Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) ๐
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieลฤ z czasรณw Nerona. Among Henryk Sienkiewiczโs inspirations was the painting Neroโs Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Neroโs cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Viniciusโs immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novelโs title translates to โWhere are you going, Lord?โ, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peterโs death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paulโs fate and the deaths of Nero and Petronius, Viniciusโs wise and worldly uncle and mentor. Sienkiewicz contrasts Petroniusโs and Neroโs hedonism with Viniciusโs and Lygiaโs journey to a deeper faith in their God, and with Peter and Paulโs faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how oneโs way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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Vinicius received no answer to this letter. Petronius did not write, thinking evidently that Caesar might command a return to Rome any day. In fact, news of it was spread in the city, and roused great delight in the hearts of the rabble, eager for games with gifts of grain and olives, great supplies of which had been accumulated in Ostia. Helios, Neroโs freedman, announced at last the return in the Senate. But Nero, having embarked with his court on ships at Misenum, returned slowly, disembarking at coast towns for rest, or exhibitions in theaters. He remained between ten and twenty days in Minturnae, and even thought to return to Naples and wait there for spring, which was earlier than usual, and warm. During all this time Vinicius lived shut up in his house, thinking of Lygia, and all those new things which occupied his soul, and brought to it ideas and feelings foreign to it thus far. He saw, from time to time, only Glaucus the physician, every one of whose visits delighted him, for he could converse with the man about Lygia. Glaucus knew not, it is true, where she had found refuge, but he gave assurance that the elders were protecting her with watchful care. Once too, when moved by the sadness of Vinicius, he told him that Peter had blamed Crispus for reproaching Lygia with her love. The young patrician, hearing this, grew pale from emotion. He had thought more than once that Lygia was not indifferent to him, but he fell into frequent doubt and uncertainty. Now for the first time he heard the confirmation of his desires and hopes from strange lips, and, besides, those of a Christian. At the first moment of gratitude he wished to run to Peter. When he learned, however, that he was not in the city, but teaching in the neighborhood, he implored Glaucus to accompany him thither, promising to make liberal gifts to the poor community. It seemed to him, too, that if Lygia loved him, all obstacles were thereby set aside, as he was ready at any moment to honor Christ. Glaucus, though he urged him persistently to receive baptism, would not venture to assure him that he would gain Lygia at once, and said that it was necessary to desire the religion for its own sake, through love of Christ, not for other objects. โOne must have a Christian soul, too,โ said he. And Vinicius, though every obstacle angered him, had begun to understand that Glaucus, as a Christian, said what he ought to say. He had not become clearly conscious that one of the deepest changes in his nature was thisโ โthat formerly he had measured people and things only by his own selfishness, but now he was accustoming himself gradually to the thought that other eyes might see differently, other hearts feel differently, and that justice did not mean always the same as personal profit.
He wished often to see Paul of Tarsus, whose discourse made him curious and disturbed him. He arranged in his mind arguments to overthrow his teaching, he resisted him in thought; still he wished to see him and to hear him. Paul, however, had gone to Aricium, and, since the visits of Glaucus had become rarer, Vinicius was in perfect solitude. He began again to run through back streets adjoining the Subura, and narrow lanes of the Trans-Tiber, in the hope that even from a distance he might see Lygia. When even that hope failed him, weariness and impatience began to rise in his heart. At last the time came when his former nature was felt again mightily, like that onrush of a wave to the shore from which it had receded. It seemed to him that he had been a fool to no purpose, that he had stuffed his head with things which brought sadness, that he ought to accept from life what it gives. He resolved to forget Lygia, or at least to seek pleasure and the use of things aside from her. He felt that this trial, however, was the last, and he threw himself into it with all the blind energy of impulse peculiar to him. Life itself seemed to urge him to this course.
The city, torpid and depopulated by winter, began to revive with hope of the near coming of Caesar. A solemn reception was in waiting for him. Meanwhile spring was there; the snow on the Alban Hills had vanished under the breath of winds from Africa. Grass-plots in the gardens were covered with violets. The Forums and the Campus Martius were filled with people warmed by a sun of growing heat. Along the Appian Way, the usual place for drives outside the city, a movement of richly ornamented chariots had begun. Excursions were made to the Alban Hills. Youthful women, under pretext of worshiping Juno in Lanuvium, or Diana in Aricia, left home to seek adventures, society, meetings, and pleasure beyond the city. Here Vinicius saw one day among lordly chariots the splendid car of Chrysothemis, preceded by two Molossian dogs; it was surrounded by a crowd of young men and by old senators, whose position detained them in the city. Chrysothemis, driving four Corsican ponies herself, scattered smiles round about, and light strokes of a golden whip; but when she saw Vinicius she reined in her horses, took him into her car, and then to a feast at her house, which lasted all night. At that feast Vinicius drank so much that he did not remember when they took him
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