Lavengro by George Borrow (read me a book txt) π
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Lavengro, the Scholar, the Gypsy, the Priest, published in 1851, is a heavily fictionalized account of George Borrowβs early years. Borrow, born in 1803, was a writer and self-taught polyglot, fluent in many European languages, and a lover of literature.
The Romany Rye, published six years later in 1857, is sometimes described as the βsequelβ to Lavengro, but in fact it begins with a straight continuation of the action of the first book, which breaks off rather suddenly. The two books therefore are best considered as a whole and read together, and this Standard Ebooks edition combines the two into one volume.
In the novel Borrow tells of his upbringing as the son of an army recruiting officer, moving with the regiment to different locations in Britain, including Scotland and Ireland. It is in Ireland that he first encounters a strange new language which he is keen to learn, leading to a life-long passion for acquiring new tongues. A couple of years later in England, he comes across a camp of gypsies and meets the gypsy Jasper Petulengro, who becomes a life-long friend. Borrow is delighted to discover that the Romany have their own language, which of course he immediately sets out to learn.
Borrowβs subsequent life, up to his mid-twenties, is that of a wanderer, traveling from place to place in Britain, encountering many interesting individuals and having a variety of entertaining adventures. He constantly comes in contact with the gypsies and with Petulengro, and becomes familiar with their language and culture.
The book also includes a considerable amount of criticism of the Catholic Church and its priests. Several chapters are devoted to Borrowβs discussions with βthe man in black,β depicted as a cynical Catholic priest who has no real belief in the religious teachings of the Church but who is devoted to seeing it reinstated in England in order for its revenues to increase.
Lavengro was not an immediate critical success on its release, but after Borrow died in 1881, it began to grow in popularity and critical acclaim. It is now considered a classic of English Literature. This Standard Ebooks edition of Lavengro and The Romany Rye is based on the editions published by John Murray and edited by W. I. Knapp, with many clarifying notes.
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- Author: George Borrow
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I crossed the river at a bridge considerably above that hight of London; for not being acquainted with the way, I missed the turning which should have brought me to the latter. Suddenly I found myself in a street of which I had some recollection, and mechanically stopped before the window of a shop at which various publications were exposed; it was that of the bookseller to whom I had last applied in the hope of selling my ballads or Ab Gwilym, and who had given me hopes that in the event of my writing a decent novel, or a tale, he would prove a purchaser. As I stood listlessly looking at the window, and the publications which it contained, I observed a paper affixed to the glass by wafers with something written upon it. I drew yet nearer for the purpose of inspecting it; the writing was in a fair round handβ ββA Novel or Tale is much wanted,β was what was written.
LVβI must do something,β said I, as I sat that night in my lonely apartment, with some bread and a pitcher of water before me.
Thereupon taking some of the bread, and eating it, I considered what I was to do. βI have no idea what I am to do,β said I, as I stretched my hand towards the pitcher, βunlessβ βand here I took a considerable draughtβ βI write a tale or a novelβ βThat bookseller,β I continued, speaking to myself, βis certainly much in need of a tale or novel, otherwise he would not advertise for one. Suppose I write one, I appear to have no other chance of extricating myself from my present difficulties; surely it was Fate that conducted me to his window.β
βI will do it,β said I, as I struck my hand against the table; βI will do it.β Suddenly a heavy cloud of despondency came over me. Could I do it? Had I the imagination requisite to write a tale or a novel? βYes, yes,β said I, as I struck my hand again against the table, βI can manage it; give me fair play, and I can accomplish anything.β
But should I have fair play? I must have something to maintain myself with whilst I wrote my tale, and I had but eighteen pence in the world. Would that maintain me whilst I wrote my tale? Yes, I thought it would, provided I ate bread, which did not cost much, and drank water, which cost nothing; it was poor diet, it was true, but better men than myself had written on bread and water; had not the big man told me so, or something to that effect, months before?
It was true there was my lodging to pay for; but up to the present time I owed nothing, and perhaps, by the time the people of the house asked me for money, I should have written a tale or a novel, which would bring me in money; I had paper, pens and ink, and, let me not forget them, I had candles in my closet, all paid for, to light me during my night work. Enough, I would go doggedly to work upon my tale or novel.
But what was the tale or novel to be about? Was it to be a tale of fashionable life, about Sir Harry Somebody, and the Countess Something? But I knew nothing about fashionable people, and cared less; therefore how should I attempt to describe fashionable life? What should the tale consist of? The life and adventures of someone. Goodβ βbut of whom? Did not Mr. Petulengro mention one Jemmy Abershaw? Yes. Did he not tell me that the life and adventures of Jemmy Abershaw would bring in much money to the writer? Yes, but I knew nothing of that worthy. I heard, it is true, from Mr. Petulengro, that when alive he committed robberies on the hill, on the side of which Mr. Petulengro had pitched his tents, and that his ghost still haunted the hill at midnight; but those were scant materials out of which to write the manβs life. It is probable, indeed, that Mr. Petulengro would be able to supply me with further materials if I should apply to him, but I was in a hurry, and could not afford the time which it would be necessary to spend in passing to and from Mr. Petulengro, and consulting him. Moreover, my pride revolted at the idea of being beholden to Mr. Petulengro for the materials of the history. No, I would not write the history of Abershaw. Whose thenβ βHarry Simms? Alas, the life of Harry Simms had been already much better written by himself than I could hope to do it; and, after all, Harry Simms, like Jemmy Abershaw, was merely a robber. Both, though bold and extraordinary men, were merely highwaymen. I questioned whether I could compose a tale likely to excite any particular interest out of the exploits of a mere robber. I want a character for my hero, thought I, something higher than a mere robber; someone likeβ βlike Colonel Bβ βΈΊ.180 By the way, why should I not write the life and adventures of Colonel Bβ βΈΊ of Londonderry, in Ireland?
A truly singular man was this same Colonel Bβ βΈΊ of Londonderry, in Ireland; a personage of most strange and incredible feats and daring, who had been a partisan soldier, a bravoβ βwho, assisted by certain discontented troopers, nearly succeeded in stealing the crown and regalia from the Tower of London; who attempted to hang the Duke of Ormond, at Tyburn; and whose strange eventful career did not terminate even with his life, his dead body, on the circulation of an unfounded report that he did not come to
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