Table-Talk by William Hazlitt (best pdf reader for ebooks txt) 📕

can it affect my opinion of the merits of an actor at the Coburg or the Surrey theatres, that these theatres are in or out of the Bills of Mortality? This is an easy, shorthand way of judging, as gross as it is mechanical. It is not a difficult matter to settle questions of taste by consulting the map of London, or to prove your liberality by geographical distinctions. Janus jumbles things together strangely. If he had seen Mr. Kean in a provincial theatre, at Exeter or Taunton, he would have thought it vulgar to admire him; but when he had been stamped in London, Janus would no doubt show his discernment and the subtlety of his tact for the display of character and passion by not being behind the fashion. The Miss Dennetts are “little unformed girls,” for no other reason than because they danced at one of the minor theatres: let them but come out on the opera boards, and let the beauty and fashion of the season greet them with a fairy shower of delighted applause, and they would outshine Milanie “with the foot of fire.” His gorge rises at the mention of a certain quarter of the town: whatever passes current in another, he “swallows total grist unsifted, husks and all.” This is not taste, but folly. At this rate, the hackney-coachman who drives him, or his horse Contributor whom he has introduced as a select personage to the vulgar reader, knows as much of the matter as he does.⁠—In a word, the answer to all this in the first instance is to say what vulgarity is. Now its essence, I imagine, consists in taking manners, actions, words, opinions on trust from others, without examining one’s own feelings or weighing the merits of the case. It is coarseness or shallowness of taste arising from want of individual refinement, together with the confidence and presumption inspired by example and numbers. It may be defined to be a prostitution of the mind or body to ape the more or less obvious defects of others, because by so doing we shall secure the suffrages of those we associate with. To affect a gesture, an opinion, a phrase, because it is the rage with a large number of persons, or to hold it in abhorrence because another set of persons very little, if at all, better informed cry it down to distinguish themselves from the former, is in either case equal vulgarity and absurdity. A thing is not vulgar merely because it is common. ’Tis common to breathe, to see, to feel, to live. Nothing is vulgar that is natural, spontaneous, unavoidable. Grossness is not vulgarity, ignorance is not vulgarity, awkwardness is not vulgarity; but all these become vulgar when they are affected and shown off on the authority of others, or to fall in with the fashion or the company we keep. Caliban is coarse enough, but surely he is not vulgar. We might as well spurn the clod under our feet and call it vulgar. Cobbett is coarse enough, but he is not vulgar. He does not belong to the herd. Nothing real, nothing original, can be vulgar; but I should think an imitator of Cobbett a vulgar man. Emery’s Yorkshireman is vulgar, because he is a Yorkshireman. It is the cant and gibberish, the cunning and low life of a particular district; it has “a stamp exclusive and provincial.” He might “gabble most brutishly” and yet not fall under the letter of the definition; but “his speech bewrayeth him,” his dialect (like the jargon of a Bond Street lounger) is the damning circumstance. If he were a mere blockhead, it would not signify; but he thinks himself a knowing hand, according to the notions and practices of those with whom he was brought up, and which he thinks the go everywhere. In a word, this character is not the offspring of untutored nature but of bad habits; it is made up of ignorance and conceit. It has a mixture of slang in it. All slang phrases are for the same reason vulgar; but there is nothing vulgar in the common English idiom. Simplicity is not vulgarity; but the looking to affectation of any sort for distinction is. A cockney is a vulgar character, whose imagination cannot wander beyond the suburbs of the metropolis; so is a fellow who is always thinking of the High Street, Edinburgh. We want a name for this last character. An opinion is vulgar that is stewed in the rank breath of the rabble; nor is it a bit purer or more refined for having passed through the well-cleansed teeth of a whole court. The inherent vulgarity is in having no other feeling on any subject than the crude, blind, headling, gregarious notion acquired by sympathy with the mixed multitude or with a fastidious minority, who are just as insensible to the real truth, and as indifferent to everything but their own frivolous and vexatious pretensions. The upper are not wiser than the lower orders because they resolve to differ from them. The fashionable have the advantage of the unfashionable in nothing but the fashion. The true vulgar are the servum pecus imitatorum⁠—the herd of pretenders to what they do not feel and to what is not natural to them, whether in high or low life. To belong to any class, to move in any rank or sphere of life, is not a very exclusive distinction or test of refinement. Refinement will in all classes be the exception, not the rule; and the exception may fall out in one class as well as another. A king is but an hereditary title. A nobleman is only one of the House of Peers. To be a knight or alderman is confessedly a vulgar thing. The king the other day made Sir Walter Scott a baronet, but not all the power of the Three Estates could make another Author of Waverley. Princes, heroes, are