Short Fiction by Aleksandr Kuprin (nonfiction book recommendations .txt) 📕
Description
Aleksandr Kuprin was one of the most celebrated Russian authors of the early twentieth century, writing both novels (including his most famous, The Duel) and short fiction. Along with Chekhov and Bunin, he did much to draw attention away from the “great Russian novel” and to make short fiction popular. His work is famed for its descriptive qualities and sense of place, but it always centers on the souls of the stories’ subjects. The themes of his work are wide and varied, and include biblical parables, bittersweet romances, spy fiction, and farce, among many others. In 1920, under some political pressure, Kuprin left Russia for France, and his later work primarily adopts his new homeland for the setting.
This collection comprises the best individual translations into English of each of his short stories and novellas available in the public domain, presented in chronological order of their translated publication.
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- Author: Aleksandr Kuprin
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At the door of the coffeehouse Eeldeez, Ibrahim met the boy and whispered reproachfully:
“Where’s you been a-roving, boy? Where’s you been? No, no, no, zat’s not good. …”
Sergey did not wish to wake grandfather, but Arto did it for him. He at once found the old man in the midst of the other people sleeping on the floor, and quite forgetting himself, licked him all over his cheeks and eyes and nose and mouth, yelping joyfully. Grandfather awoke, saw the broken cord hanging from the poodle’s neck, saw the boy lying beside him covered with dust, and understood all. He asked Sergey to explain, but got no answer. The little boy was asleep, his arms spread out on the floor, his mouth wide open.
The Elephant IThe little girl was unwell. Every day the doctor came to see her, Dr. Michael Petrovitch, whom she had known long, long ago. And sometimes he brought with him two other doctors whom she didn’t know. They turned the little girl over on to her back and then on to her stomach, listened to something, putting an ear against her body, pulled down her under eyelids and looked at them. They seemed very important people, they had stern faces, and they spoke to one another in a language the little girl did not understand.
Afterwards they went out from the nursery into the drawing-room, where mother sat waiting for them. The most important doctor—the tall one with grey hair and gold eyeglasses—talked earnestly to her for a long time. The door was not shut, and the little girl lying on her bed could see and hear all. There was much that she didn’t understand, but she knew the talk was about her. Mother looked up at the doctor with large, tired, tear-filled eyes. When the doctors went away the chief one said loudly:
“The most important thing is—don’t let her be dull. Give in to all her whims.”
“Ah, doctor, but she doesn’t want anything!”
“Well, I don’t know … think what she used to like before she was ill. Toys … something nice to eat. …”
“No, no, doctor; she doesn’t want anything.”
“Well, try and tempt her with something. … No matter what it is. … I give you my word that if you can only make her laugh and enjoy herself, it would be better than any medicine. You must understand that your daughter’s illness is indifference to life, and nothing more. … Good morning, madam!”
II“Dear Nadya, my dear little girl,” said mother; “isn’t there anything you would like to have?”
“No, mother, I don’t want anything.”
“Wouldn’t you like me to put out all your dolls on the bed? We’ll arrange the easy chair, the sofa, the little table, and put the tea-service out. The dolls shall have tea and talk to one another about the weather and their children’s health.”
“Thank you, mother. … I don’t want it. … It’s so dull. …”
“Oh, very well, little girlie, we won’t have the dolls. Suppose we ask Katya or Zhenochka to come and see you. You’re very fond of them.”
“I don’t want them, mother. Indeed, I don’t. I don’t want anything, don’t want anything. I’m so dull!”
“Shall I get you some chocolate?”
But the little girl didn’t answer, she lay and stared at the ceiling with steadfast, mournful eyes. She had no pain at all, she wasn’t even feverish. But she was getting thinner and weaker every day. She didn’t mind what was done to her; it made no difference, she didn’t care for anything. She lay like this all day and all night, quiet, mournful. Sometimes she would doze for half an hour, and then in her dreams she would see something long and grey and dull, as if she were looking at rain in autumn.
When the door leading from the nursery into the drawing-room was open, and the other door into the study was open too, the little girl could see her father. Father would walk swiftly from one corner of the room to the other, and all the time he would smoke, smoke. Sometimes he would come into the nursery and sit on the edge of Nadya’s bed and stroke her feet gently. Then he would get up suddenly and go to the window, whistle a little, and look out into the street, but his shoulders would tremble. He would hurriedly press his handkerchief first to one eye and then to the other, and then go back into his study as if he were angry. Then he would begin again to pace up and down and smoke … and smoke … and smoke. And his study would look all blue from the
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