Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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It was evening, but in the garden one could see as in daylight, for the conflagration had increased. It seemed that not single parts of the city were burning, but the whole city through the length and the breadth of it. The sky was red as far as the eye could see it, and that night in the world was a red night.
XLIVLight from the burning city filled the sky as far as human eye could reach. The moon rose large and full from behind the mountains, and inflamed at once by the glare took on the color of heated brass. It seemed to look with amazement on the world-ruling city which was perishing. In the rose-colored abysses of heaven rose-colored stars were glittering; but in distinction from usual nights the earth was brighter than the heavens. Rome, like a giant pile, illuminated the whole Campania. In the bloody light were seen distant mountains, towns, villas, temples, mountains, and the aqueducts stretching toward the city from all the adjacent hills; on the aqueducts were swarms of people, who had gathered there for safety or to gaze at the burning.
Meanwhile the dreadful element was embracing new divisions of the city. It was impossible to doubt that criminal hands were spreading the fire, since new conflagrations were breaking out all the time in places remote from the principal fire. From the heights on which Rome was founded the flames flowed like waves of the sea into the valleys densely occupied by houses—houses of five and six stories, full of shops, booths, movable wooden amphitheaters, built to accommodate various spectacles; and finally storehouses of wood, olives, grain, nuts, pine cones, the kernels of which nourished the more needy population, and clothing, which through Caesar’s favor was distributed from time to time among the rabble huddled into narrow alleys. In those places the fire, finding abundance of inflammable materials, became almost a series of explosions, and took possession of whole streets with unheard-of rapidity. People encamping outside the city, or standing on the aqueducts knew from the color of the flame what was burning. The furious power of the wind carried forth from the fiery gulf thousands and millions of burning shells of walnuts and almonds, which, shooting suddenly into the sky, like countless flocks of bright butterflies, burst with a crackling, or, driven by the wind, fell in other parts of the city, on aqueducts, and fields beyond Rome. All thought of rescue seemed out of place; confusion increased every moment, for on one side the population of the city was fleeing through every gate to places outside; on the other the fire had lured in thousands of people from the neighborhood, such as dwellers in small towns, peasants, and half-wild shepherds of the Campania, brought in by hope of plunder. The shout, “Rome is perishing!” did not leave the lips of the crowd; the ruin of the city seemed at that time to end every rule, and loosen all bonds which hitherto had joined people in a single integrity. The mob, in which slaves were more numerous, cared nothing for the lordship of Rome. Destruction of the city could only free them; hence here and there they assumed a threatening attitude. Violence and robbery were extending. It seemed that only the spectacle of the perishing city arrested attention, and restrained for the moment an outburst of slaughter, which would begin as soon as the city was turned into ruins. Hundreds of thousands of slaves, forgetting that Rome, besides temples and walls, possessed some tens of legions in all parts of the world, appeared merely waiting for a watchword and a leader. People began to mention the name of Spartacus, but Spartacus was not alive. Meanwhile citizens assembled, and armed themselves each with what he could. The most monstrous reports were current at all the gates. Some declared that Vulcan, commanded by Jupiter, was destroying the city with fire from beneath the earth; others that Vesta was taking vengeance for Rubria. People with these convictions did not care to save anything, but, besieging the temples, implored mercy of the gods. It was repeated most generally, however, that Caesar had given command to burn Rome, so as to free himself from odors which rose from the Subura, and build a new city under the name of Neronia. Rage seized the populace at thought of this; and if, as Vinicius believed, a leader had taken advantage of that outburst of hatred, Nero’s hour would have struck whole years before it did.
It was said also that Caesar had gone mad, that he would command pretorians and gladiators to fall upon the people and make a general slaughter. Others swore by the gods that wild beasts had been let out of all the vivaria at Bronzebeard’s command. Men had seen on the streets lions with burning manes, and mad elephants and bisons, trampling down people in crowds. There was even some truth in this; for in certain places elephants, at sight of the approaching fire, had burst the vivaria, and, gaining their freedom, rushed away from the fire in wild fright, destroying everything before them like a tempest. Public report estimated at tens of thousands the number of persons who had perished in the conflagration. In truth a great number had perished. There were people who, losing all their property, or those dearest their hearts, threw themselves willingly into the flames, from despair. Others were suffocated by smoke. In the middle of the city, between the Capitol, on one side, and the Quirinal, the Viminal, and the Esquiline on the other, as also between the Palatine and the Caelian Hill, where the streets were most densely occupied, the fire began in so many places at once that whole crowds of people, while fleeing in one direction, struck unexpectedly on a new wall of fire in front of them, and died a dreadful death in a deluge of flame.
In terror, in distraction,
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