Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) ๐
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieลฤ z czasรณw Nerona. Among Henryk Sienkiewiczโs inspirations was the painting Neroโs Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Neroโs cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Viniciusโs immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novelโs title translates to โWhere are you going, Lord?โ, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peterโs death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paulโs fate and the deaths of Nero and Petronius, Viniciusโs wise and worldly uncle and mentor. Sienkiewicz contrasts Petroniusโs and Neroโs hedonism with Viniciusโs and Lygiaโs journey to a deeper faith in their God, and with Peter and Paulโs faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how oneโs way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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The priests of various temples came somewhat later; only after them were brought in the sacred virgins of Vesta, preceded by lictors.
To begin the spectacle, they were waiting now only for Caesar, who, unwilling to expose the people to over-long waiting, and wishing to win them by promptness, came soon, in company with the Augusta and Augustians.
Petronius arrived among the Augustians, having Vinicius in his litter. The latter knew that Lygia was sick and unconscious; but as access to the prison had been forbidden most strictly during the preceding days, and as the former guards had been replaced by new ones who were not permitted to speak with the jailers or even to communicate the least information to those who came to inquire about prisoners, he was not even sure that she was not among the victims intended for the first day of spectacles. They might send out even a sick woman for the lions, though she were unconscious. But since the victims were to be sewed up in skins of wild beasts and sent to the arena in crowds, no spectator could be certain that one more or less might not be among them, and no man could recognize anyone. The jailers and all the servants of the amphitheater had been bribed, and a bargain made with the beast-keepers to hide Lygia in some dark corner, and give her at night into the hands of a confidant of Vinicius, who would take her at once to the Alban Hills. Petronius, admitted to the secret, advised Vinicius to go with him openly to the amphitheater, and after he had entered to disappear in the throng and hurry to the vaults, where, to avoid possible mistake, he was to point out Lygia to the guards personally.
The guards admitted him through a small door by which they came out themselves. One of these, named Cyrus, led him at once to the Christians. On the way he saidโ โ
โI know not, lord, that thou wilt find what thou art seeking. We inquired for a maiden named Lygia, but no one gave us answer; it may be, though, that they do not trust us.โ
โAre there many?โ asked Vinicius.
โMany, lord, had to wait till tomorrow.โ
โAre there sick ones among them?โ
โThere were none who could not stand.โ
Cyrus opened a door and entered as it were an enormous chamber, but low and dark, for the light came in only through grated openings which separated it from the arena. At first Vinicius could see nothing; he heard only the murmur of voices in the room, and the shouts of people in the amphitheater. But after a time, when his eyes had grown used to the gloom, he saw crowds of strange beings, resembling wolves and bears. Those were Christians sewed up in skins of beasts. Some of them were standing; others were kneeling in prayer. Here and there one might divine by the long hair flowing over the skin that the victim was a woman. Women, looking like wolves, carried in their arms children sewed up in equally shaggy coverings. But from beneath the skins appeared bright faces and eyes which in the darkness gleamed with delight and feverishness. It was evident that the greater number of those people were mastered by one thought, exclusive and beyond the earthโ โa thought which during life made them indifferent to everything which happened around them and which could meet them. Some, when asked by Vinicius about Lygia, looked at him with eyes as if roused from sleep, without answering his questions; others smiled at him, placing a finger on their lips or pointing to the iron grating through which bright streaks of light entered. But here and there children were crying, frightened by the roaring of beasts, the howling of dogs, the uproar of people, and the forms of their own parents who looked like wild beasts. Vinicius as he walked by the side of Cyrus looked into faces, searched, inquired, at times stumbled against bodies of people who had fainted from the crowd, the stifling air, the heat, and pushed farther into the dark depth of the room, which seemed to be as spacious as a whole amphitheater.
But he stopped on a sudden, for he seemed to hear near the grating a voice known to him. He listened for a while, turned, and, pushing through the crowd, went near. Light fell on the face of the speaker, and Vinicius recognized under the skin of a wolf the emaciated and implacable countenance of Crispus.
โMourn for your sins!โ exclaimed Crispus, โfor the moment is near. But whoso thinks by death itself to redeem his sins commits a fresh sin, and will be hurled into endless fire. With every sin committed in life ye have renewed the Lordโs suffering; how dare ye think that that life which awaits you will redeem this one? Today the just and the sinner will die the same death; but the Lord will find His own. Woe to you, the claws of the lions will rend your bodies; but not your sins, nor your reckoning with God. The Lord showed mercy sufficient when He let Himself be nailed to the cross; but thenceforth He will be only the judge, who will leave no fault unpunished. Whoso among you has thought to extinguish his sins by suffering, has blasphemed against Godโs justice, and will sink all the deeper. Mercy is at an end, and the hour of Godโs wrath has come. Soon ye will stand before the awful Judge in whose presence the good will hardly be justified. Bewail your sins, for the jaws of hell are open; woe to you, husbands and wives; woe to you,
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