Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âYou are very good, Shirley.â
âI would be very good if you would let me. I have every disposition to be good. It is my misfortune and habit, I know, to think of myself paramount to anybody else; but who is not like me in that respect? However, when Captain Keeldar is made comfortable, accommodated with all he wants, including a sensible, genial comrade, it gives him a thorough pleasure to devote his spare efforts to making that comrade happy. And should we not be happy, Caroline, in the Highlands? We will go to the Highlands. We will, if you can bear a sea-voyage, go to the Islesâ âthe Hebrides, the Shetland, the Orkney Islands. Would you not like that? I see you would.â âMrs. Pryor, I call you to witness. Her face is all sunshine at the bare mention of it.â
âI should like it much,â returned Caroline, to whom, indeed, the notion of such a tour was not only pleasant, but gloriously reviving. Shirley rubbed her hands.
âCome; I can bestow a benefit,â she exclaimed. âI can do a good deed with my cash. My thousand a year is not merely a matter of dirty banknotes and jaundiced guineas (let me speak respectfully of both, though, for I adore them), but, it may be, health to the drooping, strength to the weak, consolation to the sad. I was determined to make something of it better than a fine old house to live in, than satin gowns to wear, better than deference from acquaintance and homage from the poor. Here is to begin. This summer, Caroline, Mrs. Pryor and I go out into the North Atlantic, beyond the Shetland, perhaps to the Faroe Isles. We will see seals in Suderoe, and, doubtless, mermaids in Stromoe.â âCaroline is laughing, Mrs. Pryor. I made her laugh; I have done her good.â
âI shall like to go, Shirley,â again said Miss Helstone. âI long to hear the sound of wavesâ âocean-wavesâ âand to see them as I have imagined them in dreams, like tossing banks of green light, strewed with vanishing and reappearing wreaths of foam, whiter than lilies. I shall delight to pass the shores of those lone rock-islets where the seabirds live and breed unmolested. We shall be on the track of the old Scandinaviansâ âof the Norsemen. We shall almost see the shores of Norway. This is a very vague delight that I feel, communicated by your proposal, but it is a delight.â
âWill you think of Fitful Head now when you lie awake at night, of gulls shrieking round it, and waves tumbling in upon it, rather than of the graves under the rectory back-kitchen?â
âI will try; and instead of musing about remnants of shrouds, and fragments of coffins, and human bones and mould, I will fancy seals lying in the sunshine on solitary shores, where neither fisherman nor hunter ever come; of rock crevices full of pearly eggs bedded in seaweed; of unscared birds covering white sands in happy flocks.â
âAnd what will become of that inexpressible weight you said you had on your mind?â
âI will try to forget it in speculation on the sway of the whole great deep above a herd of whales rushing through the livid and liquid thunder down from the frozen zoneâ âa hundred of them, perhaps, wallowing, flashing, rolling in the wake of a patriarch bull, huge enough to have been spawned before the Flood, such a creature as poor Smart had in his mind when he saidâ â
âStrong against tides, the enormous whale
Emerges as he goes.âââ
âI hope our bark will meet with no such shoal, or herd as you term it, Caroline. (I suppose you fancy the sea-mammoths pasturing about the bases of the âeverlasting hills,â devouring strange provender in the vast valleys through and above which sea-billows roll.) I should not like to be capsized by the patriarch bull.â
âI suppose you expect to see mermaids, Shirley?â
âOne of them, at any rateâ âI do not bargain for lessâ âand she is to appear in some such fashion as this. I am to be walking by myself on deck, rather late of an August evening, watching and being watched by a full harvest moon. Something is to rise white on the surface of the sea, over which that moon mounts silent and hangs glorious. The object glitters and sinks. It rises again. I think I hear it cry with an articulate voice; I call you up from the cabin; I show you an image, fair as alabaster, emerging from the dim wave. We both see the long hair, the lifted and foam-white arm, the oval mirror brilliant as a star. It glides nearer; a human face is plainly visibleâ âa face in the style of yoursâ âwhose straight, pure (excuse the word, it is appropriate)â âwhose straight, pure lineaments paleness does not disfigure. It looks at us, but not with your eyes. I see a preternatural lure in its wily glance. It beckons. Were we men, we should spring at the signâ âthe cold billow would be dared for the sake of the colder enchantress; being women, we stand safe, though not dreadless. She comprehends our unmoved gaze; she feels herself powerless; anger crosses her front; she cannot charm, but she will appal us; she rises high, and glides all revealed on the dark wave-ridge. Temptress-terror! monstrous likeness of ourselves! Are you not glad, Caroline, when at last, and with a wild shriek, she dives?â
âBut, Shirley, she is not like us. We are neither temptresses, nor terrors, nor monsters.â
âSome of our kind, it is said, are all three. There are men who ascribe to âwoman,â in general, such attributes.â
âMy dears,â here interrupted Mrs. Pryor, âdoes it not strike you that your conversation for the last ten minutes has been rather fanciful?â
âBut there is no harm in our fancies; is there,
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