Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) ๐
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieลฤ z czasรณw Nerona. Among Henryk Sienkiewiczโs inspirations was the painting Neroโs Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Neroโs cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Viniciusโs immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novelโs title translates to โWhere are you going, Lord?โ, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peterโs death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paulโs fate and the deaths of Nero and Petronius, Viniciusโs wise and worldly uncle and mentor. Sienkiewicz contrasts Petroniusโs and Neroโs hedonism with Viniciusโs and Lygiaโs journey to a deeper faith in their God, and with Peter and Paulโs faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how oneโs way of living affects how they see death.
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- Author: Henryk Sienkiewicz
Read book online ยซQuo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) ๐ยป. Author - Henryk Sienkiewicz
Still he acknowledged to himself that it had adorned Lygia with that exceptional, unexplained beauty which in his heart had produced, besides love, respect, besides desire, homage, and had made of that same Lygia a being dear to him beyond all others in the world. And then he wished anew to love Christ. And he understood clearly that he must either love or hate Him; he could not remain indifferent. Meanwhile two opposing currents were as if driving him: he hesitated in thoughts, in feelings; he knew not how to choose, he bowed his head, however, to that God by him uncomprehended, and paid silent honor for this sole reason, that He was Lygiaโs God.
Lygia saw what was happening in him; she saw how he was breaking himself, how his nature was rejecting that religion; and though this mortified her to the death, compassion, pity, and gratitude for the silent respect which he showed Christ inclined her heart to him with irresistible force. She recalled Pomponia Graecina and Aulus. For Pomponia a source of ceaseless sorrow and tears that never dried was the thought that beyond the grave she would not find Aulus. Lygia began now to understand better that pain, that bitterness. She too had found a being dear to her, and she was threatened by eternal separation from this dear one.
At times, it is true, she was self-deceived, thinking that his soul would open itself to Christโs teaching; but these illusions could not remain. She knew and understood him too well. Vinicius a Christian!โ โThese two ideas could find no place together in her unenlightened head. If the thoughtful, discreet Aulus had not become a Christian under the influence of the wise and perfect Pomponia, how could Vinicius become one? To this there was no answer, or rather there was only oneโ โthat for him there was neither hope nor salvation.
But Lygia saw with terror that that sentence of condemnation which hung over him instead of making him repulsive made him still dearer simply through compassion. At moments the wish seized her to speak to him of his dark future; but once, when she had sat near him and told him that outside Christian truth there was no life, he, having grown stronger at that time, rose on his sound arm and placed his head on her knees suddenly. โThou art life!โ said he. And that moment breath failed in her breast, presence of mind left her, a certain quiver of ecstasy rushed over her from head to feet. Seizing his temples with her hands, she tried to raise him, but bent the while so that her lips touched his hair; and for a moment both were overcome with delight, with themselves, and with love, which urged them the one to the other.
Lygia rose at last and rushed away, with a flame in her veins and a giddiness in her head; but that was the drop which overflowed the cup filled already to the brim. Vinicius did not divine how dearly he would have to pay for that happy moment, but Lygia understood that now she herself needed rescue. She spent the night after that evening without
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