Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“I have tried,” answered Vinicius.
“Ah, traitor!” said Petronius, laughing; “news spreads quickly through slaves; thou hast seduced from me Chrysothemis!”
Vinicius waved his hand in disgust.
“In every case I thank thee,” said Petronius. “I will send her a pair of slippers embroidered with pearls. In my language of a lover that means, ‘Walk away.’ I owe thee a double gratitude—first, thou didst not accept Eunice; second, thou hast freed me from Chrysothemis. Listen to me! Thou seest before thee a man who has risen early, bathed, feasted, possessed Chrysothemis, written satires, and even at times interwoven prose with verses, but who has been as wearied as Caesar, and often unable to unfetter himself from gloomy thoughts. And dost thou know why that was so? It was because I sought at a distance that which was near. A beautiful woman is worth her weight always in gold; but if she loves in addition, she has simply no price. Such a one thou wilt not buy with the riches of Verres. I say now to myself as follows: I will fill my life with happiness, as a goblet with the foremost wine which the earth has produced, and I will drink till my hand becomes powerless and my lips grow pale. What will come, I care not; and this is my latest philosophy.”
“Thou hast proclaimed it always; there is nothing new in it.”
“There is substance, which was lacking.”
When he had said this, he called Eunice, who entered dressed in white drapery—the former slave no longer, but as it were a goddess of love and happiness.
Petronius opened his arms to her, and said—“Come.”
At this she ran up to him, and, sitting on his knee, surrounded his neck with her arms, and placed her head on his breast. Vinicius saw how a reflection of purple began to cover her cheeks, how her eyes melted gradually in mist. They formed a wonderful group of love and happiness. Petronius stretched his hand to a flat vase standing at one side on a table, and, taking a whole handful of violets, covered with them the head, bosom, and robe of Eunice; then he pushed the tunic from her arms, and said—
“Happy he who, like me, has found love enclosed in such a form! At times it seems to me that we are a pair of gods. Look thyself! Has Praxiteles, or Myron, or Skopas, or Lysias even, created more wonderful lines? Or does there exist in Paros or in Pentelicus such marble as this—warm, rosy, and full of love? There are people who kiss off the edges of vases, but I prefer to look for pleasure where it may be found really.”
He began to pass his lips along her shoulders and neck. She was penetrated with a quivering; her eyes now closed, now opened, with an expression of unspeakable delight. Petronius after a while raised her exquisite head, and said, turning to Vinicius—“But think now, what are thy gloomy Christians in comparison with this? And if thou understand not the difference, go thy way to them. But this sight will cure thee.”
Vinicius distended his nostrils, through which entered the odor of violets, which filled the whole chamber, and he grew pale; for he thought that if he could have passed his lips along Lygia’s shoulders in that way, it would have been a kind of sacrilegious delight so great that let the world vanish afterward! But accustomed now to a quick perception of that which took place in him, he noticed that at that moment he was thinking of Lygia, and of her only.
“Eunice,” said Petronius, “give command, thou divine one, to prepare garlands for our heads and a meal.”
When she had gone out he turned to Vinicius.
“I offered to make her free, but knowest thou what she answered?—‘I would rather be thy slave than Caesar’s wife!’ And she would not consent. I freed her then without her knowledge. The pretor favored me by not requiring her presence. But she does not know that she is free, as also she does not know that this house and all my jewels, excepting the gems, will belong to her in case of my death.” He rose and walked through the room, and said: “Love changes some more, others less, but it has changed even me. Once I loved the odor of verbenas; but as Eunice prefers violets, I like them now beyond all other flowers, and since spring came we breathe only violets.”
Here he stopped before Vinicius and inquired—“But as to thee, dost thou keep always to nard?”
“Give me peace!” answered the young man.
“I wished thee to see Eunice, and I mentioned her to thee, because thou, perhaps, art seeking also at a distance that which is near. Maybe for thee too is beating, somewhere in the chambers of thy slaves, a true and simple heart. Apply such a balsam to thy wounds. Thou sayest that Lygia loves thee? Perhaps she does. But what kind of love is that which abdicates? Is not the meaning this—that there is another force stronger than her love? No, my dear, Lygia is not Eunice.”
“All is one torment merely,” answered Vinicius. “I saw thee kissing Eunice’s shoulders, and I thought then that if Lygia would lay hers bare to me I should not care if the ground opened under us next moment. But at the very thought of such an act a certain dread seized me, as if I had attacked some vestal or wished to defile a divinity. Lygia is not Eunice, but I understand the difference not in thy way. Love has changed thy nostrils, and thou preferrest violets to verbenas; but it has changed my soul: hence, in spite of my misery and desire, I prefer Lygia to be
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