Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“Tigellinus shows me open enmity now. So far he is unequal to me; but he is, superior in this, that he cares more for life, and is at the same time a greater scoundrel, which brings him nearer Ahenobarbus. These two will understand each other earlier or later, and then my turn will come. I know not when it will come; but I know this, that as things are it must come; hence let time pass. Meanwhile we must amuse ourselves. Life of itself would not be bad were it not for Bronzebeard. Thanks to him, a man at times is disgusted with himself. It is not correct to consider the struggle for his favor as a kind of rivalry in a circus—as a kind of game, as a struggle, in which victory flatters vanity. True, I explain it to myself in that way frequently; but still it seems to me sometimes that I am like Chilo, and better in nothing than he. When he ceases to be needful to thee, send him to me. I have taken a fancy to his edifying conversation. A greeting from me to thy divine Christian, or rather beg her in my name not to be a fish to thee. Inform me of thy health, inform me of thy love, know how to love, teach how to love, and farewell.”
Vinicius to Petronius:
“Lygia is not found yet! Were it not for the hope that I shall find her soon, thou wouldst not receive an answer; for when a man is disgusted with life, he has no wish to write letters. I wanted to learn whether Chilo was not deceiving me; and at night when he came to get the money for Euricius, I threw on a military mantle, and unobserved followed him and the slave whom I sent with him. When they reached the place, I watched from a distance, hidden behind a portico pillar, and convinced myself that Euricius was not invented. Below, a number of tens of people were unloading stones from a spacious barge, and piling them up on the bank. I saw Chilo approach them, and begin to talk with some old man, who after a while fell at his feet. Others surrounded them with shouts of admiration. Before my eyes the boy gave a purse to Euricius, who on seizing it began to pray with upraised hands, while at his side some second person was kneeling, evidently his son. Chilo said something which I could not hear, and blessed the two who were kneeling, as well as others, making in the air signs in the form of a cross, which they honor apparently, for all bent their knees. The desire seized me to go among them, and promise three such purses to him who would deliver to me Lygia; but I feared to spoil Chilo’s work, and after hesitating a moment went home.
“This happened at least twelve days after thy departure. Since then Chilo has been a number of times with me. He says that he has gained great significance among the Christians; that if he has not found Lygia so far, it is because the Christians in Rome are innumerable, hence all are not acquainted with each person in their community, and cannot know everything that is done in it. They are cautious, too, and in general reticent. He gives assurance, however, that when he reaches the elders, who are called presbyters, he will learn every secret. He has made the acquaintance of a number of these already, and has begun to inquire of them, though carefully, so as not to rouse suspicion by haste, and not to make the work still more difficult. Though it is hard to wait, though patience fails, I feel that he is right, and I wait.
“He learned, too, that they have places of meeting for prayer, frequently outside the city, in empty houses and even in sandpits. There they worship Christ, sing hymns, and have feasts. There are many such places. Chilo supposes that Lygia goes purposely to different ones from Pomponia, so that the latter, in case of legal proceedings or an examination, might swear boldly that she knew nothing of Lygia’s hiding place. It may be that the presbyters have advised caution. When Chilo discovers those places, I will go with him; and if the gods let me see Lygia, I swear to thee by Jupiter that she will not escape my hands this time.
“I am thinking continually of those places of prayer. Chilo is unwilling that I should go with him; he is afraid. But I cannot stay at home. I should know her at once, even in disguise or if veiled. They assemble in the night, but I should recognize her in the night even. I should know her voice and motions anywhere. I will go myself in disguise, and look at every person who goes in or out. I am thinking of her always, and shall recognize her. Chilo is to come tomorrow, and we shall go. I will take arms. Some of my slaves sent to the provinces have returned empty-handed. But I am certain now that she is in the city, perhaps not far away even. I myself have visited many houses under pretext of renting them. She will fare better with me a hundred times; where she is, whole legions of poor people dwell. Besides, I shall spare nothing for her sake. Thou writest that I have chosen well. I have chosen suffering and sorrow. We shall go first to those houses which are in the city, then beyond the gates.
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