Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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Vinicius promised him once more the desired sum, forbidding him to mention Glaucus again; but asked what other news he brought, where he had been all the time, what he had seen, and what he had discovered. But Chilo was not able to tell much. He had been in two more houses of prayer—had observed each person carefully, especially the women—but had seen no one who resembled Lygia: the Christians, however, looked on him as one of their own sect, and, since he redeemed the son of Euricius, they honored him as a man following in the steps of “Christ.” He had learned from them, also, that a great lawgiver of theirs, a certain Paul of Tarsus, was in Rome, imprisoned because of charges preferred by the Jews, and with this man he had resolved to become acquainted. But most of all was he pleased by this—that the supreme priest of the whole sect, who had been Christ’s disciple, and to whom Christ had confided government over the whole world of Christians, might arrive in Rome any moment. All the Christians desired evidently to see him, and hear his teachings. Some great meetings would follow, at which he, Chilo, would be present; and what is more, since it is easy to hide in the crowd, he would take Vinicius to those meetings. Then they would find Lygia certainly. If Glaucus were once set aside, it would not be connected even with great danger. As to revenge, the Christians, too, would revenge but in general they were peaceful people.
Here Chilo began to relate, with a certain surprise, that he had never seen that they gave themselves up to debauchery, that they poisoned wells or fountains, that they were enemies of the human race, worshiped an ass, or ate the flesh of children. No; he had seen nothing of that sort. Certainly he would find among them even people who would hide away Glaucus for money; but their religion, as far as he knew, did not incite to crime—on the contrary, it enjoined forgiveness of offenses.
Vinicius remembered what Pomponia had said to him at Acte’s, and in general he listened to Chilo’s words with pleasure. Though his feeling for Lygia assumed at times the seeming of hatred, he felt a relief when he heard that the religion which she and Pomponia confessed was neither criminal nor repulsive. But a species of undefined feeling rose in him that it was just that reverence for Christ, unknown and mysterious, which created the difference between himself and Lygia; hence he began at once to fear that religion and to hate it.
XVIIFor Chilo, it was really important to set aside Glaucus, who, though advanced in years, was by no means decrepit. There was considerable truth in what Chilo had narrated to Vinicius. He had known Glaucus on a time, he had betrayed him, sold him to robbers, deprived him of family, of property, and delivered him to murder. But he bore the memory of these events easily, for he had thrown the man aside dying, not at an inn, but in a field near Minturnae. This one thing he had not foreseen, that Glaucus would be cured of his wounds and come to Rome. When he saw him, therefore, in the house of prayer, he was in truth terrified, and at the first moment wished to discontinue the search for Lygia. But on the other hand, Vinicius terrified him still more. He understood that he must choose between the fear of Glaucus, and the pursuit and vengeance of a powerful patrician, to whose aid would come, beyond doubt, another and still greater, Petronius. In view of this, Chilo ceased to hesitate. He thought it better to have small enemies than great ones, and, though his cowardly nature trembled somewhat at bloody methods, he saw the need of killing Glaucus through the aid of other hands.
At present the only question with him was the choice of people, and to this he was turning that thought of which he had made mention to Vinicius. Spending his nights in wine-shops most frequently, and lodging in them, among men without a roof, without faith or honor, he could find persons easily to undertake any task, and still more easily others who, if they sniffed coin on his person, would begin, but when they had received earnest money, would extort the whole sum by threatening to deliver him to justice. Besides, for a certain time past Chilo had felt a repulsion for nakedness, for those disgusting and terrible figures lurking about suspected houses in the Subura or in the Trans-Tiber. Measuring everything with his own measure, and not having fathomed sufficiently the Christians or their religion, he judged that among them, too, he could find willing tools. Since they seemed more reliable than others, he resolved to turn to them and present the affair in such fashion that they would undertake it, not for money’s sake merely, but through devotion.
In view of this, he went in the evening to Euricius, whom he knew as devoted with whole soul to his person, and who, he was sure, would do all in his power to assist him. Naturally cautious, Chilo did not even dream of revealing his real intentions, which would be in clear opposition, moreover, to the faith which the old man had in his piety and virtue. He wished to find people who were ready
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