Short Fiction by Anton Chekhov (libby ebook reader .txt) π
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Anton Chekhov is widely considered to be one of the greatest short story writers in history. A physician by day, heβs famously quoted as saying, βMedicine is my lawful wife, and literature is my mistress.β Chekhov wrote nearly 300 short stories in his long writing career; while at first he wrote mainly to make a profit, as his interest in writingβand his skillβgrew, he wrote stories that heavily influenced the modern development of the form.
His stories are famous for, among other things, their ambiguous morality and their often inconclusive nature. Chekhov was a firm believer that the role of the artist was to correctly pose a question, but not necessarily to answer it.
This collection contains all of his short stories and two novellas, all translated by Constance Garnett, and arranged by the date they were originally published.
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- Author: Anton Chekhov
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The student hid his head under the sheet and turned his face towards the wall, meaning by this action to let us know that he did not want to speak or listen. The argument ended at that.
Before going to bed the engineer and I went out of the hut, and I saw the lights once more.
βWe have tired you out with our chatter,β said Ananyev, yawning and looking at the sky. βWell, my good sir! The only pleasure we have in this dull hole is drinking and philosophising.β ββ β¦ What an embankment, Lord have mercy on us!β he said admiringly, as we approached the embankment; βit is more like Mount Ararat than an embankment.β
He paused for a little, then said: βThose lights remind the Baron of the Amalekites, but it seems to me that they are like the thoughts of man.β ββ β¦ You know the thoughts of each individual man are scattered like that in disorder, stretch in a straight line towards some goal in the midst of the darkness and, without shedding light on anything, without lighting up the night, they vanish somewhere far beyond old age. But enough philosophising! Itβs time to go bye-bye.β
When we were back in the hut the engineer began begging me to take his bed.
βOh please!β he said imploringly, pressing both hands on his heart. βI entreat you, and donβt worry about me! I can sleep anywhere, and, besides, I am not going to bed just yet. Please doβ βitβs a favour!β
I agreed, undressed, and went to bed, while he sat down to the table and set to work on the plans.
βWe fellows have no time for sleep,β he said in a low voice when I had got into bed and shut my eyes. βWhen a man has a wife and two children he canβt think of sleep. One must think now of food and clothes and saving for the future. And I have two of them, a little son and a daughter.β ββ β¦ The boy, little rascal, has a jolly little face. Heβs not six yet, and already he shows remarkable abilities, I assure you.β ββ β¦ I have their photographs here, somewhere.β ββ β¦ Ah, my children, my children!β
He rummaged among his papers, found their photographs, and began looking at them. I fell asleep.
I was awakened by the barking of Azorka and loud voices. Von Schtenberg with bare feet and ruffled hair was standing in the doorway dressed in his underclothes, talking loudly with someone.β ββ β¦ It was getting light. A gloomy dark blue dawn was peeping in at the door, at the windows, and through the crevices in the hut walls, and casting a faint light on my bed, on the table with the papers, and on Ananyev. Stretched on the floor on a cloak, with a leather pillow under his head, the engineer lay asleep with his fleshy, hairy chest uppermost; he was snoring so loudly that I pitied the student from the bottom of my heart for having to sleep in the same room with him every night.
βWhy on earth are we to take them?β shouted Von Schtenberg. βIt has nothing to do with us! Go to Tchalisov! From whom do the cauldrons come?β
βFrom Nikitinβ ββ β¦β a bass voice answered gruffly.
βWell, then, take them to Tchalisov.β ββ β¦ Thatβs not in our department. What the devil are you standing there for? Drive on!β
βYour honour, we have been to Tchalisov already,β said the bass voice still more gruffly. βYesterday we were the whole day looking for him down the line, and were told at his hut that he had gone to the Dymkovsky section. Please take them, your honour! How much longer are we to go carting them about? We go carting them on and on along the line, and see no end to it.β
βWhat is it?β Ananyev asked huskily, waking up and lifting his head quickly.
βThey have brought some cauldrons from Nikitinβs,β said the student, βand he is begging us to take them. And what business is it of ours to take them?β
βDo be so kind, your honour, and set things right! The horses have been two days without food and the master, for sure, will be angry. Are we to take them back, or what? The railway ordered the cauldrons, so it ought to take them.β ββ β¦β
βCanβt you understand, you blockhead, that it has nothing to do with us? Go on to Tchalisov!β
βWhat is it? Whoβs there?β Ananyev asked huskily again. βDamnation take them all,β he said, getting up and going to the door. βWhat is it?β
I dressed, and two minutes later went out of the hut. Ananyev and the student, both in their underclothes and barefooted, were angrily and impatiently explaining to a peasant who was standing before them bareheaded, with his whip in his hand, apparently not understanding them. Both faces looked preoccupied with workaday cares.
βWhat use are your cauldrons to me,β shouted Ananyev. βAm I to put them on my head, or what? If you canβt find Tchalisov, find his assistant, and leave us in peace!β
Seeing me, the student probably recalled the conversation of the previous night. The workaday expression vanished from his sleepy face and a look of mental inertia came into it. He waved the peasant off and walked away absorbed in thought.
It was a cloudy morning. On the line where the lights had been gleaming the night before, the workmen, just roused from sleep, were swarming. There was a sound of
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