War and Peace by Leo Tolstoy (ebook reader for pc TXT) π
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Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoyβs deft hand.
War and Peace is generally considered to be Tolstoyβs masterpiece, a pinnacle of Russian literature, and one of historyβs great novels. Tolstoy himself refused to call it that, saying it was βnot a novel, even less is it a poem, and still less a historical chronicle.β It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoyβs original four-book structure.
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- Author: Leo Tolstoy
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He did not find the civil servant or his wife where he had left them. He walked among the crowd with rapid steps, scanning the various faces he met. Involuntarily he noticed a Georgian or Armenian family consisting of a very handsome old man of Oriental type, wearing a new, cloth-covered, sheepskin coat and new boots, an old woman of similar type, and a young woman. That very young woman seemed to Pierre the perfection of Oriental beauty, with her sharply outlined, arched, black eyebrows and the extraordinarily soft, bright color of her long, beautiful, expressionless face. Amid the scattered property and the crowd on the open space, she, in her rich satin cloak with a bright lilac shawl on her head, suggested a delicate exotic plant thrown out onto the snow. She was sitting on some bundles a little behind the old woman, and looked from under her long lashes with motionless, large, almond-shaped eyes at the ground before her. Evidently she was aware of her beauty and fearful because of it. Her face struck Pierre and, hurrying along by the fence, he turned several times to look at her. When he had reached the fence, still without finding those he sought, he stopped and looked about him.
With the child in his arms his figure was now more conspicuous than before, and a group of Russians, both men and women, gathered about him.
βHave you lost anyone, my dear fellow? Youβre of the gentry yourself, arenβt you? Whose child is it?β they asked him.
Pierre replied that the child belonged to a woman in a black coat who had been sitting there with her other children, and he asked whether anyone knew where she had gone.
βWhy, that must be the AnfΓ©rovs,β said an old deacon, addressing a pockmarked peasant woman. βLord have mercy, Lord have mercy!β he added in his customary bass.
βThe AnfΓ©rovs? No,β said the woman. βThey left in the morning. That must be either MΓ‘rya NikolΓ‘evnaβs or the IvΓ‘novsβ!β
βHe says βa woman,β and MΓ‘rya NikolΓ‘evna is a lady,β remarked a house serf.
βDo you know her? Sheβs thin, with long teeth,β said Pierre.
βThatβs MΓ‘rya NikolΓ‘evna! They went inside the garden when these wolves swooped down,β said the woman, pointing to the French soldiers.
βO Lord, have mercy!β added the deacon.
βGo over that way, theyβre there. Itβs she! She kept on lamenting and crying,β continued the woman. βItβs she. Here, this way!β
But Pierre was not listening to the woman. He had for some seconds been intently watching what was going on a few steps away. He was looking at the Armenian family and at two French soldiers who had gone up to them. One of these, a nimble little man, was wearing a blue coat tied round the waist with a rope. He had a nightcap on his head and his feet were bare. The other, whose appearance particularly struck Pierre, was a long, lank, round-shouldered, fair-haired man, slow in his movements and with an idiotic expression of face. He wore a womanβs loose gown of frieze, blue trousers, and large torn Hessian boots. The little barefooted Frenchman in the blue coat went up to the Armenians and, saying something, immediately seized the old man by his legs and the old man at once began pulling off his boots. The other in the frieze gown stopped in front of the beautiful Armenian girl and with his hands in his pockets stood staring at her, motionless and silent.
βHere, take the child!β said Pierre peremptorily and hurriedly to the woman, handing the little girl to her. βGive her back to them, give her back!β he almost shouted, putting the child, who began screaming, on the ground, and again looking at the Frenchman and the Armenian family.
The old man was already sitting barefoot. The little Frenchman had secured his second boot and was slapping one boot against the other. The old man was saying something in a voice broken by sobs, but Pierre caught but a glimpse of this, his whole attention was directed to the Frenchman in the frieze gown who meanwhile, swaying slowly from side to side, had drawn nearer to the young woman and taking his hands from his pockets had seized her by the neck.
The beautiful Armenian still sat motionless and in the same attitude, with her long lashes drooping as if she did not see or feel what the soldier was doing to her.
While Pierre was running the few steps that separated him from the Frenchman, the tall marauder in the frieze gown was already tearing from her neck the necklace the young Armenian was wearing, and the young woman, clutching at her neck, screamed piercingly.
βLet that woman alone!β exclaimed Pierre hoarsely in a furious voice, seizing the soldier by his round shoulders and throwing him aside.
The soldier fell, got up, and ran away. But his comrade, throwing down the boots and drawing his sword,
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