War and Peace by Leo Tolstoy (ebook reader for pc TXT) 📕
Description
Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoy’s deft hand.
War and Peace is generally considered to be Tolstoy’s masterpiece, a pinnacle of Russian literature, and one of history’s great novels. Tolstoy himself refused to call it that, saying it was “not a novel, even less is it a poem, and still less a historical chronicle.” It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoy’s original four-book structure.
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- Author: Leo Tolstoy
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“Yes, Father, I have come to you and brought my wife who is pregnant,” said Prince Andréy, following every movement of his father’s face with an eager and respectful look. “How is your health?”
“Only fools and rakes fall ill, my boy. You know me: I am busy from morning till night and abstemious, so of course I am well.”
“Thank God,” said his son smiling.
“God has nothing to do with it! Well, go on,” he continued, returning to his hobby; “tell me how the Germans have taught you to fight Bonaparte by this new science you call ‘strategy.’ ”
Prince Andréy smiled.
“Give me time to collect my wits, Father,” said he, with a smile that showed that his father’s foibles did not prevent his son from loving and honoring him. “Why, I have not yet had time to settle down!”
“Nonsense, nonsense!” cried the old man, shaking his pigtail to see whether it was firmly plaited, and grasping his by the hand. “The house for your wife is ready. Princess Márya will take her there and show her over, and they’ll talk nineteen to the dozen. That’s their woman’s way! I am glad to have her. Sit down and talk. About Mikhelson’s army I understand—Tolstóy’s too … a simultaneous expedition. … But what’s the southern army to do? Prussia is neutral … I know that. What about Austria?” said he, rising from his chair and pacing up and down the room followed by Tíkhon, who ran after him, handing him different articles of clothing. “What of Sweden? How will they cross Pomerania?”
Prince Andréy, seeing that his father insisted, began—at first reluctantly, but gradually with more and more animation, and from habit changing unconsciously from Russian to French as he went on—to explain the plan of operation for the coming campaign. He explained how an army, ninety thousand strong, was to threaten Prussia so as to bring her out of her neutrality and draw her into the war; how part of that army was to join some Swedish forces at Stralsund; how two hundred and twenty thousand Austrians, with a hundred thousand Russians, were to operate in Italy and on the Rhine; how fifty thousand Russians and as many English were to land at Naples, and how a total force of five hundred thousand men was to attack the French from different sides. The old prince did not evince the least interest during this explanation, but as if he were not listening to it continued to dress while walking about, and three times unexpectedly interrupted. Once he stopped it by shouting: “The white one, the white one!”
This meant that Tíkhon was not handing him the waistcoat he wanted. Another time he interrupted, saying:
“And will she soon be confined?” and shaking his head reproachfully said: “That’s bad! Go on, go on.”
The third interruption came when Prince Andréy was finishing his description. The old man began to sing, in the cracked voice of old age: “Malbrook s’en va-t-en guerre. Dieu sait quand reviendra.”15
His son only smiled.
“I don’t say it’s a plan I approve of,” said the son; “I am only telling you what it is. Napoleon has also formed his plan by now, not worse than this one.”
“Well, you’ve told me nothing new,” and the old man repeated, meditatively and rapidly:
“Dieu sait quand reviendra. Go to the dining room.”
XXVIIAt the appointed hour the prince, powdered and shaven, entered the dining room where his daughter-in-law, Princess Márya, and Mademoiselle Bourienne were already awaiting him together with his architect, who by a strange caprice of his employer’s was admitted to table though the position of that insignificant individual was such as could certainly not have caused him to expect that honor. The prince, who generally kept very strictly to social distinctions and rarely admitted even important government officials to his table, had unexpectedly selected Mikháil Ivánovich (who always went into a corner to blow his nose on his checked handkerchief) to illustrate the theory that all men are equals, and had more than once impressed on his daughter that Mikháil Ivánovich was “not a whit worse than you or I.” At dinner the prince usually spoke to the taciturn Mikháil Ivánovich more often than to anyone else.
In the dining room, which like all the rooms in the house was exceedingly lofty, the members of the household and the footmen—one behind each chair—stood waiting for the prince to enter. The head butler, napkin on arm, was scanning the setting of the table, making signs to the footmen, and anxiously glancing from the clock to the door by which the prince was to enter. Prince Andréy was looking at a large gilt frame, new to him, containing the genealogical tree of the Princes Bolkónski, opposite which hung another such frame with a badly painted portrait (evidently by the hand of the artist belonging to the estate) of a ruling prince, in a crown—an alleged descendant of Rúrik and ancestor of the Bolkónskis. Prince Andréy, looking again at that genealogical tree, shook his head, laughing as a man laughs who looks at a portrait so characteristic of the original as to be amusing.
“How thoroughly like him that is!” he said to Princess Márya, who had come up to him.
Princess Márya looked at her brother in surprise. She did not understand what he was laughing at. Everything her father did inspired her with reverence and was beyond question.
“Everyone has his Achilles’ heel,” continued Prince Andréy. “Fancy, with his powerful mind, indulging in such nonsense!”
Princess Márya could not understand the boldness of her brother’s criticism and was about to reply, when the expected footsteps were heard coming from the study. The
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