Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âMartin, how is Mr. Moore?â
âThat is what you came for, just to say that word.â
âCome, tell me quickly.â
âHang him! he is no worse; but as ill-used as everâ âmewed up, kept in solitary confinement. They mean to make either an idiot or a maniac of him, and take out a commission of lunacy. Horsfall starves him; you saw how thin he was.â
âYou were very good the other day, Martin.â
âWhat day? I am always goodâ âa model.â
âWhen will you be so good again?â
âI see what you are after; but youâll not wheedle meâ âI am no catâs-paw.â
âBut it must be done. It is quite a right thing, and a necessary thing.â
âHow you encroach! Remember, I managed the matter of my own free will before.â
âAnd you will again.â
âI wonât. The business gave me far too much trouble. I like my ease.â
âMr. Moore wishes to see me, Martin, and I wish to see him.â
âI dare sayâ (coolly).
âIt is too bad of your mother to exclude his friends.â
âTell her so.â
âHis own relations.â
âCome and blow her up.â
âYou know that would advance nothing. Well, I shall stick to my point. See him I will. If you wonât help me, Iâll manage without help.â
âDo; there is nothing like self-reliance, self-dependence.â
âI have no time to reason with you now; but I consider you provoking. Good morning.â
Away she went, the umbrella shut, for she could not carry it against the wind.
âShe is not vapid; she is not shallow,â said Martin. âI shall like to watch, and mark how she will work her way without help. If the storm were not of snow, but of fireâ âsuch as came refreshingly down on the cities of the plainâ âshe would go through it to procure five minutesâ speech of that Moore. Now, I consider I have had a pleasant morning. The disappointments got time on; the fears and fits of anger only made that short discourse pleasanter, when it came at last. She expected to coax me at once. Sheâll not manage that in one effort. She shall come again, again, and yet again. It would please me to put her in a passionâ âto make her cry. I want to discover how far she will goâ âwhat she will do and dareâ âto get her will. It seems strange and new to find one human being thinking so much about another as she thinks about Moore. But it is time to go home; my appetite tells me the hour. Wonât I walk into that goose? and weâll try whether Matthew or I shall get the largest cut of the apple-pie today.â
XXXV Wherein Matters Make Some Progress, but Not MuchMartin had planned well. He had laid out a dexterously concerted scheme for his private amusement. But older and wiser schemers than he are often doomed to see their finest-spun projects swept to annihilation by the sudden broom of Fate, that fell housewife whose red arm none can control. In the present instance this broom was manufactured out of the tough fibres of Mooreâs own stubborn purpose, bound tight with his will. He was now resuming his strength, and making strange head against Mrs. Horsfall. Each morning he amazed that matron with a fresh astonishment. First he discharged her from her valet duties; he would dress himself. Then he refused the coffee she brought him; he would breakfast with the family. Lastly, he forbade her his chamber. On the same day, amidst the outcries of all the women in the place, he put his head out of doors. The morning after, he followed Mr. Yorke to his countinghouse, and requested an envoy to fetch a chaise from the Red House Inn. He was resolved, he said, to return home to the Hollow that very afternoon. Mr. Yorke, instead of opposing, aided and abetted him. The chaise was sent for, though Mrs. Yorke declared the step would be his death. It came. Moore, little disposed to speak, made his purse do duty for his tongue. He expressed his gratitude to the servants and to Mrs. Horsfall by the chink of his coin. The latter personage approved and understood this language perfectly; it made amends for all previous contumacy. She and her patient parted the best friends in the world.
The kitchen visited and soothed, Moore betook himself to the parlour. He had Mrs. Yorke to appease; not quite so easy a task as the pacification of her housemaids. There she sat plunged in sullen dudgeon, the gloomiest speculations on the depths of manâs ingratitude absorbing her thoughts. He drew near and bent over her; she was obliged to look up, if it were only to bid him âavaunt.â There was beauty still in his pale, wasted features; there was earnestness and a sort of sweetnessâ âfor he was smilingâ âin his hollow eyes.
âGoodbye!â he said, and as he spoke the smile glittered and melted. He had no iron mastery of his sensations now; a trifling emotion made itself apparent in his present weak state.
âAnd what are you going to leave us for?â she asked. âWe will keep you, and do anything in the world for you, if you will only stay till you are stronger.â
âGoodbye!â he again said; and added, âYou have been a mother to me; give your wilful son one embrace.â
Like a foreigner, as he was, he offered her first one cheek, then the other. She kissed him.
âWhat a troubleâ âwhat a burden I have been to you!â he muttered.
âYou are the worst trouble now, headstrong youth!â was the answer. âI wonder who is to nurse you at Hollowâs Cottage? Your sister Hortense knows no more about such matters than a child.â
âThank God! for I have had nursing enough to last me my life.â
Here the little girls came inâ âJessie crying, Rose quiet but grave. Moore took them out
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