R.U.R., or Rossum’s Universal Robots is a play written in 1920 by Karel Čapek, a Czech writer who wrote many plays and novels, many of them with science-fiction and dystopian themes. R.U.R. is perhaps the most well-known of these works in the English-speaking world because it brought the word “robot” into the language. “Robot” is derived from the Czech word meaning “worker.”
The play is set in the island headquarters of the R.U.R. corporation. The corporation has been manufacturing artificial beings which resemble humans, but who are tireless workers. They can be mass-produced in large numbers and are being adopted as workers in many countries. In the first scene of the play, they are visited by a young woman, Helena Glory, who aspires to relieve the lot of the robots, who she sees as oppressed. However, in what must be the fastest seduction scene in all drama, she is wooed and agrees to marry Harry Domin, the factory manager, who she has just met. She still however aspires to improve the life of robots and find a way to give them souls. Ultimately, however, this admirable desire leads to disaster for humankind.
The play was translated into English, and slightly abridged, by Paul Selver and Nigel Playfair in 1923. This version quickly became popular with both British and American audiences and was well received by critics.
as much as them.
Helena
But Nana, I’m surprised you’re not sorry for them.
Nana
Why, you’re scared of them too. You know you are. Why else did you bring me here?
Helena
I’m not scared, really I’m not, Nana. I’m only sorry for them.
Nana
You’re scared. Nobody could help being scared. Why, the dog’s scared of them. He won’t take a scrap of meat out of their hands. He draws in his tail and howls when he knows they’re about.
Helena
The dog has no sense.
Nana
He’s better than them, and he knows it. Even the horse shies when he meets them. They don’t have any young, and a dog has young, everyone has young—
Helena
Turning back. Please fasten up my dress, Nana.
Nana
I say it’s against God’s will to—
Helena
What is it that smells so nice?
Nana
Flowers.
Helena
What for?
Nana
Now you can turn around.
Helena
Turns; crosses to C. Oh, aren’t they lovely? Look, Nana. What’s happening today?
Nana
It ought to be the end of the world. Enter Domin L. 2. He crosses down front of table L. C.
Helena
Crosses to him. Oh, hello, Harry. Nana turns upstage to L. Harry, why all these flowers?
Domin
Guess. This scene is played down in front of L. C. table.
Helena
Well, it’s not my birthday!
Domin
Better than that.
Helena
I don’t know. Tell me.
Domin
It’s ten years ago today since you came here.
Helena
Ten years? Today? Why—They embrace.)
Nana
Muttering. I’m off. She exits L. 1.
Helena
Fancy you remembering.
Domin
I’m really ashamed, Helena. I didn’t.
Helena
But you—
Domin
They remembered.
Helena
Who?
Domin
Busman, Hallemeier—all of them. Put your hand in my pocket.
Helena
Takes necklace from his Left jacket pocket. Oh! Pearls! A necklace! Harry, is this for me?
Domin
It’s from Busman.
Helena
But we can’t accept it, can we?
Domin
Oh, yes, we can. Puts necklace on table L. C. Put your hand in the other pocket.
Helena
Takes a revolver out of his Right pocket. What’s that?
Domin
Sorry. Not that. Try again. He puts gun in pocket.
Helena
Oh, Harry, why do you carry a revolver?
Domin
It got there by mistake.
Helena
You never used to carry one.
Domin
No, you’re right. Indicates breast pocket. There, that’s the pocket.
Helena
Takes out cameo. A cameo. Why, it’s a Greek cameo.
Domin
Apparently. Anyhow, Fabry says it is.
Helena
Fabry? Did Mr. Fabry give me that?
Domin
Of course. Opens the L. 1 door. And look in here. Helena, come and see this. Both exit L. 1.
Helena
(Off L. 1) Oh, isn’t it fine? Is this from you?
Domin
Off L. 1 No, from Alquist. And there’s another on the piano.
Helena
This must be from you?
Domin
There’s a card on it.
Helena
From Doctor Gall. Reappearing in L. 1 doorway. Oh, Harry, I feel embarrassed at so much kindness.
Domin
Enters to up R. of table L. C. Come here. This is what Hallemeier brought you.
Helena
To up L. of desk. These beautiful flowers?
Domin
Yes. It’s a new kind. Cyclamen-Helena. He grew them in honor of you. They are almost as beautiful as you.
Helena
Kissing him. Harry, why do they all—
Domin
They’re awfully fond of you. I’m afraid that my present is a little—Look out of the window. Crosses to window and beckons to her.
Helena
Where? They go out into the balcony.
Domin
Into the harbor.
Helena
There’s a new ship.
Domin
That’s your ship.
Helena
Mine? How do you mean?
Domin
R. For you to take trips in—for your amusement.
Helena
L. Harry, that’s a gunboat.
Domin
A gunboat? What are you thinking of? It’s only a little bigger and more solid than most ships.
Helena
Yes, but with guns.
Domin
Oh, yes, with a few guns. You’ll travel like a queen, Helena.
Helena
What’s the meaning of it? Has anything happened?
Domin
Good heavens, no. I say, try these pearls. Crosses to R. of table L. C.
Helena
Harry, have you had bad news?
Domin
On the contrary, no letters have arrived for a whole week.
Helena
Nor telegrams? Coming into the room C.
Domin
Nor telegrams.
Helena
What does that mean?
Domin
Holidays for us! We all sit in the office with our feet on the table and take a nap. No letters—no telegrams. Glorious!
Helena
Then you’ll stay with me today?
Domin
Certainly. Embraces her. That is, we will see. Do you remember ten years ago today? Crosses to L. of table L. C. Miss Glory, it’s a great honor to welcome you. They assume the same positions as when they first met ten years before in Domin’s office.
Helena
To table. Oh, Mr. Manager, I’m so interested in your factory. She sits R. of table.
Domin
I’m sorry, Miss Glory, it’s strictly forbidden. The manufacture of artificial people is a secret.
Helena
But to oblige the young lady who has come a long way.
Domin
Leans on table. Certainly, Miss Glory. I have no secrets from you.
Helena
Are you sure, Harry? Leaning on desk, seriously, his right hand on hers.
Domin
Yes. They gradually draw apart.
Helena
But I warn you, sir, this young lady intends to do terrible things.
Domin
Good gracious, Miss Glory. Perhaps she doesn’t want to marry me.
Helena
Heaven forbid. She never dreamt of such a thing. But she came here intending to stir up a revolt among your Robots.
Domin
A revolt of the Robots!
Helena
Low voice. Harry, what’s the matter with you?
Domin
Laughing it off. A revolt of the Robots, that’s a fine idea. Crosses to back of table. She watches him suspiciously. Miss Glory, it would be easier for you to cause bolts and screws to rebel than our Robots. You know, Helena, you’re wonderful. You’ve turned the hearts of us all. Sits on table.
Helena
Oh, I was fearfully impressed by you all then. You were all so sure of yourselves, so strong. I
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