War and Peace by Leo Tolstoy (ebook reader for pc TXT) 📕

was the most agreeable and hospitable in Moscow. In addition to the formal evening and dinner parties, a large company, chiefly of men, gathered there every day, supping at midnight and staying till three in the morning. Julie never missed a ball, a promenade, or a play. Her dresses were always of the latest fashion. But in spite of that she seemed to be disillusioned about everything and told everyone that she did not believe either in friendship or in love, or any of the joys of life, and expected peace only “yonder.” She adopted the tone of one who has suffered a great disappointment, like a girl who has either lost the man she loved or been cruelly deceived by him. Though nothing of the kind had happened to her she was regarded in that light, and had even herself come to believe that she had suffered much in life. This melancholy, which did not prevent her amusing herself, did not hinder the young people who came to her house from passing the time pleasantly. Every visitor who came to the house paid his tribute to the melancholy mood of the hostess, and then amused himself with society gossip, dancing, intellectual games, and bouts rimés, which were in vogue at the Karágins’. Only a few of these young men, among them Borís, entered more deeply into Julie’s melancholy, and with these she had prolonged conversations in private on the vanity of all worldly things, and to them she showed her albums filled with mournful sketches, maxims, and verses.

To Borís, Julie was particularly gracious: she regretted his early disillusionment with life, offered him such consolation of friendship as she who had herself suffered so much could render, and showed him her album. Borís sketched two trees in the album and wrote: “Rustic trees, your dark branches shed gloom and melancholy upon me.”

On another page he drew a tomb, and wrote:

La mort est secourable et la mort est tranquille.
Ah! contre les douleurs il n’y a pas d’autre asile.72

Julie said this was charming.

“There is something so enchanting in the smile of melancholy,” she said to Borís, repeating word for word a passage she had copied from a book. “It is a ray of light in the darkness, a shade between sadness and despair, showing the possibility of consolation.”

In reply Borís wrote these lines:

Aliment de poison d’une âme trop sensible,
Toi, sans qui le bonheur me serait impossible,
Tendre mélancholie, ah, viens me consoler,
Viens calmer les tourments de ma sombre retraite,
Et mêle une douceur secrète
A ces pleurs que je sens couler.73

For Borís, Julie played most doleful nocturnes on her harp. Borís read Poor Liza aloud to her, and more than once interrupted the reading because of the emotions that choked him. Meeting at large gatherings Julie and Borís looked on one another as the only souls who understood one another in a world of indifferent people.

Anna Mikháylovna, who often visited the Karágins, while playing cards with the mother made careful inquiries as to Julie’s dowry (she was to have two estates in Pénza and the Nizhegórod forests). Anna Mikháylovna regarded the refined sadness that united her son to the wealthy Julie with emotion, and resignation to the Divine will.

“You are always charming and melancholy, my dear Julie,” she said to the daughter. “Borís says his soul finds repose at your house. He has suffered so many disappointments and is so sensitive,” said she to the mother. “Ah, my dear, I can’t tell you how fond I have grown of Julie latterly,” she said to her son. “But who could help loving her? She is an angelic being! Ah, Borís, Borís!”⁠—she paused. “And how I pity her mother,” she went on; “today she showed me her accounts and letters from Pénza (they have enormous estates there), and she, poor thing, has no one to help her, and they do cheat her so!”

Borís smiled almost imperceptibly while listening to his mother. He laughed blandly at her naive diplomacy but listened to what she had to say, and sometimes questioned her carefully about the Pénza and Nizhegórod estates.

Julie had long been expecting a proposal from her melancholy adorer and was ready to accept it; but some secret feeling of repulsion for her, for her passionate desire to get married, for her artificiality, and a feeling of horror at renouncing the possibility of real love still restrained Borís. His leave was expiring. He spent every day and whole days at the Karágins’, and every day on thinking the matter over told himself that he would propose tomorrow. But in Julie’s presence, looking at her red face and chin (nearly always powdered), her moist eyes, and her expression of continual readiness to pass at once from melancholy to an unnatural rapture of married bliss, Borís could not utter the decisive words, though in imagination he had long regarded himself as the possessor of those Pénza and Nizhegórod estates and had apportioned the use of the income from them. Julie saw Borís’ indecision, and sometimes the thought occurred to her that she was repulsive to him, but her feminine self-deception immediately supplied her with consolation, and she told herself that he was only shy from love. Her melancholy, however, began to turn to irritability, and not long before Borís’ departure she formed a definite plan of action. Just as Borís’ leave of absence was expiring, Anatole Kurágin made his appearance in Moscow, and of course in the Karágins’ drawing room, and Julie, suddenly abandoning her melancholy, became cheerful and very attentive to Kurágin.

“My dear,” said Anna Mikháylovna to her son, “I know from a reliable source that Prince Basile has sent his son to Moscow to get him married to Julie. I am so fond of Julie that I should be sorry for her. What do you think of it, my dear?”

The idea of being made a fool of and of having thrown away that whole