The Brothers Karamazov by Fyodor Dostoevsky (i love reading books .txt) π
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Dmitri Karamazov and his father Fyodor are at war over both Dmitriβs inheritance and the affections of the beautiful Grushenka. Into this feud arrive the middle brother Ivan, recently returned from Moscow, and the youngest sibling Alyosha, who has been released into the wider world from the local monastery by the elder monk Zossima. Through a series of accidents of fate and wilful misunderstandings the Karamazovs edge closer to tragedy, while the local townspeople watch on.
The Brothers Karamazov was Fyodor Dostoevskyβs final novel, and was originally serialised in The Russian Messenger before being published as a complete novel in 1880. This edition is the well-received 1912 English translation by Constance Garnett. As well as earning wide-spread critical acclaim, the novel has been widely influential in literary and philosophical circles; Franz Kafka and James Joyce admired the emotions that verge on madness in the Karamazovs, while Sigmund Freud and Jean-Paul Satre found inspiration in the themes of patricide and existentialism.
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- Author: Fyodor Dostoevsky
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No, I can never forget those moments. She began telling her story. She told everything, the whole episode that Mitya had told Alyosha, and her bowing to the ground, and her reason. She told about her father and her going to Mitya, and did not in one word, in a single hint, suggest that Mitya had himself, through her sister, proposed they should βsend him Katerina Ivanovnaβ to fetch the money. She generously concealed that and was not ashamed to make it appear as though she had of her own impulse run to the young officer, relying on somethingβ ββ β¦ to beg him for the money. It was something tremendous! I turned cold and trembled as I listened. The court was hushed, trying to catch each word. It was something unexampled. Even from such a self-willed and contemptuously proud girl as she was, such an extremely frank avowal, such sacrifice, such self-immolation, seemed incredible. And for what, for whom? To save the man who had deceived and insulted her and to help, in however small a degree, in saving him, by creating a strong impression in his favor. And, indeed, the figure of the young officer who, with a respectful bow to the innocent girl, handed her his last four thousand roublesβ βall he had in the worldβ βwas thrown into a very sympathetic and attractive light, butβ ββ β¦ I had a painful misgiving at heart! I felt that calumny might come of it later (and it did, in fact, it did). It was repeated all over the town afterwards with spiteful laughter that the story was perhaps not quite completeβ βthat is, in the statement that the officer had let the young lady depart βwith nothing but a respectful bow.β It was hinted that something was here omitted.
βAnd even if nothing had been omitted, if this were the whole story,β the most highly respected of our ladies maintained, βeven then itβs very doubtful whether it was creditable for a young girl to behave in that way, even for the sake of saving her father.β
And can Katerina Ivanovna, with her intelligence, her morbid sensitiveness, have failed to understand that people would talk like that? She must have understood it, yet she made up her mind to tell everything. Of course, all these nasty little suspicions as to the truth of her story only arose afterwards and at the first moment all were deeply impressed by it. As for the judges and the lawyers, they listened in reverent, almost shamefaced silence to Katerina Ivanovna. The prosecutor did not venture upon even one question on the subject. Fetyukovitch made a low bow to her. Oh, he was almost triumphant! Much ground had been gained. For a man to give his last four thousand on a generous impulse and then for the same man to murder his father for the sake of robbing him of three thousandβ βthe idea seemed too incongruous. Fetyukovitch felt that now the charge of theft, at least, was as good as disproved. βThe caseβ was thrown into quite a different light. There was a wave of sympathy for Mitya. As for him.β ββ β¦ I was told that once or twice, while Katerina Ivanovna was giving her evidence, he jumped up from his seat, sank back again, and hid his face in his hands. But when she had finished, he suddenly cried in a sobbing voice:
βKatya, why have you ruined me?β and his sobs were audible all over the court. But he instantly restrained himself, and cried again:
βNow I am condemned!β
Then he sat rigid in his place, with his teeth clenched and his arms across his chest. Katerina Ivanovna remained in the court and sat down in her place. She was pale and sat with her eyes cast down. Those who were sitting near her declared that for a long time she shivered all over as though in a fever. Grushenka was called.
I am approaching the sudden catastrophe which was perhaps the final cause of Mityaβs ruin. For I am convinced, so is everyoneβ βall the lawyers said the same afterwardsβ βthat if the episode had not occurred, the prisoner would at least have been recommended to mercy. But of that later. A few words first about Grushenka.
She, too, was dressed entirely in black, with her magnificent black shawl on her shoulders. She walked to the witness-box with her smooth, noiseless tread, with the slightly swaying gait common in women of full figure. She looked steadily at the President, turning her eyes neither to the right nor to the left. To my thinking she looked very handsome at that moment, and not at all pale, as the ladies alleged afterwards. They declared, too, that she had a concentrated and spiteful expression. I believe that she was simply irritated and painfully conscious of the contemptuous and inquisitive eyes of our scandal-loving public. She was proud and could not stand contempt. She was one of those people who flare up, angry and eager to retaliate, at the mere suggestion of contempt. There was an element of timidity, too, of course, and inward shame at her own timidity, so it was not strange that her tone kept changing. At one moment it was angry, contemptuous and rough, and at another there was a sincere note of self-condemnation. Sometimes she spoke as though she were taking a desperate plunge; as
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