Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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She fell back on her pillow. Mrs. Pryor found means to steal quietly from the room. She re-entered it soon after, apparently as composed as if she had really not overheard this strange soliloquy.
The next day several callers came. It had become known that Miss Helstone was worse. Mr. Hall and his sister Margaret arrived. Both, after they had been in the sickroom, quitted it in tears; they had found the patient more altered than they expected. Hortense Moore came. Caroline seemed stimulated by her presence. She assured her, smiling, she was not dangerously ill; she talked to her in a low voice, but cheerfully. During her stay, excitement kept up the flush of her complexion; she looked better.
âHow is Mr. Robert?â asked Mrs. Pryor, as Hortense was preparing to take leave.
âHe was very well when he left.â
âLeft! Is he gone from home?â
It was then explained that some police intelligence about the rioters of whom he was in pursuit had, that morning, called him away to Birmingham, and probably a fortnight might elapse ere he returned.
âHe is not aware that Miss Helstone is very ill?â
âOh no! He thought, like me, that she had only a bad cold.â
After this visit, Mrs. Pryor took care not to approach Carolineâs couch for above an hour. She heard her weep, and dared not look on her tears.
As evening closed in, she brought her some tea. Caroline, opening her eyes from a momentâs slumber, viewed her nurse with an unrecognizing glance.
âI smelt the honeysuckles in the glen this summer morning,â she said, âas I stood at the countinghouse window.â
Strange words like these from pallid lips pierce a loving listenerâs heart more poignantly than steel. They sound romantic, perhaps, in books; in real life they are harrowing.
âMy darling, do you know me?â said Mrs. Pryor.
âI went in to call Robert to breakfast. I have been with him in the garden. He asked me to go. A heavy dew has refreshed the flowers. The peaches are ripening.â
âMy darling! my darling!â again and again repeated the nurse.
âI thought it was daylightâ âlong after sunrise. It looks dark. Is the moon now set?â
That moon, lately risen, was gazing full and mild upon her. Floating in deep blue space, it watched her unclouded.
âThen it is not morning? I am not at the cottage? Who is this? I see a shape at my bedside.â
âIt is myselfâ âit is your friendâ âyour nurseâ âyourâ âLean your head on my shoulder. Collect yourself.â In a lower toneâ ââO God, take pity! Give her life, and me strength! Send me courage! Teach me words!â
Some minutes passed in silence. The patient lay mute and passive in the trembling arms, on the throbbing bosom of the nurse.
âI am better now,â whispered Caroline at last, âmuch better. I feel where I am. This is Mrs. Pryor near me. I was dreaming. I talk when I wake up from dreams; people often do in illness. How fast your heart beats, maâam! Do not be afraid.â
âIt is not fear, childâ âonly a little anxiety, which will pass. I have brought you some tea, Cary. Your uncle made it himself. You know he says he can make a better cup of tea than any housewife can. Taste it. He is concerned to hear that you eat so little; he would be glad if you had a better appetite.â
âI am thirsty. Let me drink.â
She drank eagerly.
âWhat oâclock is it, maâam?â she asked.
âPast nine.â
âNot later? Oh! I have yet a long night before me. But the tea has made me strong. I will sit up.â
Mrs. Pryor raised her, and arranged her pillows.
âThank Heaven! I am not always equally miserable, and ill, and hopeless. The afternoon has been bad since Hortense went; perhaps the evening may be better. It is a fine night, I think? The moon shines clear.â
âVery fineâ âa perfect summer night. The old church-tower gleams white almost as silver.â
âAnd does the churchyard look peaceful?â
âYes, and the garden also. Dew glistens on the foliage.â
âCan you see many long weeds and nettles amongst the graves? or do they look turfy and flowery?â
âI see closed daisy-heads gleaming like pearls on some mounds. Thomas has mown down the dock-leaves and rank grass, and cleared all away.â
âI always like that to be done; it soothes oneâs mind to see the place in order. And, I dare say, within the church just now that moonlight shines as softly as in my room. It will fall through the east window full on the Helstone monument. When I close my eyes I seem to see poor papaâs epitaph in black letters on the white marble. There is plenty of room for other inscriptions underneath.â
âWilliam Farren came to look after your flowers this morning. He was afraid, now you cannot tend them yourself, they would be neglected. He has taken two of your favourite plants home to nurse for you.â
âIf I were to make a will, I would leave William all my plants; Shirley my trinketsâ âexcept one, which must not be taken off my neck; and you, maâam, my books.â After a pauseâ ââMrs. Pryor, I feel a longing wish for something.â
âFor what, Caroline?â
âYou know I always delight to hear you sing. Sing me a hymn just now. Sing that hymn which beginsâ â
âOur God, our help in ages past,
Our hope for years to come,
Our shelter from the stormy blast,
Our refuge, haven, home!âââ
Mrs. Pryor at once complied.
No wonder Caroline liked to hear her sing. Her voice, even in speaking, was sweet and silver clear; in song it was almost divine. Neither flute nor dulcimer has tones so pure. But the tone was secondary, compared to the expression which trembled throughâ âa tender vibration from a feeling heart.
The servants in the kitchen, hearing the strain, stole to the stair-foot to listen. Even old Helstone, as he walked in the garden, pondering over the unaccountable and feeble nature of women, stood still amongst his borders to catch the mournful melody more distinctly. Why it reminded him of his forgotten dead wife, he could not tell; nor why it made him more concerned than
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