In 1870s Norway, Nora Helmer struggles to be her own person within her marriage and a society that limits the opportunities of women. When decisions made to protect her husband come back to haunt her, Nora must fight for her family and for her own place in the world.
Since its first theatrical run, in which every performance was sold out, A Doll’s House has inspired admiration, controversy, and discussion. First published by Ibsen in 1879 in Danish, the official language of Danish-ruled Norway, A Doll’s House sold out its first two printings within months. It first premiered at the Royal Theatre in Copenhagen within a month of publication, and the play was performed in Germany in 1880 and London in 1884.
Initial translations changed the play, particularly the ending, to be more sympathetic and acceptable. Ibsen considered these changes to be a “barbaric outrage.” It wouldn’t be until 1889 that the play was performed as written in London and Broadway.
Ibsen’s work pioneered realistic depictions of middle class families and social themes. He claimed that he didn’t have feminist intentions in the writing of A Doll’s House, instead aiming for “the description of humanity,” but the play is widely considered an essential feminist work and has had a real lasting impact: as recently as 2006, it was the most performed play in the world.
have one too, Christine. And I shall have one, just a little one—or at most two. Walking about. I am tremendously happy. There is just one thing in the world now that I should dearly love to do.
Rank
Well, what is that?
Nora
It’s something I should dearly love to say, if Torvald could hear me.
Rank
Well, why can’t you say it?
Nora
No, I daren’t; it’s so shocking.
Mrs. Linde
Shocking?
Rank
Well, I should not advise you to say it. Still, with us you might. What is it you would so much like to say if Torvald could hear you?
Nora
I should just love to say—Well, I’m damned!
Rank
Are you mad?
Mrs. Linde
Nora, dear—!
Rank
Say it, here he is!
Nora
Hiding the packet. Hush! Hush! Hush! Helmer comes out of his room, with his coat over his arm and his hat in his hand.
Nora
Well, Torvald dear, have you got rid of him?
Helmer
Yes, he has just gone.
Nora
Let me introduce you—this is Christine, who has come to town.
Helmer
Christine—? Excuse me, but I don’t know—
Nora
Mrs. Linde, dear; Christine Linde.
Helmer
Of course. A school friend of my wife’s, I presume?
Mrs. Linde
Yes, we have known each other since then.
Nora
And just think, she has taken a long journey in order to see you.
Helmer
What do you mean?
Mrs. Linde
No, really, I—
Nora
Christine is tremendously clever at bookkeeping, and she is frightfully anxious to work under some clever man, so as to perfect herself—
Helmer
Very sensible, Mrs. Linde.
Nora
And when she heard you had been appointed manager of the Bank—the news was telegraphed, you know—she travelled here as quick as she could. Torvald, I am sure you will be able to do something for Christine, for my sake, won’t you?
Helmer
Well, it is not altogether impossible. I presume you are a widow, Mrs. Linde?
Mrs. Linde
Yes.
Helmer
And have had some experience of bookkeeping?
Mrs. Linde
Yes, a fair amount.
Helmer
Ah! well, it’s very likely I may be able to find something for you—
Nora
Clapping her hands. What did I tell you? What did I tell you?
Helmer
You have just come at a fortunate moment, Mrs. Linde.
Mrs. Linde
How am I to thank you?
Helmer
There is no need. Puts on his coat. But today you must excuse me—
Rank
Wait a minute; I will come with you. Brings his fur coat from the hall and warms it at the fire.
Nora
Don’t be long away, Torvald dear.
Helmer
About an hour, not more.
Nora
Are you going too, Christine?
Mrs. Linde
Putting on her cloak. Yes, I must go and look for a room.
Helmer
Oh, well then, we can walk down the street together.
Nora
Helping her. What a pity it is we are so short of space here; I am afraid it is impossible for us—
Mrs. Linde
Please don’t think of it! Goodbye, Nora dear, and many thanks.
Nora
Goodbye for the present. Of course you will come back this evening. And you too, Dr. Rank. What do you say? If you are well enough? Oh, you must be! Wrap yourself up well. They go to the door all talking together. Children’s voices are heard on the staircase.
Nora
There they are! There they are! She runs to open the door. The Nurse comes in with the children. Come in! Come in! Stoops and kisses them. Oh, you sweet blessings! Look at them, Christine! Aren’t they darlings?
Rank
Don’t let us stand here in the draught.
Helmer
Come along, Mrs. Linde; the place will only be bearable for a mother now!
Rank, Helmer, and Mrs. Linde go downstairs. The Nurse comes forward with the children; Nora shuts the hall door.
Nora
How fresh and well you look! Such red cheeks like apples and roses. The children all talk at once while she speaks to them. Have you had great fun? That’s splendid! What, you pulled both Emmy and Bob along on the sledge?—both at once?—that was good. You are a clever boy, Ivar. Let me take her for a little, Anne. My sweet little baby doll! Takes the baby from the Maid and dances it up and down. Yes, yes, Mother will dance with Bob too. What! Have you been snowballing? I wish I had been there too! No, no, I will take their things off, Anne; please let me do it, it is such fun. Go in now, you look half frozen. There is some hot coffee for you on the stove.
The Nurse goes into the room on the left. Nora takes off the children’s things and throws them about, while they all talk to her at once.
Nora
Really! Did a big dog run after you? But it didn’t bite you? No, dogs don’t bite nice little dolly children. You mustn’t look at the parcels, Ivar. What are they? Ah, I daresay you would like to know. No, no—it’s something nasty! Come, let us have a game! What shall we play at? Hide and Seek? Yes, we’ll play Hide and Seek. Bob shall hide first. Must I hide? Very well, I’ll hide first. She and the children laugh and shout, and romp in and out of the room; at last Nora hides under the table, the children rush in and out for her, but do not see her; they hear her smothered laughter, run to the table, lift up the cloth and find her. Shouts of laughter. She crawls forward and pretends to frighten them. Fresh laughter. Meanwhile there has been a knock at the hall door, but none of them has noticed it. The door is half opened, and Krogstad appears, he waits a little; the game goes on.
Krogstad
Excuse me, Mrs. Helmer.
Nora
With a stifled cry, turns round and gets up on to her knees. Ah! what do you want?
Krogstad
Excuse me, the outer door was ajar; I suppose someone forgot to shut it.
Nora
Rising. My husband is out, Mr. Krogstad.
Krogstad
I know that.
Nora
What do you want here, then?
Krogstad
A word with you.
Free e-book: «A Doll’s House by Henrik Ibsen (ebook reader color screen txt) 📕» - read online now on website american library books (americanlibrarybooks.com)
Comments (0)