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of happiness, and in spite of a love which is soon to be crowned, sadness has not left thy face. Pomponia Graecina is eternally pensive; from the time of thy becoming a Christian thou hast ceased to laugh. Do not try to persuade me that this religion is cheerful. Thou hast returned from Rome sadder than ever. If Christians love in this way, by the bright curls of Bacchus! I shall not imitate them!”

“That is another thing,” answered Vinicius. “I swear to thee, not by the curls of Bacchus, but by the soul of my father, that never in times past have I experienced even a foretaste of such happiness as I breathe today. But I yearn greatly; and what is stranger, when I am far from Lygia, I think that danger is threatening her. I know not what danger, nor whence it may come; but I feel it, as one feels a coming tempest.”

“In two days I will try to obtain for thee permission to leave Antium, for as long a time as may please thee. Poppaea is somewhat more quiet; and, as far as I know, no danger from her threatens thee or Lygia.”

“This very day she asked me what I was doing in Rome, though my departure was secret.”

“Perhaps she gave command to set spies on thee. Now, however, even she must count with me.”

“Paul told me,” said Vinicius, “that God forewarns sometimes, but does not permit us to believe in omens; hence I guard myself against this belief, but I cannot ward it off. I will tell thee what happened, so as to cast the weight from my heart. Lygia and I were sitting side by side on a night as calm as this, and planning our future. I cannot tell thee how happy and calm we were. All at once lions began to roar. That is common in Rome, but since then I have no rest. It seems to me that in that roaring there was a threat, an announcement as it were of misfortune. Thou knowest that I am not frightened easily; that night, however, something happened which filled all the darkness with terror. It came so strangely and unexpectedly that I have those sounds in my ears yet, and unbroken fear in my heart, as if Lygia were asking my protection from something dreadful⁠—even from those same lions. I am in torture. Obtain for me permission to leave Antium, or I shall go without it. I cannot remain. I repeat to thee, I cannot!”

“Sons of consuls or their wives are not given to lions yet in the arenas,” said Petronius, laughing. “Any other death may meet thee but that. Who knows, besides, that they were lions? German bisons roar with no less gentleness than lions. As to me, I ridicule omens and fates. Last night was warm and I saw stars falling like rain. Many a man has an evil foreboding at such a sight; but I thought, ‘If among these is my star too, I shall not lack society at least!’ ” Then he was silent, but added after a moment’s thought⁠—“If your Christ has risen from the dead, He may perhaps protect you both from death.”

“He may,” answered Vinicius, looking at the heavens filled with stars.

XLI

Nero played and sang, in honor of the “Lady of Cyprus,” a hymn the verses and music of which were composed by himself. That day he was in voice, and felt that his music really captivated those present. That feeling added such power to the sounds produced and roused his own soul so much that he seemed inspired. At last he grew pale from genuine emotion. This was surely the first time that he had no desire to hear praises from others. He sat for a time with his hands on the cithara and with bowed head; then, rising suddenly, he said⁠—

“I am tired and need air. Meanwhile ye will tune the citharae.”

He covered his throat then with a silk kerchief.

“Ye will go with me,” said he, turning to Petronius and Vinicius, who were sitting in a corner of the hall. “Give me thy arm, Vinicius, for strength fails me; Petronius will talk to me of music.”

They went out on the terrace, which was paved with alabaster and sprinkled with saffron.

“Here one can breathe more freely,” said Nero. “My soul is moved and sad, though I see that with what I have sung to thee on trial just now I may appear in public, and my triumph will be such as no Roman has ever achieved.”

“Thou mayst appear here, in Rome, in Achaea. I admire thee with my whole heart and mind, divinity,” answered Petronius.

“I know. Thou art too slothful to force thyself to flattery, and thou art as sincere as Tullius Senecio, but thou hast more knowledge than he. Tell me, what is thy judgment on music?”

“When I listen to poetry, when I look at a quadriga directed by thee in the Circus, when I look at a beautiful statue, temple, or picture, I feel that I comprehend perfectly what I see, that my enthusiasm takes in all that these can give. But when I listen to music, especially thy music, new delights and beauties open before me every instant. I pursue them, I try to seize them; but before I can take them to myself, new and newer ones flow in, just like waves of the sea, which roll on from infinity. Hence I tell thee that music is like the sea. We stand on one shore and gaze at remoteness, but we cannot see the other shore.”

“Ah, what deep knowledge thou hast!” said Nero; and they walked on for a moment, only the slight sound of the saffron leaves under their feet being heard.

“Thou hast expressed my idea,” said Nero at last; “hence I say now, as ever, in all Rome thou art the only man able to understand me. Thus it is, my judgment of

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