Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) đź“•
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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But these thoughts which had burst forth in his head like a bunch of sparks from a blazing house, died away like sparks. First of all was the need to save Lygia. He looked now on the catastrophe from near by; hence fear seized him again, and before that sea of flame and smoke, before the touch of dreadful reality, that confidence with which he believed that Peter would rescue Lygia died in his heart altogether. Despair seized him a second time when he had come out on the Via Portuensis, which led directly to the Trans-Tiber. He did not recover till he came to the gate, where people repeated what fugitives had said before, that the greater part of that division of the city was not seized by the flames yet, but that fire had crossed the river in a number of places.
Still the Trans-Tiber was full of smoke, and crowds of fugitives made it more difficult to reach the interior of the place, since people, having more time there, had saved greater quantities of goods. The main street itself was in many parts filled completely, and around the Naumachia Augusta great heaps were piled up. Narrow alleys, in which smoke had collected more densely, were simply impassable. The inhabitants were fleeing in thousands. On the way Vinicius saw wonderful sights. More than once two rivers of people, flowing in opposite directions, met in a narrow passage, stopped each other, men fought hand to hand, struck and trampled one another. Families lost one another in the uproar; mothers called on their children despairingly. The young tribune’s hair stood on end at thought of what must happen nearer the fire. Amid shouts and howls it was difficult to inquire about anything or understand what was said. At times new columns of smoke from beyond the river rolled toward them, smoke black and so heavy that it moved near the ground, hiding houses, people, and every object, just as night does. But the wind caused by the conflagration blew it away again, and then Vinicius pushed forward farther toward the alley in which stood the house of Linus. The fervor of a July day, increased by the heat of the burning parts of the city, became unendurable. Smoke pained the eyes; breath failed in men’s breasts. Even the
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