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on the Neapolitan bonds.”

β€œI have none⁠—nor have I ever possessed any; but really we have talked long enough of money, count, we are like two stockbrokers; have you heard how fate is persecuting the poor Villeforts?”

β€œWhat has happened?” said the count, simulating total ignorance.

β€œYou know the Marquis of Saint-MΓ©ran died a few days after he had set out on his journey to Paris, and the marchioness a few days after her arrival?”

β€œYes,” said Monte Cristo, β€œI have heard that; but, as Claudius said to Hamlet, β€˜it is a law of nature; their fathers died before them, and they mourned their loss; they will die before their children, who will, in their turn, grieve for them.β€™β€Šβ€

β€œBut that is not all.”

β€œNot all!”

β€œNo; they were going to marry their daughter⁠—”

β€œTo M. Franz d’Épinay. Is it broken off?”

β€œYesterday morning, it appears, Franz declined the honor.”

β€œIndeed? And is the reason known?”

β€œNo.”

β€œHow extraordinary! And how does M. de Villefort bear it?”

β€œAs usual. Like a philosopher.”

Danglars returned at this moment alone.

β€œWell,” said the baroness, β€œdo you leave M. Cavalcanti with your daughter?”

β€œAnd Mademoiselle d’Armilly,” said the banker; β€œdo you consider her no one?” Then, turning to Monte Cristo, he said, β€œPrince Cavalcanti is a charming young man, is he not? But is he really a prince?”

β€œI will not answer for it,” said Monte Cristo. β€œHis father was introduced to me as a marquis, so he ought to be a count; but I do not think he has much claim to that title.”

β€œWhy?” said the banker. β€œIf he is a prince, he is wrong not to maintain his rank; I do not like anyone to deny his origin.”

β€œOh, you are a thorough democrat,” said Monte Cristo, smiling.

β€œBut do you see to what you are exposing yourself?” said the baroness. β€œIf, perchance, M. de Morcerf came, he would find M. Cavalcanti in that room, where he, the betrothed of EugΓ©nie, has never been admitted.”

β€œYou may well say, perchance,” replied the banker; β€œfor he comes so seldom, it would seem only chance that brings him.”

β€œBut should he come and find that young man with your daughter, he might be displeased.”

β€œHe? You are mistaken. M. Albert would not do us the honor to be jealous; he does not like EugΓ©nie sufficiently. Besides, I care not for his displeasure.”

β€œStill, situated as we are⁠—”

β€œYes, do you know how we are situated? At his mother’s ball he danced once with EugΓ©nie, and M. Cavalcanti three times, and he took no notice of it.”

The valet announced the Vicomte Albert de Morcerf. The baroness rose hastily, and was going into the study, when Danglars stopped her.

β€œLet her alone,” said he.

She looked at him in amazement. Monte Cristo appeared to be unconscious of what passed. Albert entered, looking very handsome and in high spirits. He bowed politely to the baroness, familiarly to Danglars, and affectionately to Monte Cristo. Then turning to the baroness: β€œMay I ask how Mademoiselle Danglars is?” said he.

β€œShe is quite well,” replied Danglars quickly; β€œshe is at the piano with M. Cavalcanti.”

Albert retained his calm and indifferent manner; he might feel perhaps annoyed, but he knew Monte Cristo’s eye was on him. β€œM. Cavalcanti has a fine tenor voice,” said he, β€œand Mademoiselle EugΓ©nie a splendid soprano, and then she plays the piano like Thalberg. The concert must be a delightful one.”

β€œThey suit each other remarkably well,” said Danglars. Albert appeared not to notice this remark, which was, however, so rude that Madame Danglars blushed.

β€œI, too,” said the young man, β€œam a musician⁠—at least, my masters used to tell me so; but it is strange that my voice never would suit any other, and a soprano less than any.”

Danglars smiled, and seemed to say, β€œIt is of no consequence.” Then, hoping doubtless to effect his purpose, he saidβ β€”β€œThe prince and my daughter were universally admired yesterday. You were not of the party, M. de Morcerf?”

β€œWhat prince?” asked Albert.

β€œPrince Cavalcanti,” said Danglars, who persisted in giving the young man that title.

β€œPardon me,” said Albert, β€œI was not aware that he was a prince. And Prince Cavalcanti sang with Mademoiselle EugΓ©nie yesterday? It must have been charming, indeed. I regret not having heard them. But I was unable to accept your invitation, having promised to accompany my mother to a German concert given by the Baroness of ChΓ’teau-Renaud.”

This was followed by rather an awkward silence.

β€œMay I also be allowed,” said Morcerf, β€œto pay my respects to Mademoiselle Danglars?”

β€œWait a moment,” said the banker, stopping the young man; β€œdo you hear that delightful cavatina? Ta, ta, ta, ti, ta, ti, ta, ta; it is charming, let them finish⁠—one moment. Bravo, bravi, brava!” The banker was enthusiastic in his applause.

β€œIndeed,” said Albert, β€œit is exquisite; it is impossible to understand the music of his country better than Prince Cavalcanti does. You said prince, did you not? But he can easily become one, if he is not already; it is no uncommon thing in Italy. But to return to the charming musicians⁠—you should give us a treat, Danglars, without telling them there is a stranger. Ask them to sing one more song; it is so delightful to hear music in the distance, when the musicians are unrestrained by observation.”

Danglars was quite annoyed by the young man’s indifference. He took Monte Cristo aside.

β€œWhat do you think of our lover?” said he.

β€œHe appears cool. But, then, your word is given.”

β€œYes, doubtless I have promised to give my daughter to a man who loves her, but not to one who does not. See him there, cold as marble and proud like his father. If he were rich, if he had Cavalcanti’s fortune, that might be pardoned. Ma foi, I haven’t consulted my daughter; but if she has good taste⁠—”

β€œOh,” said Monte Cristo, β€œmy fondness may blind me, but I assure you I consider Morcerf a charming young man who will render your daughter happy and will sooner or later attain a certain amount of distinction, and his father’s position is good.”

β€œHem,” said Danglars.

β€œWhy do you doubt?”

β€œThe past⁠—that obscurity on the past.”

β€œBut

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