War and Peace by Leo Tolstoy (ebook reader for pc TXT) π
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Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoyβs deft hand.
War and Peace is generally considered to be Tolstoyβs masterpiece, a pinnacle of Russian literature, and one of historyβs great novels. Tolstoy himself refused to call it that, saying it was βnot a novel, even less is it a poem, and still less a historical chronicle.β It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoyβs original four-book structure.
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- Author: Leo Tolstoy
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Her voice sounded so serious and so sad that the chirping of the birds was silenced at once. They looked at the beautiful, large, thoughtful eyes full of tears and of thoughts, gazing shiningly and imploringly at them, and understood that it was useless and even cruel to insist.
βAt least, change your coiffure,β said the little princess. βDidnβt I tell you,β she went on, turning reproachfully to Mademoiselle Bourienne, βMarieβs is a face which such a coiffure does not suit in the least. Not in the least! Please change it.β
βLeave me alone, please leave me alone! It is all quite the same to me,β answered a voice struggling with tears.
Mademoiselle Bourienne and the little princess had to own to themselves that Princess MΓ‘rya in this guise looked very plain, worse than usual, but it was too late. She was looking at them with an expression they both knew, an expression thoughtful and sad. This expression in Princess MΓ‘rya did not frighten them (she never inspired fear in anyone), but they knew that when it appeared on her face, she became mute and was not to be shaken in her determination.
βYou will change it, wonβt you?β said Liza. And as Princess MΓ‘rya gave no answer, she left the room.
Princess MΓ‘rya was left alone. She did not comply with Lizaβs request, she not only left her hair as it was, but did not even look in her glass. Letting her arms fall helplessly, she sat with downcast eyes and pondered. A husband, a man, a strong dominant and strangely attractive being rose in her imagination, and carried her into a totally different happy world of his own. She fancied a child, her ownβ βsuch as she had seen the day before in the arms of her nurseβs daughterβ βat her own breast, the husband standing by and gazing tenderly at her and the child. βBut no, it is impossible, I am too ugly,β she thought.
βPlease come to tea. The prince will be out in a moment,β came the maidβs voice at the door.
She roused herself, and felt appalled at what she had been thinking, and before going down she went into the room where the icons hung and, her eyes fixed on the dark face of a large icon of the Saviour lit by a lamp, she stood before it with folded hands for a few moments. A painful doubt filled her soul. Could the joy of love, of earthly love for a man, be for her? In her thoughts of marriage Princess MΓ‘rya dreamed of happiness and of children, but her strongest, most deeply hidden longing was for earthly love. The more she tried to hide this feeling from others and even from herself, the stronger it grew. βO God,β she said, βhow am I to stifle in my heart these temptations of the devil? How am I to renounce forever these vile fancies, so as peacefully to fulfill Thy will?β And scarcely had she put that question than God gave her the answer in her own heart. βDesire nothing for thyself, seek nothing, be not anxious or envious. Manβs future and thy own fate must remain hidden from thee, but live so that thou mayest be ready for anything. If it be Godβs will to prove thee in the duties of marriage, be ready to fulfill His will.β With this consoling thought (but yet with a hope for the fulfillment of her forbidden earthly longing) Princess MΓ‘rya sighed, and having crossed herself went down, thinking neither of her gown and coiffure nor of how she would go in nor of what she would say. What could all that matter in comparison with the will of God, without Whose care not a hair of manβs head can fall?
IVWhen Princess MΓ‘rya came down, Prince VasΓli and his son were already in the drawing room, talking to the little princess and Mademoiselle Bourienne. When she entered with her heavy step, treading on her heels, the gentlemen and Mademoiselle Bourienne rose and the little princess, indicating her to the gentlemen, said: βVoilΓ Marie!β Princess MΓ‘rya saw them all and saw them in detail. She saw Prince VasΓliβs face, serious for an instant at the sight of her, but immediately smiling again, and the little princess curiously noting the impression βMarieβ produced on the visitors. And she saw Mademoiselle Bourienne, with her ribbon and pretty face, and her unusually animated look which was fixed on him, but him she could not see, she only saw something large, brilliant, and handsome moving toward her as she entered the room. Prince VasΓli approached first, and she kissed the bold forehead that bent over her hand and answered his question by saying that, on the contrary, she remembered him quite well. Then Anatole came up to her. She still could not see him. She only felt a soft hand taking hers firmly, and she touched with her lips a white forehead, over which was beautiful light-brown hair smelling of pomade. When she looked up at him she was struck by his beauty. Anatole stood with his right thumb under a button of his uniform, his chest expanded and his back drawn in, slightly swinging one foot, and, with his head a little bent, looked with beaming face at the princess without speaking and evidently not thinking about her at all. Anatole was not quick-witted, nor ready or eloquent in conversation, but he had the faculty, so invaluable in society, of composure and imperturbable self-possession. If a man lacking in self-confidence remains dumb on a first introduction and betrays a consciousness of the impropriety of such silence and an anxiety to find something to say, the effect is bad. But Anatole was dumb, swung his foot, and smilingly examined the princessβ hair. It was evident that he could be silent in this way for a very long time. βIf anyone finds this silence inconvenient, let him talk, but I donβt want to,β he
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