mean the church shall run you to death this summer, like they used to. I’ve spoken my mind to your father about that, and he’s very reasonable. But Maggie talked a good deal about you to people this winter; always asked what word we’d had, and said how she missed your singing and all. I guess you ought to do that much for her.”
“All right, mother, if you think so.” Thea lay looking at her mother with intensely bright eyes.
“That’s right, daughter.” Mrs. Kronborg rose and went over to get the tray, stopping to put her hand on Thea’s chest. “You’re filling out nice,” she said, feeling about. “No, I wouldn’t bother about the buttons. Leave ’em stay off. This is a good time to harden your chest.”
Thea lay still and heard her mother’s firm step receding along the bare floor of the trunk loft. There was no sham about her mother, she reflected. Her mother knew a great many things of which she never talked, and all the church people were forever chattering about things of which they knew nothing. She liked her mother.
Now for Mexican Town and the Kohlers! She meant to run in on the old woman without warning, and hug her.
XSpanish Johnny had no shop of his own, but he kept a table and an order-book in one corner of the drug store where paints and wallpaper were sold, and he was sometimes to be found there for an hour or so about noon. Thea had gone into the drug store to have a friendly chat with the proprietor, who used to lend her books from his shelves. She found Johnny there, trimming rolls of wallpaper for the parlor of Banker Smith’s new house. She sat down on the top of his table and watched him.
“Johnny,” she said suddenly, “I want you to write down the words of that Mexican serenade you used to sing; you know, ‘Rosa de Noche.’ It’s an unusual song. I’m going to study it. I know enough Spanish for that.”
Johnny looked up from his roller with his bright, affable smile. “Sí, but it is low for you, I think; voz contralto. It is low for me.”
“Nonsense. I can do more with my low voice than I used to. I’ll show you. Sit down and write it out for me, please.” Thea beckoned him with the short yellow pencil tied to his order-book.
Johnny ran his fingers through his curly black hair. “If you wish. I do not know if that serenata all right for young ladies. Down there it is more for married ladies. They sing it for husbands—or somebody else, may-bee.” Johnny’s eyes twinkled and he apologized gracefully with his shoulders. He sat down at the table, and while Thea looked over his arm, began to write the song down in a long, slanting
Comments (0)