The Country Wife was first performed in January 1672 at the Theatre Royal, Drury Lane. It traces several plot lines, the principle of which follows notorious rake Harry Horner’s attempt to carry on affairs by spreading a rumor that he was now a eunuch and no longer a threat to any man’s wife. It was controversial for its sexual explicitness even in its own time, having several notorious scenes filled with extended sexual innuendo and women carousing, singing riotous songs, and behaving exactly like their male counterparts.
With the restoration of the monarchy in 1660 the eighteen year ban on theater imposed by the Puritans was lifted. Charles II’s time in France had nurtured a fascination with the stage and, with his enthusiastic support, Restoration drama was soon once again a thriving part of the London culture—but it provided a completely different experience from Jacobean theater.
Christopher Wren’s newly built Theatre Royal provided a modern stage that accommodated innovations in scenic design and created a new relationship between actors and the audience. Another novelty, imported from France, was the presence of women on stage for the first time in British history. Restoration audiences were fascinated and often aghast to see real women perform, matching their male counterparts both in their wit and use of double entendre.
William Wycherley had spent some of the Commonwealth years in France and become interested in French drama. Borrowing extensively from Molière and others, he wrote several plays for this new theater, with his last two comedies, The Country Wife and The Plain Dealer, being the most famous. At the time, The Country Wife was considered the bawdiest and wittiest play yet seen on the English stage. It enjoyed popularity throughout the period but, as mores shifted and became more strict, the play was eventually considered too outrageous to be performed at all and between 1753 and 1924 was generally replaced on the stage by David Garrick’s cleaned-up, bland version.
you know, bud, still.
Pinchwife
Aside. So—he knew her certainly; but for this confession, I am obliged to her simplicity.—Aloud. But what, you stood very still when he kissed you?
Mrs. Pinchwife
Yes, I warrant you; would you have had me discovered myself?
Pinchwife
But you told me he did some beastliness to you, as you call it; what was’t?
Mrs. Pinchwife
Why, he put—
Pinchwife
What?
Mrs. Pinchwife
Why, he put the tip of his tongue between my lips, and so mousled me—and I said, I’d bite it.
Pinchwife
An eternal canker seize it, for a dog!
Mrs. Pinchwife
Nay, you need not be so angry with him neither, for to say truth, he has the sweetest breath I ever knew.
Pinchwife
The devil! you were satisfied with it then, and would do it again?
Mrs. Pinchwife
Not unless he should force me.
Pinchwife
Force you, changeling! I tell you, no woman can be forced.
Mrs. Pinchwife
Yes, but she may sure, by such a one as he, for he’s a proper, goodly, strong man; ’tis hard, let me tell you, to resist him.
Pinchwife
Aside. So, ’tis plain she loves him, yet she has not love enough to make her conceal it from me; but the sight of him will increase her aversion for me and love for him; and that love instruct her how to deceive me and satisfy him, all idiot as she is. Love! ’twas he gave women first their craft, their art of deluding. Out of Nature’s hands they came plain, open, silly, and fit for slaves, as she and Heaven intended ’em; but damned Love—well—I must strangle that little monster whilst I can deal with him.—Aloud. Go fetch pen, ink, and paper out of the next room.
Mrs. Pinchwife
Yes, bud.
Exit.
Pinchwife
Why should women have more invention in love than men? It can only be, because they have more desires, more soliciting passions, more lust, and more of the devil.
Re-enter Mrs. Pinchwife.
Come, minx, sit down and write.
Mrs. Pinchwife
Ay, dear bud, but I can’t do’t very well.
Pinchwife
I wish you could not at all.
Mrs. Pinchwife
But what should I write for?
Pinchwife
I’ll have you write a letter to your lover.
Mrs. Pinchwife
O Lord, to the fine gentleman a letter!
Pinchwife
Yes, to the fine gentleman.
Mrs. Pinchwife
Lord, you do but jeer: sure you jest.
Pinchwife
I am not so merry: come, write as I bid you.
Mrs. Pinchwife
What, do you think I am a fool?
Pinchwife
Aside. She’s afraid I would not dictate any love to him, therefore she’s unwilling.—Aloud. But you had best begin.
Mrs. Pinchwife
Indeed, and indeed, but I won’t, so I won’t.
Pinchwife
Why?
Mrs. Pinchwife
Because he’s in town; you may send for him if you will.
Pinchwife
Very well, you would have him brought to you; is it come to this? I say, take the pen and write, or you’ll provoke me.
Mrs. Pinchwife
Lord, what d’ye make a fool of me for? Don’t I know that letters are never writ but from the country to London, and from London into the country? Now he’s in town, and I am in town too; therefore I can’t write to him, you know.
Pinchwife
Aside. So, I am glad it is no worse; she is innocent enough yet.—Aloud. Yes, you may, when your husband bids you, write letters to people that are in town.
Mrs. Pinchwife
O, may I so? then I’m satisfied.
Pinchwife
Come, begin:—“Sir”—Dictates.
Mrs. Pinchwife
Shan’t I say, “Dear Sir?”—You know one says always something more than bare “sir.”
Pinchwife
Write as I bid you, or I will write whore with this penknife in your face.
Mrs. Pinchwife
Nay, good bud—“Sir”—Writes.
Pinchwife
“Though I suffered last night your nauseous, loathed kisses and embraces”—Write!
Mrs. Pinchwife
Nay, why should I say so? You know I told you he had a sweet breath.
Pinchwife
Write!
Mrs. Pinchwife
Let me but put out “loathed.”
Pinchwife
Write, I say!
Mrs. Pinchwife
Well then. Writes.
Pinchwife
Let’s see, what have you writ?—Takes the paper and reads. “Though I suffered last night your kisses and embraces”—Thou impudent creature! where is “nauseous” and “loathed?”
Mrs. Pinchwife
I can’t abide to write such filthy words.
Pinchwife
Once more write as I’d have you, and question it not, or I will spoil thy writing with this. I will stab out those eyes that cause my mischief. Holds up the penknife.
Mrs. Pinchwife
O Lord! I will.
Pinchwife
So—so—let’s see now.—Reads. “Though I suffered last night your nauseous, loathed kisses and embraces”—go on—“yet I would not have you presume that you shall ever repeat them”—so—She writes.
Mrs. Pinchwife
I have writ it.
Pinchwife
On, then—“I then concealed myself from your knowledge, to avoid your insolencies.”—She writes.
Mrs. Pinchwife
So—
Pinchwife
“The same reason, now I am out of your hands—” She writes.
Mrs. Pinchwife
So—
Pinchwife
“Makes me own to you my unfortunate, though innocent frolic, of being in man’s clothes”—She writes.
Mrs. Pinchwife
So—
Pinchwife
“That you may for evermore cease to pursue her, who hates and detests you”—She writes on.
Mrs. Pinchwife
So—heigh! Sighs.
Pinchwife
What, do you sigh?—“detests you—as much as she loves her husband and her honour—”
Mrs. Pinchwife
I vow, husband, he’ll ne’er believe I should write such a letter.
Pinchwife
What, he’d expect a kinder from you? Come, now your name only.
Mrs. Pinchwife
What, shan’t I say “Your most faithful humble servant till death?”
Pinchwife
No, tormenting fiend!—Aside. Her style, I find, would be very soft.—Aloud. Come, wrap it up now whilst I go fetch wax and a candle; and write on the backside, “For Mr. Horner.” Exit.
Mrs. Pinchwife
“For Mr. Horner.”—So, I am glad he has told me his name. Dear Mr. Horner! but why should I send thee such a letter that will vex thee, and make thee angry with me?—Well, I will not send it.—Ay, but then my husband will kill me—for I see plainly he won’t let me love Mr. Horner—but what care I for my husband?—I won’t, so I won’t, send poor Mr. Horner such a letter—But then my husband—but oh, what if I writ at bottom my husband made me write it?—Ay, but then my husband would see’t—Can one have no shift? ah, a London woman would have had a hundred presently. Stay—what if I should write a letter, and wrap it up like this, and write
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