Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“There is no time for a trial, my son,” said Chilo. “The traitor will hurry from Ostrianum straightway to Caesar in Antium, or hide in the house of a certain patrician whom he is serving. I will give thee a sign; if thou show it after the death of Glaucus, the bishop and the Great Apostle will bless thy deed.”
Saying this, he took out a small coin, and began to search for a knife at his belt; having found it, he scratched with the point on the sestertium the sign of the cross; this coin he gave to the laborer.
“Here is the sentence of Glaucus, and a sign for thee. If thou show this to the bishop after the death of Glaucus, he will forgive thee the killing which thou hast done without wishing it.”
The laborer stretched out his hand involuntarily for the coin; but having the first murder too freshly in his memory just then, he experienced a feeling of terror.
“Father,” said he with a voice almost of entreaty, “dost thou take this deed on thy conscience, and hast thou thyself heard Glaucus betraying his brethren?”
Chilo understood that he must give proofs, mention names, otherwise doubt might creep into the heart of the giant. All at once a happy thought flashed through his head.
“Listen, Urban,” said he, “I dwell in Corinth, but I came from Kos; and here in Rome I instruct in the religion of Christ a certain serving maiden named Eunice. She serves as vestiplica in the house of a friend of Caesar, a certain Petronius. In that house I have heard how Glaucus has undertaken to betray all the Christians; and, besides, he has promised another informer of Caesar’s, Vinicius, to find a certain maiden for him among the Christians.”
Here he stopped and looked with amazement at the laborer, whose eyes blazed suddenly like the eyes of a wild beast, and his face took on an expression of mad rage and threat.
“What is the matter with thee?” asked Chilo, almost in fear.
“Nothing, father; tomorrow I will kill Glaucus.”
The Greek was silent. After a while he took the arm of the laborer, turned him so that the light of the moon struck his face squarely, and examined him with care. It was evident that he was wavering in spirit whether to inquire further and bring everything out with clearness, or for that time to stop with what he had learned or surmised.
At last, however, his innate caution prevailed. He breathed deeply once and a second time; then, placing his hand on the laborer’s head again, he asked, in an emphatic and solemn voice—“But in holy baptism the name Urban was given thee?”
“It was, father.”
“Then peace be with thee, Urban!”
XVIIIPetronius to Vinicius:
“Thy case is a bad one, carissime. It is clear that Venus has disturbed thy mind, deprived thee of reason and memory, as well as the power to think of aught else except love. Read some time thy answer to my letter, and thou wilt see how indifferent thy mind is to all except Lygia; how exclusively it is occupied with her, how it returns to her always, and circles above her, as a falcon above chosen prey. By Pollux! find her quickly, or that of thee which fire has not turned into ashes will become an Egyptian sphinx, which, enamored, as ’tis said, of pale Isis, grew deaf and indifferent to all things, waiting only for night, so as to gaze with stony eyes at the loved one.
“Run disguised through the city in the evening, even honor Christian houses of prayer in thy philosopher’s company. Whatever excites hope and kills time is praiseworthy. But for my friendship’s sake do this one thing: Ursus, Lygia’s slave, is a man of uncommon strength very likely; hire Croton, and go out three together; that will be safer and wiser. The Christians, since Pomponia and Lygia belong to them, are surely not such scoundrels as most people imagine. But when a lamb of their flock is in question they are no triflers, as they have shown by carrying away Lygia. When thou seest Lygia thou wilt not restrain thyself, I am sure, and wilt try to bear her away on the spot. But how wilt thou and Chilonides do it? Croton would take care of himself, even though ten like Ursus defended the maiden. Be not plundered by Chilo, but be not sparing of money on Croton. Of all counsels which I can give this is the best one.
“Here they have ceased to speak of the infant Augusta, or to say that she perished
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