Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
Description
Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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Emotion began to force its way through the anger and pain of Vinicius. The information that he was loved by Lygia shook him to the depth of his soul. He remembered her in Aulus’s garden, when she was listening to his words with blushes on her face and her eyes full of light. It seemed to him then that she had begun to love him; and all at once, at that thought, a feeling of certain happiness embraced him, a hundred times greater than that which he desired. He thought that he might have won her gradually, and besides as one loving him. She would have wreathed his door, rubbed it with wolf’s fat, and then sat as his wife by his hearth on the sheepskin. He would have heard from her mouth the sacramental: “Where thou art, Caius, there am I, Caia.” And she would have been his forever. Why did he not act thus? True, he had been ready so to act. But now she is gone, and it may be impossible to find her; and should he find her, perhaps he will cause her death, and should he not cause her death, neither she nor Aulus nor Pomponia Graecina will favor him. Here anger raised the hair on his head again; but his anger turned now, not against the house of Aulus, or Lygia, but against Petronius. Petronius was to blame for everything. Had it not been for him Lygia would not have been forced to wander; she would be his betrothed, and no danger would be hanging over her dear head. But now all is past, and it is too late to correct the evil which will not yield to correction.
“Too late!” And it seemed to him that a gulf had opened before his feet. He did not know what to begin, how to proceed, whither to betake himself. Acte repeated as an echo the words, “Too late,” which from another’s mouth sounded like a death sentence. He understood one thing, however, that he must find Lygia, or something evil would happen to him.
And wrapping himself mechanically in his toga, he was about to depart without taking farewell even of Acte, when suddenly the curtain separating the entrance from the atrium was pushed aside, and he saw before him the pensive figure of Pomponia Graecina.
Evidently she too had heard of the disappearance of Lygia, and, judging that she could see Acte more easily than Aulus, had come for news to her.
But, seeing Vinicius, she turned her pale, delicate face to him, and said, after a pause—“May God forgive thee the wrong, Marcus, which thou hast done to us and to Lygia.”
He stood with drooping head, with a feeling of misfortune and guilt, not understanding what God was to forgive him or could forgive him. Pomponia had no cause to mention forgiveness; she ought to have spoken of revenge.
At last he went out with a head devoid of counsel, full of grievous thoughts, immense care, and amazement.
In the court and under the gallery were crowds of anxious people. Among slaves of the palace were knights and senators who had come to inquire about the health of the infant, and at the same time to show themselves in the palace, and exhibit a proof of their anxiety, even in presence of Nero’s slaves. News of the illness of the “divine” had spread quickly it was evident, for new forms appeared in the gateway every moment, and through the opening of the arcade whole crowds were visible. Some of the newly arrived, seeing that Vinicius was coming from the palace, attacked him for news; but he hurried on without answering their questions, till Petronius, who had come for news too, almost struck his breast and stopped him.
Beyond doubt Vinicius would have become enraged at sight of Petronius, and let himself do some lawless act in Caesar’s palace, had it not been that when he had left Acte he was so crushed, so weighed down and exhausted, that for the moment even his innate irascibility had left him. He pushed Petronius aside and wished to pass; but the other detained him, by force almost.
“How is the divine infant?” asked he.
But this constraint angered Vinicius a second time, and roused his indignation in an instant.
“May Hades swallow her and all this house!” said he, gritting his teeth.
“Silence, hapless man!” said Petronius, and looking around he added hurriedly—“If thou wish to know something of Lygia, come with me; I will tell nothing here! Come with me; I will tell my thoughts in the litter.”
And putting his arm around the young tribune, he conducted him from the palace as quickly as possible. That was his main concern, for he had no news whatever; but being a man
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