Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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But round about there was calm. The hills seemed to be warming themselves, and resting in the sun. The procession stopped at last between the Circus and the Vatican Hill. Soldiers began now to dig a hole; others placed on the ground the cross, hammers, and nails, waiting till all preparations were finished. The crowd, continuing quiet and attentive, knelt round about.
The Apostle, with his head in the sun-rays and golden light, turned for the last time toward the city. At a distance lower down was seen the gleaming Tiber; beyond was the Campus Martius; higher up, the Mausoleum of Augustus; below that, the gigantic baths just begun by Nero; still lower, Pompey’s theater; and beyond them were visible in places, and in places hidden by other buildings, the Septa Julia, a multitude of porticos, temples, columns, great edifices; and, finally, far in the distance, hills covered with houses, a gigantic resort of people, the borders of which vanished in the blue haze—an abode of crime, but of power; of madness, but of order—which had become the head of the world, its oppressor, but its law and its peace, almighty, invincible, eternal.
But Peter, surrounded by soldiers, looked at the city as a ruler and king looks at his inheritance. And he said to it, “Thou art redeemed and mine!” And no one, not merely among the soldiers digging the hole in which to plant the cross, but even among believers, could divine that standing there among them was the true ruler of that moving life; that Caesars would pass away, waves of barbarians go by, and ages vanish, but that old man would be lord there unbrokenly.
The sun had sunk still more toward Ostia, and had become large and red. The whole western side of the sky had begun to glow with immense brightness. The soldiers approached Peter to strip him.
But he, while praying, straightened himself all at once, and stretched his right hand high. The executioners stopped, as if made timid by his posture; the faithful held the breath in their breasts, thinking that he wished to say something, and silence unbroken followed.
But he, standing on the height, with his extended right hand made the sign of the cross, blessing in the hour of death—
Urbi et orbi!26
In that same wonderful evening another detachment of soldiers conducted along the Ostian Way Paul of Tarsus toward a place called Aquae Salviae. And behind him also advanced a crowd of the faithful whom he had converted; but when he recognized near acquaintances, he halted and conversed with them, for, being a Roman citizen, the guard showed more respect to him. Beyond the gate called Tergemina he met Plautilla, the daughter of the prefect Flavius Sabinus, and, seeing her youthful face covered with tears, he said: “Plautilla, daughter of Eternal Salvation, depart in peace. Only give me a veil with which to bind my eyes when I am going to the Lord.” And taking it, he advanced with a face as full of delight as that of a laborer who when he has toiled the whole day successfully is returning home. His thoughts, like those of Peter, were as calm and quiet as that evening sky. His eyes gazed with thoughtfulness upon the plain which stretched out before him, and to the Alban Hills, immersed in light. He remembered his journeys, his toils, his labor, the struggles in which he had conquered, the churches which he had founded in all lands and beyond all seas; and he thought that he had earned his rest honestly, that he had finished his work. He felt now that the seed which he had planted would not be blown away by the wind of malice. He was leaving this life with the certainty that in the battle which his truth had declared against the world it would conquer; and a mighty peace settled down on his soul.
The road to the place of execution was long, and evening was coming. The mountains became purple, and the bases of them went gradually into the shade. Flocks were returning home. Here and there groups of slaves were walking with the tools of labor on their shoulders. Children, playing on the road before houses, looked with curiosity at the passing soldiers. But in that evening, in that transparent golden air, there were not only peace and lovingness, but a certain harmony, which seemed to lift from earth to heaven. Paul felt this; and his heart was filled with delight at the thought that to that harmony of the world he had added one note which had not been in it hitherto, but without which the whole earth was like sounding brass or a tinkling cymbal.
He remembered how he had taught people love—how he had told them that though they were to give their property to the poor, though they knew all languages, all secrets, and all sciences, they would be nothing without love, which is kind, enduring, which does not return evil, which does not desire honor, suffers all things, believes all things, hopes all things, is patient of all things.
And so his life had passed in teaching people this truth. And now he said in spirit: What power can equal it, what can conquer it? Could Caesar stop it, though he had twice as many legions and twice as many cities, seas, lands, and nations?
And he went to his reward like a conqueror.
The detachment left the main road at last, and turned toward the east on a narrow path leading to the Aquae Salviae. The red
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