Notre-Dame de Paris by Victor Hugo (e reader for manga txt) 📕
Description
Esmeralda is a breathtaking beauty and attracts the attention of men all around her, including an actor, a captain, and an archdeacon, to whom she is of course forbidden. But because of a kindness she paid to him, there is one whose love for her is pure: the archdeacon’s bellringer. The actions of the archdeacon, who cannot control his lust for the young woman, ultimately draws all four men into her orbit, and his, with tragic consequences.
Hugo’s tragic novel is an ode to gothic architecture in general and that of Notre-Dame de Paris in particular. Hugo was upset both at the neglect of buildings like Notre-Dame, and the modernization of those that weren’t being neglected. By centering on the building, he was able to bring all classes into his story: from kings and nobles to bellringers and sewer rats. The first American translation changed the title to “The Hunchback of Notre Dame,” shifting attention to the bellringer, but Hugo’s focus was always on Notre-Dame and the beautiful gothic architecture of Paris.
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- Author: Victor Hugo
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“The deuce!” muttered Jehan in his beard.
“Hence,” continued the priest, “one wretched thought is sufficient to render a man weak and beside himself! Oh! how Claude Pernelle would laugh at me. She who could not turn Nicholas Flamel aside, for one moment, from his pursuit of the great work! What! I hold in my hand the magic hammer of Zéchiélé! at every blow dealt by the formidable rabbi, from the depths of his cell, upon this nail, that one of his enemies whom he had condemned, were he a thousand leagues away, was buried a cubit deep in the earth which swallowed him. The King of France himself, in consequence of once having inconsiderately knocked at the door of the thermaturgist, sank to the knees through the pavement of his own Paris. This took place three centuries ago. Well! I possess the hammer and the nail, and in my hands they are utensils no more formidable than a club in the hands of a maker of edge tools. And yet all that is required is to find the magic word which Zéchiélé pronounced when he struck his nail.”
“What nonsense!” thought Jehan.
“Let us see, let us try!” resumed the archdeacon briskly. “Were I to succeed, I should behold the blue spark flash from the head of the nail. Emen-Hétan! Emen-Hétan! That’s not it. Sigéani! Sigéani! May this nail open the tomb to any one who bears the name of Phoebus! A curse upon it! Always and eternally the same idea!”
And he flung away the hammer in a rage. Then he sank down so deeply on the armchair and the table, that Jehan lost him from view behind the great pile of manuscripts. For the space of several minutes, all that he saw was his fist convulsively clenched on a book. Suddenly, Dom Claude sprang up, seized a compass and engraved in silence upon the wall in capital letters, this Greek word
ἈΝÁΓΚΗ.
“My brother is mad,” said Jehan to himself; “it would have been far more simple to write Fatum, everyone is not obliged to know Greek.”
The archdeacon returned and seated himself in his armchair, and placed his head on both his hands, as a sick man does, whose head is heavy and burning.
The student watched his brother with surprise. He did not know, he who wore his heart on his sleeve, he who observed only the good old law of Nature in the world, he who allowed his passions to follow their inclinations, and in whom the lake of great emotions was always dry, so freely did he let it off each day by fresh drains—he did not know with what fury the sea of human passions ferments and boils when all egress is denied to it, how it accumulates, how it swells, how it overflows, how it hollows out the heart; how it breaks in inward sobs, and dull convulsions, until it has rent its dikes and burst its bed. The austere and glacial envelope of Claude Frollo, that cold surface of steep and inaccessible virtue, had always deceived Jehan. The merry scholar had never dreamed that there was boiling lava, furious and profound, beneath the snowy brow of Aetna.
We do not know whether he suddenly became conscious of these things; but, giddy as he was, he understood that he had seen what he ought not to have seen, that he had just surprised the soul of his elder brother in one of its most secret altitudes, and that Claude must not be allowed to know it. Seeing that the archdeacon had fallen back into his former immobility, he withdrew his head very softly, and made some noise with his feet outside the door, like a person who has just arrived and is giving warning of his approach.
“Enter!” cried the archdeacon, from the interior of his cell; “I was expecting you. I left the door unlocked expressly; enter Master Jacques!”
The scholar entered boldly. The archdeacon, who was very much embarrassed by such a visit in such a place, trembled in his armchair. “What! ’tis you, Jehan?”
“ ’Tis a J, all the same,” said the scholar, with his ruddy, merry, and audacious face.
Dom Claude’s visage had resumed its severe expression.
“What are you come for?”
“Brother,” replied the scholar, making an effort to assume a decent, pitiful, and modest mien, and twirling his cap in his hands with an innocent air; “I am come to ask of you—”
“What?”
“A little lecture on morality, of which I stand greatly in need,” Jehan did not dare to add aloud—“and a little money of which I am in still greater need.” This last member of his phrase remained unuttered.
“Monsieur,” said the archdeacon, in a cold tone, “I am greatly displeased with you.”
“Alas!” sighed the scholar.
Dom Claude made his armchair describe a quarter circle, and gazed intently at Jehan.
“I am very glad to see you.”
This was a formidable exordium. Jehan braced himself for a rough encounter.
“Jehan, complaints are brought me about you every day. What affray was that in which you bruised with a cudgel a little vicomte, Albert de Ramonchamp?”
“Oh!” said Jehan, “a vast thing that! A malicious page amused himself by splashing the scholars, by making his horse gallop through the mire!”
“Who,” pursued the archdeacon, “is that Mahiet Fargel, whose gown you have torn? Tunicam dechiraverunt, saith the complaint.”
“Ah bah! a wretched cap of a Montaigu! Isn’t that it?”
“The complaint says tunicam and not cappettam. Do you know Latin?”
Jehan did not reply.
“Yes,” pursued the priest shaking his head, “that is the state of learning and letters at the present day. The Latin tongue is hardly understood, Syriac is unknown, Greek so odious that ’tis accounted no ignorance in the most learned to skip a Greek word without reading it, and to say, ‘Graecum est non legitur.’ ”
The scholar raised his
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