The Country Wife by William Wycherley (ebook reader ink .TXT) 📕
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The Country Wife was first performed in January 1672 at the Theatre Royal, Drury Lane. It traces several plot lines, the principle of which follows notorious rake Harry Horner’s attempt to carry on affairs by spreading a rumor that he was now a eunuch and no longer a threat to any man’s wife. It was controversial for its sexual explicitness even in its own time, having several notorious scenes filled with extended sexual innuendo and women carousing, singing riotous songs, and behaving exactly like their male counterparts.
With the restoration of the monarchy in 1660 the eighteen year ban on theater imposed by the Puritans was lifted. Charles II’s time in France had nurtured a fascination with the stage and, with his enthusiastic support, Restoration drama was soon once again a thriving part of the London culture—but it provided a completely different experience from Jacobean theater.
Christopher Wren’s newly built Theatre Royal provided a modern stage that accommodated innovations in scenic design and created a new relationship between actors and the audience. Another novelty, imported from France, was the presence of women on stage for the first time in British history. Restoration audiences were fascinated and often aghast to see real women perform, matching their male counterparts both in their wit and use of double entendre.
William Wycherley had spent some of the Commonwealth years in France and become interested in French drama. Borrowing extensively from Molière and others, he wrote several plays for this new theater, with his last two comedies, The Country Wife and The Plain Dealer, being the most famous. At the time, The Country Wife was considered the bawdiest and wittiest play yet seen on the English stage. It enjoyed popularity throughout the period but, as mores shifted and became more strict, the play was eventually considered too outrageous to be performed at all and between 1753 and 1924 was generally replaced on the stage by David Garrick’s cleaned-up, bland version.
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- Author: William Wycherley
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A room in Pinchwife’s house.
Mrs. Pinchwife alone, leaning on her elbow.—A table, pen, ink and paper. Mrs. Pinchwife Well, ’tis e’en so, I have got the London disease they call love; I am sick of my husband, and for my gallant. I have heard this distemper called a fever, but methinks ’tis like an ague; for when I think of my husband, I tremble, and am in a cold sweat, and have inclinations to vomit; but when I think of my gallant, dear Mr. Horner, my hot fit comes, and I am all in a fever indeed; and, as in other fevers, my own chamber is tedious to me, and I would fain be removed to his, and then methinks I should be well. Ah, poor Mr. Horner! Well, I cannot, will not stay here; therefore I’ll make an end of my letter to him, which shall be a finer letter than my last, because I have studied it like anything. Oh sick, sick! Takes the pen and writes. Enter Pinchwife, who seeing her writing, steals softly behind her and looking over her shoulder, snatches the paper from her. Pinchwife What, writing more letters? Mrs. Pinchwife O Lord, bud, why d’ye fright me so? She offers to run out; he stops her, and reads. Pinchwife How’s this? nay, you shall not stir, madam:—“Dear, dear, dear Mr. Horner”—very well—I have taught you to write letters to good purpose—but let us see’t. “First, I am to beg your pardon for my boldness in writing to you, which I’d have you to know I would not have done, had not you said first you loved me so extremely, which if you do, you will never suffer me to lie in the arms of another man whom I loathe, nauseate, and detest.”—Now you can write these filthy words. But what follows?—“Therefore, I hope you will speedily find some way to free me from this unfortunate match, which was never, I assure you, of my choice, but I’m afraid ’tis already too far gone; however, if you love me, as I do you, you will try what you can do; but you must help me away before tomorrow, or else, alas! I shall be forever out of your reach, for I can defer no longer our—our—” what is to follow “our”?—speak, what—our journey into the country I suppose—Oh woman, damned woman! and Love, damned Love, their old tempter! for this is one of his miracles; in a moment he can make those blind that could see, and those see that were blind, those dumb that could speak, and those prattle who were dumb before; nay, what is more than all, make these dough-baked, senseless, indocile animals, women, too hard for us their politic lords and rulers, in a moment. But make an end of your letter, and then I’ll make an end of you thus, and all my plagues together. Draws his sword. Mrs. Pinchwife O Lord, O Lord, you are such a passionate man, bud! Enter Sparkish. Sparkish How now, what’s here to do? Pinchwife This fool here now! Sparkish What! drawn upon your wife? You should never do that, but at night in the dark, when you can’t hurt her. This is my sister-in-law, is it not? ay, faith, e’en our country Margery; Pulls aside her handkerchief one may know her. Come, she and you must go dine with me; dinner’s ready, come. But where’s my wife? is she not come home yet? where is she? Pinchwife Making you a cuckold; ’tis that they all do, as soon as they can. Sparkish What, the wedding-day? no, a wife that designs to make a cully of her husband will be sure to let
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