Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
Description
Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“True!” answered Nero, sadly, “I will write a hymn in her honor, and compose music for it.”
“And then thou wilt find the warm sun in Baiae.”
“And afterward—forgetfulness in Greece.”
“In the birthplace of poetry and song.”
And his stony, gloomy state of mind passed away gradually, as clouds pass that are covering the sun; and then a conversation began which, though full of sadness, yet was full of plans for the future—touching a journey, artistic exhibitions, and even the receptions required at the promised coming of Tiridates, King of Armenia. Tigellinus tried, it is true, to bring forward again the enchantment; but Petronius, sure now of victory, took up the challenge directly.
“Tigellinus,” said he, “dost thou think that enchantments can injure the gods?”
“Caesar himself has mentioned them,” answered the courtier.
“Pain was speaking, not Caesar; but thou—what is thy opinion of the matter?”
“The gods are too mighty to be subject to charms.”
“Then wouldst thou deny divinity to Caesar and his family?”
“Peractum est!” muttered Eprius Marcellus, standing near, repeating that shout which the people gave always when a gladiator in the arena received such a blow that he needed no other.
Tigellinus gnawed his own anger. Between him and Petronius there had long existed a rivalry touching Nero. Tigellinus had this superiority, that Nero acted with less ceremony, or rather with none whatever in his presence; while thus far Petronius overcame Tigellinus at every encounter with wit and intellect.
So it happened now. Tigellinus was silent, and simply recorded in his memory those senators and knights who, when Petronius withdrew to the depth of the chamber, surrounded him straightway, supposing that after this incident he would surely be Caesar’s first favorite.
Petronius, on leaving the palace, betook himself to Vinicius, and described his encounter with Caesar and Tigellinus.
“Not only have I turned away danger,” said he, “from Aulus Plautius, Pomponia, and us, but even from Lygia, whom they will not seek, even for this reason, that I have persuaded Bronzebeard, the monkey, to go to Antium, and thence to Naples or Baiae and he will go. I know that he has not ventured yet to appear in the theater publicly; I have known this long time that he intends to do so at Naples. He is dreaming, moreover, of Greece, where he wants to sing in all the more prominent cities, and then make a triumphal entry into Rome, with all the crowns which the Graeculi will bestow on him. During that time we shall be able to seek Lygia unhindered and secrete her in safety. But has not our noble philosopher been here yet?”
“Thy noble philosopher is a cheat. No; he has not shown himself, and he will not show himself again!”
“But I have a better understanding, if not of his honesty, of his wit. He has drawn blood once from thy purse, and will come even for this, to draw it a second time.”
“Let him beware lest I draw his own blood.”
“Draw it not; have patience till thou art convinced surely of his deceit. Do not give him more money, but promise a liberal reward if he brings thee certain information. Wilt thou thyself undertake something?”
“My two freedmen, Nymphidius and Demas, are searching for her with sixty men. Freedom is promised the slave who finds her. Besides I have sent out special persons by all roads leading from Rome to inquire at every inn for the Lygian and the maiden. I course through the city myself day and night, counting on a chance meeting.”
“Whenever thou hast tidings let me know, for I must go to Antium.”
“I will do so.”
“And if thou wake up some morning and say, ‘It is not worthwhile to torment myself for one girl, and take so much trouble because of her,’ come to Antium. There will be no lack of women there, or amusement.”
Vinicius began to walk with quick steps. Petronius looked for some time at him, and said at last—“Tell me sincerely, not as a mad head, who talks something into his brain and excites himself, but as a man of judgment who is answering a friend: Art thou concerned as much as ever about this Lygia?”
Vinicius stopped a moment, and looked at Petronius as if he had not seen him before; then he began to walk again. It was evident that he was restraining an outburst. At last, from a feeling of helplessness, sorrow, anger, and invincible yearning, two tears gathered in his eyes, which spoke with greater power to Petronius than the most eloquent words.
Then, meditating for a moment, he said—“It is not Atlas who carries the world on his shoulders, but woman; and sometimes she plays with it as with a ball.”
“True,” said Vinicius.
And they began to take farewell of each other. But at that moment a slave announced that Chilo Chilonides was waiting in the antechamber, and begged to be admitted to the presence of the lord.
Vinicius gave command to admit him immediately, and Petronius said—“Ha! have I not told thee? By Hercules! keep thy calmness; or he will command thee, not thou him.”
“A greeting and honor to the noble tribune of the army, and to thee, lord,” said Chilo, entering. “May your happiness be equal to your fame, and may your fame course through the world from the pillars of Hercules to the boundaries of the Arsacidae.”
“A greeting, O lawgiver of virtue and wisdom,” answered Petronius.
But Vinicius inquired with affected calmness, “What dost thou bring?”
“The first time I came I brought thee hope, O lord; at present, I bring certainty that the maiden will be found.”
“That means that thou hast not found her yet?”
“Yes, lord; but I have found what that sign means which she made. I know who the people are who rescued her, and I
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