The Country Wife by William Wycherley (ebook reader ink .TXT) 📕
Description
The Country Wife was first performed in January 1672 at the Theatre Royal, Drury Lane. It traces several plot lines, the principle of which follows notorious rake Harry Horner’s attempt to carry on affairs by spreading a rumor that he was now a eunuch and no longer a threat to any man’s wife. It was controversial for its sexual explicitness even in its own time, having several notorious scenes filled with extended sexual innuendo and women carousing, singing riotous songs, and behaving exactly like their male counterparts.
With the restoration of the monarchy in 1660 the eighteen year ban on theater imposed by the Puritans was lifted. Charles II’s time in France had nurtured a fascination with the stage and, with his enthusiastic support, Restoration drama was soon once again a thriving part of the London culture—but it provided a completely different experience from Jacobean theater.
Christopher Wren’s newly built Theatre Royal provided a modern stage that accommodated innovations in scenic design and created a new relationship between actors and the audience. Another novelty, imported from France, was the presence of women on stage for the first time in British history. Restoration audiences were fascinated and often aghast to see real women perform, matching their male counterparts both in their wit and use of double entendre.
William Wycherley had spent some of the Commonwealth years in France and become interested in French drama. Borrowing extensively from Molière and others, he wrote several plays for this new theater, with his last two comedies, The Country Wife and The Plain Dealer, being the most famous. At the time, The Country Wife was considered the bawdiest and wittiest play yet seen on the English stage. It enjoyed popularity throughout the period but, as mores shifted and became more strict, the play was eventually considered too outrageous to be performed at all and between 1753 and 1924 was generally replaced on the stage by David Garrick’s cleaned-up, bland version.
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- Author: William Wycherley
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Horner’s lodging
Enter Horner and Quack. Quack Well, sir, how fadges10 the new design? have you not the luck of all your brother projectors, to deceive only yourself at last? Horner No, good domine doctor, I deceive you, it seems, and others too; for the grave matrons, and old, rigid husbands think me as unfit for love, as they are; but their wives, sisters, and daughters know, some of ’em, better things already. Quack Already! Horner Already, I say. Last night I was drunk with half-a-dozen of your civil persons, as you call ’em, and people of honour, and so was made free of their society and dressing-rooms forever hereafter; and am already come to the privileges of sleeping upon their pallets, warming smocks, tying shoes and garters, and the like, doctor, already, already, doctor. Quack You have made good use of your time, sir. Horner I tell thee, I am now no more interruption to ’em, when they sing, or talk bawdy, than a little squab French page who speaks no English. Quack But do civil persons and women of honour drink, and sing bawdy songs? Horner O, amongst friends, amongst friends. For your bigots in honour are just like those in religion; they fear the eye of the world more than the eye of Heaven; and think there is no virtue, but railing at vice, and no sin, but giving scandal. They rail at a poor, little, kept player, and keep themselves some young, modest pulpit comedian to be privy to their sins in their closets, not to tell ’em of them in their chapels. Quack Nay, the truth on’t is, priests, amongst the women now, have quite got the better of us lay-confessors, physicians. Horner And they are rather their patients; but— Enter Lady Fidget, looking about her. Now we talk of women of honour, here comes one. Step behind the screen there, and but observe, if I have not particular privileges with the women of reputation already, doctor, already. Quack retires. Lady Fidget Well, Horner, am not I a woman of honour? you see, I’m as good as my word. Horner And you shall see, madam, I’ll not be behindhand with you in honour; and I’ll be as good as my word too, if you please but to withdraw into the next room. Lady Fidget But first, my dear sir, you must promise to have a care of my dear honour. Horner If you talk a word more of your honour, you’ll make me incapable to wrong it. To talk of honour in the mysteries of love, is like talking of Heaven or the Deity, in an operation of witchcraft, just when you are employing the devil: it makes the charm impotent. Lady Fidget Nay, fy! let us not be smutty. But you talk of mysteries
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