Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) ๐
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Daniel Deronda, published in 1876, was George Eliotโs last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolenโs family was well-off. She lived in comfort and was indulged and pampered. But the familyโs fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugoโs natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish cultureโand in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Danielโs kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Danielโs attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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โYou have taken a base advantage of our confidence,โ burst in Mrs. Arrowpoint, unable to carry out her purpose and leave the burden of speech to her husband.
Klesmer made a low bow in silent irony.
โThe pretension is ridiculous. You had better give it up and leave the house at once,โ continued Mr. Arrowpoint. He wished to do without mentioning the money.
โI can give up nothing without reference to your daughterโs wish,โ said Klesmer. โMy engagement is to her.โ
โIt is useless to discuss the question,โ said Mrs. Arrowpoint. โWe shall never consent to the marriage. If Catherine disobeys us we shall disinherit her. You will not marry her fortune. It is right you should know that.โ
โMadam, her fortune has been the only thing I have had to regret about her. But I must ask her if she will not think the sacrifice greater than I am worthy of.โ
โIt is no sacrifice to me,โ said Catherine, โexcept that I am sorry to hurt my father and mother. I have always felt my fortune to be a wretched fatality of my life.โ
โYou mean to defy us, then?โ said Mrs. Arrowpoint.
โI mean to marry Herr Klesmer,โ said Catherine, firmly.
โHe had better not count on our relenting,โ said Mrs. Arrowpoint, whose manners suffered from that impunity in insult which has been reckoned among the privileges of women.
โMadam,โ said Klesmer, โcertain reasons forbid me to retort. But understand that I consider it out of the power of either of you, or of your fortune, to confer on me anything that I value. My rank as an artist is of my own winning, and I would not exchange it for any other. I am able to maintain your daughter, and I ask for no change in my life but her companionship.โ
โYou will leave the house, however,โ said Mrs. Arrowpoint.
โI go at once,โ said Klesmer, bowing and quitting the room.
โLet there be no misunderstanding, mamma,โ said Catherine; โI consider myself engaged to Herr Klesmer, and I intend to marry him.โ
The mother turned her head away and waved her hand in sign of dismissal.
โItโs all very fine,โ said Mr. Arrowpoint, when Catherine was gone; โbut what the deuce are we to do with the property?โ
โThere is Harry Brendall. He can take the name.โ
โHarry Brendall will get through it all in no time,โ said Mr. Arrowpoint, relighting his cigar.
And thus, with nothing settled but the determination of the lovers, Klesmer had left Quetcham.
XXIIIAmong the heirs of Art, as is the division of the promised land, each has to win his portion by hard fighting: the bestowal is after the manner of prophecy, and is a title without possession. To carry the map of an ungotten estate in your pocket is a poor sort of copyhold. And in fancy to cast his shoe over Eden is little warrant that a man shall ever set the sole of his foot on an acre of his own there.
The most obstinate beliefs that mortals entertain about themselves are such as they have no evidence for beyond a constant, spontaneous pulsing of their self-satisfactionโ โas it were a hidden seed of madness, a confidence that they can move the world without precise notion of standing-place or lever.
โPray go to church, mamma,โ said Gwendolen the next morning. โI prefer seeing Herr Klesmer alone.โ (He had written in reply to her note that he would be with her at eleven.)
โThat is hardly correct, I think,โ said Mrs. Davilow, anxiously.
โOur affairs are too serious for us to think of such nonsensical rules,โ said Gwendolen, contemptuously. โThey are insulting as well as ridiculous.โ
โYou would not mind Isabel sitting with you? She would be reading in a corner.โ
โNo; she could not: she would bite her nails and stare. It would be too irritating. Trust my judgment, mamma, I must be alone. Take them all to church.โ
Gwendolen had her way, of course; only that Miss Merry and two of the girls stayed at home, to give the house a look of habitation by sitting at the dining-room windows.
It was a delicious Sunday morning. The melancholy waning sunshine of autumn rested on the half-strown grass and came mildly through the windows in slanting bands of brightness over the old furniture, and the glass panel that reflected the furniture; over the tapestried chairs with their faded flower-wreaths, the dark enigmatic pictures, the superannuated organ at which Gwendolen had pleased herself with acting Saint Cecelia on her first joyous arrival, the crowd of pallid, dusty knickknacks seen through the open doors of the antechamber where she had achieved the wearing of her Greek dress as Hermione. This last memory was just now very busy in her; for had not Klesmer then been struck with admiration of her pose and expression? Whatever he had said, whatever she imagined him to have thought, was at this moment pointed with keenest interest for her: perhaps she had never before in her life felt so inwardly dependent, so consciously in need of another personโs opinion. There was a new fluttering of spirit within her, a new element of deliberation in her self-estimate which had hitherto been a blissful gift of intuition. Still it was the recurrent burden of her inward soliloquy that Klesmer had seen but little of her, and any unfavorable conclusion of his must have too narrow a foundation. She really felt clever enough for anything.
To fill up the time she collected her volumes and pieces of music, and laying them on the top of the piano, set herself to classify them. Then catching the reflection of her movements in the glass panel, she was diverted to the contemplation of the image there and walked toward it. Dressed in black, without a single ornament, and with the warm whiteness of her skin set off between her light-brown coronet of hair and her square-cut bodice, she might have tempted an artist to try again
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