Short Fiction by Anton Chekhov (libby ebook reader .txt) π
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Anton Chekhov is widely considered to be one of the greatest short story writers in history. A physician by day, heβs famously quoted as saying, βMedicine is my lawful wife, and literature is my mistress.β Chekhov wrote nearly 300 short stories in his long writing career; while at first he wrote mainly to make a profit, as his interest in writingβand his skillβgrew, he wrote stories that heavily influenced the modern development of the form.
His stories are famous for, among other things, their ambiguous morality and their often inconclusive nature. Chekhov was a firm believer that the role of the artist was to correctly pose a question, but not necessarily to answer it.
This collection contains all of his short stories and two novellas, all translated by Constance Garnett, and arranged by the date they were originally published.
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- Author: Anton Chekhov
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βIndeed!β drawled Vladimir Semyonitch, getting up. βYes, all this is old rubbish because these ideas are eternal; but what do you consider new, then?β
βYou undertake to work in the domain of thought; it is for you to think of something new. Itβs not for me to teach you.β
βMeβ βan alchemist!β the critic cried in wonder and indignation, screwing up his eyes ironically. βArt, progressβ βall that is alchemy?β
βYou see, Volodya, it seems to me that if all you thinking people had set yourselves to solving great problems, all these little questions that you fuss about now would solve themselves by the way. If you go up in a balloon to see a town, you will incidentally, without any effort, see the fields and the villages and the rivers as well. When stearine is manufactured, you get glycerine as a byproduct. It seems to me that contemporary thought has settled on one spot and stuck to it. It is prejudiced, apathetic, timid, afraid to take a wide titanic flight, just as you and I are afraid to climb on a high mountain; it is conservative.β
Such conversations could not but leave traces. The relations of the brother and sister grew more and more strained every day. The brother became unable to work in his sisterβs presence, and grew irritable when he knew his sister was lying on the sofa, looking at his back; while the sister frowned nervously and stretched when, trying to bring back the past, he attempted to share his enthusiasms with her. Every evening she complained of being bored, and talked about independence of mind and those who are in the rut of tradition. Carried away by her new ideas, Vera Semyonovna proved that the work that her brother was so engrossed in was conventional, that it was a vain effort of conservative minds to preserve what had already served its turn and was vanishing from the scene of action. She made no end of comparisons. She compared her brother at one time to an alchemist, then to a musty old Believer who would sooner die than listen to reason. By degrees there was a perceptible change in her manner of life, too. She was capable of lying on the sofa all day long doing nothing but think, while her face wore a cold, dry expression such as one sees in one-sided people of strong faith. She began to refuse the attentions of the servants, swept and tidied her own room, cleaned her own boots and brushed her own clothes. Her brother could not help looking with irritation and even hatred at her cold face when she went about her menial work. In that work, which was always performed with a certain solemnity, he saw something strained and false, he saw something both pharisaical and affected. And knowing he could not touch her by persuasion, he carped at her and teased her like a schoolboy.
βYou wonβt resist evil, but you resist my having servants!β he taunted her. βIf servants are an evil, why do you oppose it? Thatβs inconsistent!β
He suffered, was indignant and even ashamed. He felt ashamed when his sister began doing odd things before strangers.
βItβs awful, my dear fellow,β he said to me in private, waving his hands in despair. βIt seems that our ingΓ©nue has remained to play a part in the farce, too. Sheβs become morbid to the marrow of her bones! Iβve washed my hands of her, let her think as she likes; but why does she talk, why does she excite me? She ought to think what it means for me to listen to her. What I feel when in my presence she has the effrontery to support her errors by blasphemously quoting the teaching of Christ! It chokes me! It makes me hot all over to hear my sister propounding her doctrines and trying to distort the Gospel to suit her, when she purposely refrains from mentioning how the moneychangers were driven out of the Temple. Thatβs, my dear fellow, what comes of being half educated, undeveloped! Thatβs what comes of medical studies which provide no general culture!β
One day on coming home from the office, Vladimir Semyonitch found his sister crying. She was sitting on the sofa with her head bowed, wringing her hands, and tears were flowing freely down her cheeks. The criticβs good heart throbbed with pain. Tears fell from his eyes, too, and he longed to pet his sister, to forgive her, to beg her forgiveness, and to live as they used to before.β ββ β¦ He knelt down and kissed her head, her hands, her shoulders.β ββ β¦ She smiled, smiled bitterly, unaccountably, while he with a cry of joy jumped up, seized the magazine from the table and said warmly:
βHurrah! Weβll live as we used to, Verotchka! With Godβs blessing! And Iβve such a surprise for you here! Instead of celebrating the occasion with champagne, let us read it together! A splendid, wonderful thing!β
βOh, no, no!β cried Vera Semyonovna, pushing away the book in alarm. βIβve read it already! I donβt want it, I donβt want it!β
βWhen did you read it?β
βA yearβ ββ β¦ two years agoβ ββ β¦ I read it long ago, and I know it, I know it!β
βHβm!β ββ β¦ Youβre a fanatic!β her brother said coldly, flinging the magazine on to the table.
βNo, you are a fanatic, not I! You!β And Vera Semyonovna dissolved into tears again. Her brother stood before her, looked at her quivering shoulders, and thought. He thought, not of the agonies of loneliness endured by anyone who begins to think in a new way of their own, not of the inevitable sufferings of a genuine spiritual revolution, but of the outrage of his programme, the outrage to his authorβs vanity.
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