Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âA slave! a slave! That to a Yorke, and from a Yorke! This fellow,â he added, standing up at the table, and pointing across it to Matthewâ ââthis fellow forgets, what every cottier in Briarfield knows, that all born of our house have that arched instep under which water can flowâ âproof that there has not been a slave of the blood for three hundred years.â
âMountebank!â said Matthew.
âLads, be silent!â exclaimed Mr. Yorke.â ââMartin, you are a mischief-maker. There would have been no disturbance but for you.â
âIndeed! Is that correct? Did I begin, or did Matthew? Had I spoken to him when he accused me of gabbling like a fool?â
âA presumptuous fool!â repeated Matthew.
Here Mrs. Yorke commenced rocking herselfâ ârather a portentous movement with her, as it was occasionally followed, especially when Matthew was worsted in a conflict, by a fit of hysterics.
âI donât see why I should bear insolence from Matthew Yorke, or what right he has to use bad language to me,â observed Martin.
âHe has no right, my lad; but forgive your brother until seventy-and-seven times,â said Mr. Yorke soothingly.
âAlways alike, and theory and practice always adverse!â murmured Martin as he turned to leave the room.
âWhere art thou going, my son?â asked the father.
âSomewhere where I shall be safe from insult, if in this house I can find any such place.â
Matthew laughed very insolently. Martin threw a strange look at him, and trembled through all his slight ladâs frame; but he restrained himself.
âI suppose there is no objection to my withdrawing?â he inquired.
âNo. Go, my lad; but remember not to bear malice.â
Martin went, and Matthew sent another insolent laugh after him. Rose, lifting her fair head from Mooreâs shoulder, against which, for a moment, it had been resting, said, as she directed a steady gaze to Matthew, âMartin is grieved, and you are glad; but I would rather be Martin than you. I dislike your nature.â
Here Mr. Moore, by way of averting, or at least escaping, a sceneâ âwhich a sob from Mrs. Yorke warned him was likely to come onâ ârose, and putting Jessy off his knee, he kissed her and Rose, reminding them, at the same time, to be sure and come to the Hollow in good time tomorrow afternoon; then, having taken leave of his hostess, he said to Mr. Yorke, âMay I speak a word with you?â and was followed by him from the room. Their brief conference took place in the hall.
âHave you employment for a good workman?â asked Moore.
âA nonsense question in these times, when you know that every master has many good workmen to whom he cannot give full employment.â
âYou must oblige me by taking on this man, if possible.â
âMy lad, I can take on no more hands to oblige all England.â
âIt does not signify; I must find him a place somewhere.â
âWho is he?â
âWilliam Farren.â
âI know William. A right-down honest man is William.â
âHe has been out of work three months. He has a large family. We are sure they cannot live without wages. He was one of the deputation of cloth-dressers who came to me this morning to complain and threaten. William did not threaten. He only asked me to give them rather more timeâ âto make my changes more slowly. You know I cannot do that: straitened on all sides as I am, I have nothing for it but to push on. I thought it would be idle to palaver long with them. I sent them away, after arresting a rascal amongst them, whom I hope to transportâ âa fellow who preaches at the chapel yonder sometimes.â
âNot Moses Barraclough?â
âYes.â
âAh! youâve arrested him? Good! Then out of a scoundrel youâre going to make a martyr. Youâve done a wise thing.â
âIâve done a right thing. Well, the short and the long of it is, Iâm determined to get Farren a place, and I reckon on you to give him one.â
âThis is cool, however!â exclaimed Mr. Yorke. âWhat right have you to reckon on me to provide for your dismissed workmen? What do I know about your Farrens and your Williams? Iâve heard heâs an honest man, but am I to support all the honest men in Yorkshire? You may say that would be no great charge to undertake; but great or little, Iâll none of it.â
âCome, Mr. Yorke, what can you find for him to do?â
âI find! Youâll make me use language Iâm not accustomed to use. I wish you would go home. Here is the door; set off.â
Moore sat down on one of the hall chairs.
âYou canât give him work in your millâ âgood; but you have land. Find him some occupation on your land, Mr. Yorke.â
âBob, I thought you cared nothing about our lourdauds de paysans. I donât understand this change.â
âI do. The fellow spoke to me nothing but truth and sense. I answered him just as roughly as I did the rest, who jabbered mere gibberish. I couldnât make distinctions there and then. His appearance told what he had gone through lately clearer than his words; but where is the use of explaining? Let him have work.â
âLet him have it yourself. If you are so very much in earnest, strain a point.â
âIf there was a point left in my affairs to strain, I would strain it till it cracked again; but I received letters this morning which showed me pretty clearly where I stand, and it is not far off the end of the plank. My foreign market, at any rate, is gorged. If there is no changeâ âif there dawns no prospect of peaceâ âif the Orders in Council are not, at least, suspended, so as to open our way in the Westâ âI do not know where I am to turn. I see no more light than if I were sealed in a rock, so that for me to pretend to offer a man a livelihood would be to do a dishonest thing.â
âCome, let us take a turn on the front. It is a starlight night,â said Mr. Yorke.
They passed out, closing the front door after them, and side by side paced the frost-white
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