Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“Be well, and engage Croton; otherwise they will snatch Lygia from thee a second time. When Chilonides ceases to be needful, send him to me wherever I may be. Perhaps I shall make him a second Vatinius, and consuls and senators may tremble before him yet, as they trembled before that knight Dratevka. It would be worthwhile to live to see such a spectacle. When thou hast found Lygia, let me know, so that I may offer for you both a pair of swans and a pair of doves in the round temple of Venus here. Once I saw Lygia in a dream, sitting on thy knee, seeking thy kisses. Try to make that dream prophetic. May there be no clouds on thy sky; or if there be, let them have the color and the odor of roses! Be in good health; and farewell!”
XIXBarely had Vinicius finished reading when Chilo pushed quietly into his library, unannounced by anyone, for the servants had the order to admit him at every hour of the day or night.
“May the divine mother of thy magnanimous ancestor Aeneas be full of favor to thee, as the son of Maia was kind to me.”
“What dost thou mean?” asked Vinicius, springing from the table at which he was sitting.
Chilo raised his head and said, “Eureka!”
The young patrician was so excited that for a long time he could not utter a word.
“Hast thou seen her?” asked he, at last.
“I have seen Ursus, lord, and have spoken with him.”
“Dost thou know where they are secreted?”
“No, lord. Another, through boastfulness, would have let the Lygian know that he divined who he was; another would have tried to extort from him the knowledge of where he lived, and would have received either a stroke of the fist—after which all earthly affairs would have become indifferent to him—or he would have roused the suspicion of the giant and caused this—that a new hiding-place would be found for the girl, this very night perhaps. I did not act thus. It suffices me to know that Ursus works near the Emporium, for a miller named Demas, the same name as that borne by thy freedman; now any trusted slave of thine may go in the morning on his track, and discover their hiding place. I bring thee merely the assurance that, since Ursus is here, the divine Lygia also is in Rome, and a second news that she will be in Ostrianum tonight, almost certainly—”
“In Ostrianum? Where is that?” interrupted Vinicius, wishing evidently to run to the place indicated.
“An old hypogeum between the Viae Salaria and Nomentana. That pontifex maximus of the Christians, of whom I spoke to thee, and whom they expected somewhat later, has come, and tonight he will teach and baptize in that cemetery. They hide their religion, for, though there are no edicts to prohibit it as yet, the people hate them, so they must be careful. Ursus himself told me that all, to the last soul, would be in Ostrianum tonight, for everyone wishes to see and hear him who was the foremost disciple of Christ, and whom they call Apostle. Since among them women hear instruction as well as men, Pomponia alone perhaps of women will not be there; she could not explain to Aulus, a worshiper of the ancient gods, her absence from home at night. But Lygia, lord, who is under the care of Ursus and the Christian elders, will go undoubtedly with other women.”
Vinicius, who had lived hitherto in a fever, and upheld as it were, by hope alone, now that his hope seemed fulfilled felt all at once the weakness that a man feels after a journey which has proved beyond his strength. Chilo noticed this, and resolved to make use of it.
“The gates are watched, it is true, by thy people, and the Christians must know that. But they do not need gates. The Tiber, too, does not need them; and though it is far from the river to those roads, it is worthwhile to walk one road more to see the ‘Great Apostle.’ Moreover they may have a thousand ways of going beyond the walls, and I know that they
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