Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“Aulus does not know where she is,” answered Vinicius.
“Art thou sure of that?”
“I saw Pomponia. She too is looking for her.”
“She could not leave the city yesterday, for the gates are closed at night. Two of my people are watching at each gate. One is to follow Lygia and the giant, the other to return at once and inform me. If she is in the city, we shall find her, for that Lygian is easily recognized, even by his stature and his shoulders. Thou art lucky that it was not Caesar who took her, and I can assure thee that he did not, for there are no secrets from me on the Palatine.”
But Vinicius burst forth in sorrow still more than in anger, and in a voice broken by emotion told Petronius what he had heard from Acte, and what new dangers were threatening Lygia—dangers so dreadful that because of them there would be need to hide her from Poppaea most carefully, in case they discovered her. Then he reproached Petronius bitterly for his counsel. Had it not been for him, everything would have gone differently. Lygia would have been at the house of Aulus, and he, Vinicius, might have seen her every day, and he would have been happier at that moment than Caesar. And carried away as he went on with his narrative, he yielded more and more to emotion, till at last tears of sorrow and rage began to fall from his eyes.
Petronius, who had not even thought that the young man could love and desire to such a degree, when he saw the tears of despair said to himself, with a certain astonishment—“O mighty Lady of Cyprus, thou alone art ruler of gods and men!”
XIIWhen they alighted in front of the arbiter’s house, the chief of the atrium answered them that of slaves sent to the gates none had returned yet. The atriensis had given orders to take food to them, and a new command, that under penalty of rods they were to watch carefully all who left the city.
“Thou seest,” said Petronius, “that they are in Rome, beyond doubt, and in that case we shall find them. But command thy people also to watch at the gates—those, namely, who were sent for Lygia, as they will recognize her easily.”
“I have given orders to send them to rural prisons,” said Vinicius, “but I will recall the orders at once, and let them go to the gates.”
And writing a few words on a wax-covered tablet, he handed it to Petronius, who gave directions to send it at once to the house of Vinicius. Then they passed into the interior portico, and, sitting on a marble bench, began to talk. The golden-haired Eunice and Iras pushed bronze footstools under their feet, and poured wine for them into goblets, out of wonderful narrow-necked pitchers from Volaterrae and Caecina.
“Hast thou among thy people anyone who knows that giant Lygian?” asked Petronius.
“Atacinus and Gulo knew him; but Atacinus fell yesterday at the litter, and Gulo I killed.”
“I am sorry for him,” said Petronius. “He carried not only thee, but me, in his arms.”
“I intended to free him,” answered Vinicius; “but do not mention him. Let us speak of Lygia. Rome is a sea—”
“A sea is just the place where men fish for pearls. Of course we shall not find her today, or tomorrow, but we shall find her surely. Thou hast accused me just now of giving thee this method; but the method was good in itself, and became bad only when turned to bad. Thou hast heard from Aulus himself, that he intends to go to Sicily with his whole family. In that case the girl would be far from thee.”
“I should follow them,” said Vinicius, “and in every case she would be out of danger; but now, if that child dies, Poppaea will believe, and will persuade Caesar, that she died because of Lygia.”
“True; that alarmed me, too. But that little doll may recover. Should she die, we shall find some way of escape.”
Here Petronius meditated a while and added—“Poppaea, it is said, follows the religion of the Jews, and believes in evil spirits. Caesar is superstitious. If we spread the report that evil spirits carried off Lygia, the news will find belief, especially as neither Caesar nor Aulus Plautius intercepted her; her escape was really mysterious. The Lygian could not have effected it alone; he must have had help. And where could a slave find so many people in the course of one day?”
“Slaves help one another in Rome.”
“Some person pays for that with blood at times. True, they support one another, but not some against others. In this case it was known that responsibility and punishment would fall on thy people. If thou give thy people the idea of evil spirits, they will say at once that they saw such with their own eyes, because that will justify them in thy sight. Ask one of them, as a test, if he did not see spirits carrying off Lygia through the air, he will swear at once by the aegis of Zeus that he saw
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