Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âAs mean as Mammon, you would say. Yorke, if I got off horseback and laid myself down across the road, would you have the goodness to gallop over me, backwards and forwards, about twenty times?â
âWiâ all the pleasure in life, if there were no such thing as a coronerâs inquest.â
âHiram Yorke, I certainly believed she loved me. I have seen her eyes sparkle radiantly when she has found me out in a crowd; she has flushed up crimson when she has offered me her hand, and said, âHow do you do, Mr. Moore?â
âMy name had a magical influence over her. When others uttered it she changed countenanceâ âI know she did. She pronounced it herself in the most musical of her many musical tones. She was cordial to me; she took an interest in me; she was anxious about me; she wished me well; she sought, she seized every opportunity to benefit me. I considered, paused, watched, weighed, wondered. I could come to but one conclusionâ âthis is love.
âI looked at her, Yorke. I saw in her youth and a species of beauty. I saw power in her. Her wealth offered me the redemption of my honour and my standing. I owed her gratitude. She had aided me substantially and effectually by a loan of five thousand pounds. Could I remember these things? Could I believe she loved me? Could I hear wisdom urge me to marry her, and disregard every dear advantage, disbelieve every flattering suggestion, disdain every well-weighed counsel, turn and leave her? Young, graceful, graciousâ âmy benefactress, attached to me, enamoured of me. I used to say so to myself; dwell on the word; mouth it over and over again; swell over it with a pleasant, pompous complacency, with an admiration dedicated entirely to myself, and unimpaired even by esteem for her; indeed I smiled in deep secrecy at her naivete and simplicity in being the first to love, and to show it. That whip of yours seems to have a good heavy handle, Yorke; you can swing it about your head and knock me out of the saddle, if you choose. I should rather relish a loundering whack.â
âTak patience, Robert, till the moon rises and I can see you. Speak plain outâ âdid you love her or not? I could like to know. I feel curious.â
âSirâ âsirâ âI sayâ âshe is very pretty, in her own style, and very attractive. She has a look, at times, of a thing made out of fire and air, at which I stand and marvel, without a thought of clasping and kissing it. I felt in her a powerful magnet to my interest and vanity. I never felt as if nature meant her to be my other and better self. When a question on that head rushed upon me, I flung it off, saying brutally I should be rich with her and ruined without herâ âvowing I would be practical, and not romantic.â
âA very sensible resolve. What mischief came of it, Bob?â
âWith this sensible resolve I walked up to Fieldhead one night last August. It was the very eve of my departure for Birmingham; for, you see, I wanted to secure Fortuneâs splendid prize. I had previously dispatched a note requesting a private interview. I found her at home, and alone.
âShe received me without embarrassment, for she thought I came on business. I was embarrassed enough, but determined. I hardly know how I got the operation over; but I went to work in a hard, firm fashionâ âfrightful enough, I dare say. I sternly offered myselfâ âmy fine personâ âwith my debts, of course, as a settlement.
âIt vexed me, it kindled my ire, to find that she neither blushed, trembled, nor looked down. She responded, âI doubt whether I have understood you, Mr. Moore.â
âAnd I had to go over the whole proposal twice, and word it as plainly as A.B.C., before she would fully take it in. And then, what did she do? Instead of faltering a sweet Yes, or maintaining a soft, confused silence (which would have been as good), she started up, walked twice fast through the room, in the way that she only does, and no other woman, and ejaculated, âGod bless me!â
âYorke, I stood on the hearth, backed by the mantelpiece; against it I leaned, and prepared for anythingâ âeverything. I knew my doom, and I knew myself. There was no misunderstanding her aspect and voice. She stopped and looked at me.
âââGod bless me!â she piteously repeated, in that shocked, indignant, yet saddened accent. âYou have made a strange proposalâ âstrange from you; and if you knew how strangely you worded it and looked it, you would be startled at yourself. You spoke like a brigand who demanded my purse rather than like a lover who asked my heart.â
âA queer sentence, was it not, Yorke? And I knew, as she uttered it, it was true as queer. Her words were a mirror in which I saw myself.
âI looked at her, dumb and wolfish. She at once enraged and shamed me.
âââGĂ©rard Moore, you know you donât love Shirley Keeldar.â I might have broken out into false swearingâ âvowed that I did love her; but I could not lie in her pure face. I could not perjure myself in her truthful presence. Besides, such hollow oaths would have been vain as void. She would no more have believed me than she would have believed the ghost of Judas, had he broken from the night and stood before her. Her female heart had finer perceptions than to be cheated into mistaking my half-coarse, half-cold admiration for true-throbbing, manly love.
âWhat next happened? you will say, Mr. Yorke.
âWhy, she sat down in the window-seat and cried. She cried passionately. Her eyes not only rained but lightened. They flashed, open,
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