Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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Next morning, Petronius had barely finished dressing in the unctorium when Vinicius came, called by Tiresias. He knew that no news had come from the gates. This information, instead of comforting him, as a proof that Lygia was still in Rome, weighed him down still more, for he began to think that Ursus might have conducted her out of the city immediately after her seizure, and hence before Petronius’s slaves had begun to keep watch at the gates. It is true that in autumn, when the days become shorter, the gates are closed rather early; but it is true, also, that they are opened for persons going out, and the number of these is considerable. It was possible, also, to pass the walls by other ways, well known, for instance, to slaves who wish to escape from the city. Vinicius had sent out his people to all roads leading to the provinces, to watchmen in the smaller towns, proclaiming a pair of fugitive slaves, with a detailed description of Ursus and Lygia, coupled with the offer of a reward for seizing them. But it was doubtful whether that pursuit would reach the fugitives; and even should it reach them, whether the local authorities would feel justified in making the arrest at the private instance of Vinicius, without the support of a pretor. Indeed, there had not been time to obtain such support. Vinicius himself, disguised as a slave, had sought Lygia the whole day before, through every corner of the city, but had been unable to find the least indication or trace of her. He had seen Aulus’s servants, it is true; but they seemed to be seeking something also, and that confirmed him in the belief that it was not Aulus who had intercepted the maiden, and that the old general did not know what had happened to her.
When Tiresias announced to him, then, that there was a man who would undertake to find Lygia, he hurried with all speed to the house of Petronius; and barely had he finished saluting his uncle, when he inquired for the man.
“We shall see him at once, Eunice knows him,” said Petronius. “She will come this moment to arrange the folds of my toga, and will give nearer information concerning him.”
“Oh! she whom thou hadst the wish to bestow on me yesterday?”
“The one whom thou didst reject; for which I am grateful, for she is the best vestiplica in the whole city.”
In fact, the vestiplica came in before he had finished speaking, and taking the toga, laid on a chair inlaid with pearl, she opened the garment to throw it on Petronius’s shoulder. Her face was clear and calm; joy was in her eyes.
Petronius looked at her. She seemed to him very beautiful. After a while, when she had covered him with the toga, she began to arrange it, bending at times to lengthen the folds. He noticed that her arms had a marvelous pale rose-color, and her bosom and shoulders the transparent reflections of pearl or alabaster.
“Eunice,” said he, “has the man come to Tiresias whom thou didst mention yesterday?”
“He has, lord.”
“What is his name?”
“Chilo Chilonides.”
“Who is he?”
“A physician, a sage, a soothsayer, who knows how to read people’s fates and predict the future.”
“Has he predicted the future to thee?”
Eunice was covered with a blush which gave a rosy color to her ears and her neck even.
“Yes, lord.”
“What has he predicted?”
“That pain and happiness would meet me.”
“Pain met thee yesterday at the hands of Tiresias; hence happiness also should come.”
“It has come, lord, already.”
“What?”
“I remain,” said she in a whisper.
Petronius put his hand on her golden head.
“Thou hast arranged the folds well today, and I am satisfied with thee, Eunice.”
Under that touch her eyes were mist-covered in one instant from happiness, and her bosom began to heave quickly.
Petronius and Vinicius passed into the atrium, where Chilo Chilonides was waiting. When he saw them, he made a low bow. A smile came to the lips of Petronius at thought of his suspicion of yesterday, that this man might be Eunice’s lover. The man who was standing before him could not be anyone’s lover. In that marvelous figure there was something both foul and ridiculous. He was not old; in his dirty beard and curly locks a gray hair shone here and there. He had a lank stomach and stooping shoulders, so that at the first cast of the eye he appeared to be hunchbacked; above that hump rose a large head, with the face of a monkey and also of a fox; the eye was penetrating. His yellowish complexion was varied with pimples; and his nose, covered with them completely, might indicate too great a love for the bottle. His neglected apparel, composed of a dark tunic of goat’s wool and a mantle of similar material with holes in it, showed real or simulated poverty. At sight of him, Homer’s Thersites came to the mind of Petronius. Hence, answering with a wave of the hand to his bow, he said—
“A greeting, divine Thersites! How are the lumps which Ulysses gave thee at Troy, and what is he doing himself in the Elysian Fields?”
“Noble lord,” answered Chilo Chilonides, “Ulysses, the wisest of the dead, sends a greeting through me to Petronius, the wisest of the living, and the
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